Calligraphy art is the crystallization and treasure of thousands of years' culture in China. It goes hand in hand with China's history and culture, and it is endless, innovative and developing. From Oracle Bone Inscriptions in Shang Dynasty, bronze inscriptions in Zhou Dynasty, seal script in Qin Dynasty, official script in Han Dynasty and cursive script in Han and Wei Dynasties to the present. On the writing carrier, from tortoise shells, stones, bamboo slips, cloth and silk, paper to computers. No matter the change of writing form and writing carrier, it is inseparable from the development and progress of the times. At present, China's calligraphy works are generally displayed and preserved in the form of inscriptions, books and pictures. With the passage of time, many inscriptions have been severely weathered, the stones on the surface of the inscriptions have peeled off, some handwriting has been blurred, some have been damaged, and some have been artificially destroyed. However, there are some shortcomings in the preservation of books and pictures, such as the volume of printed documents is too large, the space occupied is too large, the storage is limited, it is easy to be damaged, the information transmission is slow, and resources are difficult to share. In today's society, high-tech has widely entered people's daily life and various fields, and various modern high-tech media have emerged in an endless stream, which has brought many opportunities and more diverse forms of expression to the inheritance and development of ancient calligraphy art in China, which is unmatched by any previous era. At present, calligraphy works are mainly used in bitmap format on computers, which is suitable for browsing, appreciation and teaching. It is difficult to be compatible with vector software and can not be used in more multimedia fields, such as laser equipment, photoelectric equipment, engraving equipment and so on. Therefore, we urgently need to convert our valuable calligraphy works into vector electronic format and establish a systematic, scientific, standardized and accurate vector electronic file for the essence of calligraphy art from ancient times to the present. It will be better combined with contemporary multimedia, creatively transform and develop the carrier and expression of calligraphy, which is conducive to the inheritance and development of traditional calligraphy art.
? The modern sculpture series of "Spring Flower Pavilion Post" and the royal sculpture of "Sanxi Hall Shiqu Baotie" are the practical applications of calligraphy works integrated into vector electronic version and technology. The materials used in this work are all new materials today, and the whole work has the visual effect of combining rubbings with carvings, which is elegant, simple and modern, and easy to carry and display.
? The modern sculpture series of Sanxitang Stone Canal Treasure Royal Sculpture consists of Sanxitang Stone Canal Treasure Royal Sculpture and Xuansanxitang Stone Canal Treasure Royal Sculpture. According to Beihai Park, we read the inscription of Sanxitang in Fa Tie collected by Gu Lou. Among them, there are 495 pieces of Sanxi Hall Shiqubao, 36 pieces of Sanxi Hall Shiqubao (Xuanbao) and 47 pieces of Sanxi Hall Shiqubao, totaling 578 pieces.
? Sanxi Hall, Fa Tie is the largest calligraphy collection in ancient China, and it is also the most complete collection of calligraphy and stone carvings in Wei, Jin and late Ming dynasties. Exquisitely carved and voluminous, it can be called a masterpiece in the collection. The name "Sanxi Hall" originated from the three famous calligraphy posts in Jin Dynasty collected by Qianlong, namely, Wang Xizhi's Quick Snow Clear Post, Wang Xianzhi's Mid-Autumn Post and Wang Xun's Yuan Bo Post. These three pillars are regarded as rare treasures by Qianlong, and specially collected in the "Sanxi Hall" in hall of mental cultivation, the Forbidden City. In the 12th year of Qianlong reign (1747), the emperor ordered the university student and the minister of the Ministry, Shang Shuliang, to compile his Three Wishes and the calligraphy from Wei, Jin and Ming Dynasties collected by the imperial government into a volume, and personally prefaced it, and ordered people to copy it on the book, which was called "Sanxi Hall Shiqu Treasure Imperial Carving". This book has 32 volumes of calligraphy posts and 495 carved stones, with a total of calligraphers 135 people and more than 340 calligraphy works, including five in Wei, Jin, Southern and Northern Dynasties, eleven in Sui and Tang Dynasties, sixty-nine in Song Dynasty, one in Jin Dynasty, twenty-one in Yuan Dynasty and twenty-eight in Ming Dynasty. In addition, there are more than 2 inscriptions10, more than 640 seals/kloc-0, and more than 90,000 words.
