Wang Shimin, whose real name was Xun Zhi, was a heavy smoker and an old man at the west foot. He was a famous four Wang Zhiyi in the early Qing Dynasty. This painting is light green, and the composition is a common pattern made by Wang Shimin, a yellow man. There is a vast sea of clouds between the peaks, and it is really free. The pen and ink skills are excellent and elegant. 2. Guo Guitu's cultural relics belong to the status quo of the old cultural relics in the Forbidden City: a silk book in the Palace Museum in Beijing, with a length of 28.4cm and a length of 28cm. This picture has no money. When printing ringtones, the printed text is blurred. The picture shows the banks of streams, mud slopes and gravel, Polygonum hydropiper in full bloom and wild chrysanthemums in light bloom. An old tortoise slowly climbed up the slope, but before it came out of the water, it was attracted by the bees on the Polygonum hydropiper, stopped to look up, and its hind feet were still immersed in the pool, showing carefree and uncontested appearance. With pen and writing, Polygonum hydropiper and tortoise are sketched with a thin pen in the center, grass and stamens are sketched with a small freehand brushwork, with a combination of meticulous brushwork, flexible brushwork and elegant and delicate colors. 3. The cultural relics of Weiyuan Yajitu originally belonged to private collection.
Present situation of cultural relics: The Shen Zhou collected by Liaoning Provincial Museum creates an atmosphere of pavilions and elegant landscapes in this painting. The distant peaks are steep and faintly shrouded in mist; Near the top of the mountain and halfway up the mountain, there are many terraces rising slowly, and the spring water rushes down from the mountain stream to form a brown stream. There is a small bridge beside the stream. Four Mao Ting people are sitting on the floor. An extremely young man stood aside, waiting for his master's order. An old man came with a cane. At the foot of the mountain, lush vegetation and red maple leaves adorn it, adding a bit of elegant scenery to the resort. The painter combines painting with dyeing, and the constructed picture is vigorous and quiet, and the painting heart is even recited by the painter. It is really a masterpiece of mountains and rivers in which poetry, painting and calligraphy are integrated. This work is based on the elegant collection of the five-person mountain pavilion, so this scene is placed in a very eye-catching place in the picture. Mao Ting is located by a stream, surrounded by several miscellaneous trees. The mountains face the water, and there is a stream spring between the valleys. This is a painting by Shen Shi when he was forty-three years old. This is a typical realistic work. From Wei Chang's inscription and postscript, we can understand the scene and process of Ji Ya at that time. There are also sentences in "Ya", as well as poems by others, which make painting have important commemorative significance. This painting was collected by Mao Cheng, Luo Zhenyu and others. 4. The ancient painting of the Ming Dynasty, The Picture of Shibaying Town, Ceng Gong's work Ju Tieshi in the Song Dynasty, Huang Tingjian's masterpiece of calligraphy in his later years, Hua Yan's Song He Tu, and Zhou Chen's Watching the Tide.