Alias: Feiyi, Kun En, Sancho, Midnight.
Nationality: People's Republic of China (PRC).
Ethnic group: Han nationality
Place of birth: Guilin, Guangxi
Date of birth: 1924
Date of death: 2012165438+10: 35 am on October 3.
Occupation: Art educator, China painter.
Main achievements: Principle of China Calligraphers Association, Secretary General of Guangxi Calligraphers Association, and researcher of Guangxi Literature and History Museum [1].
Representative works: Song Dynasty's Bamboo Carving Poem of Yue Fei Crossing the River, Poem of Lanshan Mountain in Rain, and Zhao Puchu's Poem of Partridge Returning to China to Welcome the New Teacher in Heaven [2].
Real name: the hall master without a hat, fasting at midnight.
(lishixinzhi.com in history) ancestral home: Fengxin, Ji 'an, Jiangxi.
Party: member of Jiu San Society.
Handsome and firm figure
Shuai Lizhi, male, was born in 1924, Guilin, Guangxi.
From June 65438 to September 0982, Guangxi Federation of Literary and Art Circles was appointed as the first and second secretary-general of Guangxi Calligraphers Association. Librarian of Guangxi Literature and History Museum, member of China Calligraphers Association, executive vice president of Guangxi Senior Calligraphy and Painting Research Association, president of Guangxi Shi Shuai Calligraphy and Painting Research Association, legal representative, second director of China Calligraphers Association, first member of China lettering Research Association, visiting professor of Guilin Tourism College, etc.
A handsome and determined life
His father, Shuai Chujian, was born in Fengxin, Ji 'an, Jiangxi Province, and was a pioneer in the introduction of western painting into Guangxi. 19 19 was admitted to the Shanghai Academy of Fine Arts founded by Liu Haisu, a master of modern art in China, and studied under Liu Haisu, Wang Jiyuan, Chen Baoyi and Pan Tianshou. 192 1 After graduating from the Academy of Fine Arts, he returned to several schools in Guilin to teach, opened the first course of perspective, anatomy and painting theory of western painting in the art class of Guangxi school, and set up a unique "Art Research Studio" in Guilin. During this period, he created a large number of Chinese paintings with Guilin landscape, misty rain, flowers and birds as the theme, and won the charm of Guilin Qifeng Xiushui, which was famous all over the country for a time, and became a master of Lingnan landscape painting school.
Shuai Lizhi is the second of nine brothers and sisters. At the age of 9, he began to learn calligraphy and stone carving under the guidance of his father. From then on, in 10 years, he copied the stone inscriptions sleepless nights. I learned the two kings at first, then studied the European, Yan and Liu schools, studied hard and copied the Diamond Sutra, Preface to Lanting, Duota and Xuanta. So he has a deep foundation in writing, writing, traveling and cursive writing.
Later, Shuai decided to learn from Zhao Mengfu and Mi Fei's running script and cursive script. He loved Zhang Xu and Huai Su's Weeds, and he also preferred Song Huizong's Slimming Method. He also borrowed from Huang Tingjian and Yue Fei's "Former Teacher's Watch" and "Rear Teacher's Watch", which won his charm. He often goes to Xiangbi Mountain, Qixingyan, Duxiufeng, Yushan and other scenic spots to explore historical sites and copy. During this period, in addition to calligraphy, he was also fascinated by epigraphy. He studied sculpture from Lin Banjue, a famous seal engraver at that time, and Oracle bones, Zhong Ding, Weibei, Dazhuan and Xiaozhuan became his research objects. He worked hard, practiced hard, persevered and never gave up. For a time, he even carried a few bricks to the mountain to copy stone carvings every day, almost forgetting himself.
There is a saying called "Heroes and Teenagers since ancient times." Inadvertently 10 years passed. After hard training, 19-year-old Shuai Lizhi, whose calligraphy and lettering skills are improving day by day, has become a talented young man with stunts and a figure who has emerged in the book world. 1943 participated in the Guilin Calligraphy Competition and won the final prize of the youth group, which made him famous for a while and was known as the "young calligrapher". This year, he began to receive a list titled "Zhibo Seal Cutting and Printing" in the bookstore. In the era of soaring prices in War of Resistance against Japanese Aggression, his move really lightened the burden on his family.
In the years of War of Resistance against Japanese Aggression, we should raise funds in due course.
1944, in late War of Resistance against Japanese Aggression, bonfires burned all over Bagui. Guilin, as the rear area, was invaded by Japanese devils and bombed by planes, and soon fell, and a large number of Guangxi cultural celebrities were forced to evacuate and flee. Shuai Lizhi's family was also forced to accompany them in exile and evacuation, leading a wandering life. During his years in exile, he went, learned and carved. Especially in Zhaoping period, Wei, then the county magistrate of Zhaoping (vice chairman of Guangxi CPPCC after liberation) was an enlightened county magistrate. Guangxi Daily and a large number of cultural celebrities such as He Xiangning, Qian Jiaju, Ou Yangyuqian, Liang Shuming, Liu Yazi and Mo Naiqun were exiled here, where they vigorously launched the anti-Japanese national salvation movement. At this time, Shuai Lizhi, who was only 20 years old, also devoted himself to this great struggle related to the national peril. He took Hua You Monthly and other newspapers and periodicals as positions to raise funds and support War of Resistance against Japanese Aggression. During this period, he not only raised considerable funds for resisting Japan and saving the nation, but also came into contact with various printed materials, noodles and famous names, which greatly gave him an opportunity to exercise and improve his skills. Recalling the hard years of youth, Shuai Lizhi was particularly impressed: "Because the printed materials received included various Shoushan stones and Qingtian stones, as well as expensive chicken blood, fish brain jelly, Tian Huangshi, black and white horns and ivory. The size and form of the printed surface are also different, the strokes of the surname are also changing, and the number of words engraved is also greatly increased or decreased, which must be completed within the delivery period. This put a burden on my back, fearing that the engraved seal would be dissatisfied and rejected by the other party. If there is a' return', it will be difficult to end it. Carving meets bloodstone, and avoids bloodstone. In short, we can't be careless. Managing India under such circumstances forced me to work hard. The foundation of my seal cutting and printing is forced out. " The word "strength" actually casts the tough will, persistent spirit and hard-working and realistic quality of young handsome men.