? Twenty years after the engraving of Sanxitang Fa Tie, Emperor Qianlong, who loved calligraphy, found that there were still many good Fa Tie that had not been collected. Gan Long also ordered Jiang Pu, Wang Youdun, Ji Huang and others to compile 4 volumes of Mo Miao Fa Xuan Tie, which is a sequel of Sanxi Hall Fa Tie, also known as Sanxi Hall Xu Fa Tie, and has the same style as Sanxi Hall Fa Tie. More than 30 kinds of calligraphy works collected by Chu Suiliang in Tang Dynasty were all carved by Jiao Guotai. The back stone is embedded in the two walls of Mo Miao Xuan in Huishan Garden of Wanshou Mountain in the Summer Palace, but the original stone has now been lost. There are 36 modern sculptures. Because "Fa Tie and Sanxi Hall" only includes calligraphy works from Wei, Jin and Ming Dynasties. Therefore, this supplement has completed the creation of "Continued Writing of Sanxi Hall and Fa Tie", aiming at comprehensively showing the development and evolution track of China's calligraphy art from Wei and Jin Dynasties to Qing Dynasty. Based on the works handed down by calligraphers in Qing Dynasty and referring to the carving style of Fa Tie and Sanxi Hall, it chooses its representativeness for modern sculpture creation. In the course of 300 years' development, calligraphy in Qing Dynasty has made brilliant achievements. Therefore, the works of 15 representative writers such as Wang Duo, Fu Shan, Deng and Kang Youwei have been added. In addition, on the basis of Sanxi Hall Fa Tie, which only contains capital letters, lines and cursive characters, the characters of seal script and official script are included, and five fonts are fully displayed. Four volumes and 47 pieces were added.
? Modern Sculpture of Chunhua Ge Tie is another modern calligraphy sculpture preserved in electronic form on the basis of the early rubbings of Chunhua Ge Tie. It is a perfect match with the modern sculpture series of Fa Tie Shiqu Baodi Sanxi Hall Royal Sculpture, which can fully show the development and evolution of China's calligraphy art from pre-Qin to Qing Dynasty for more than two thousand years. Chunhua pavilion post is the earliest calligraphy post in China, with ten volumes. In the third year of Song Chunhua (AD 992), Emperor Taizong ordered Wang Zhu, a bachelor of calligraphy, to select the imperial books of past dynasties in the Inner Hall, engrave them on wooden boards, and extend them to important officials in the DPRK. "Chunhua Pavilion Post" has a collection of China's calligraphy ink for more than 1000 years from pre-Qin to Sui and Tang Dynasties, including 420 works by emperors, courtiers and famous calligraphers. Later generations praised China as the crown of calligraphy posts and the "ancestor of cluster posts". The first volume is the book of emperors, the second, third and fourth volumes are the books of famous ministers, the fifth volume is the ancient books of various schools, the sixth, seventh and eighth volumes are the books of Wang Xizhi, and the ninth and tenth volumes are the books of Wang Xianzhi. This modern sculpture consists of 80 works.
? The above series of modern calligraphy sculptures are large in scale, with a total of 658 pieces and a total length of 674 meters. It can fully show the evolution history of calligraphy in China from pre-Qin to Qing Dynasty, and is suitable for related cultural activities, tourism, development and application of cultural and creative products, etc. At present, many valuable calligraphy inscriptions have become important cultural relics in our country, and the external exhibition has great limitations. This work can let more people see the evolution and development of China's calligraphy art, watch the exquisite works of calligraphers of past dynasties, and feel the profoundness and infinite vitality of China's calligraphy art.
? The revival of China's calligraphy is an important part of China's cultural revival. Excellent calligraphy works from ancient times to the present have become extremely valuable artistic treasures in the treasure house of traditional culture. It is the need of the development of the times to preserve, display, record and inherit the traditional culture of China by means of contemporary science and technology. At the same time, more people need to make joint efforts to explore, so that the ancient calligraphy art can be inherited and developed in the new era.
Address: Leiyi Painting and Calligraphy Class in Wanghua District, Fushun City, Liaoning Province (in Leifeng Community Hospital)? king