The style of the characters is formed in one stroke, with occasional discontinuities. The continuous blood flow refers to the absolute control of the coherence and speed of the style on the form of the stipples. The styles are integrated into one, and the shape is consistent. Huddle.
"One-stroke calligraphy" is originally a method of cursive calligraphy. It is said that Zhang Zhi created cursive calligraphy. 》). The essence of "one-stroke calligraphy" lies in the absolute unification of the coherence and sense of speed of the calligraphy momentum to the form of the frame between pointillism. The momentum is unified into one, and the shape is unified. Wang Xianzhi introduced cursive writing, and his "one-stroke calligraphy" in cursive writing was just like Zhang Zhi's cursive writing method, achieving extremely easy and fast writing.
The four words "The Return of the Goose" and "The bad show has been returned" are a long curve that winds and flows downwards with almost no ups and downs, and every turn is uniformly light and smooth.
Wang Xianzhi has been smart and studious since he was a child. He specializes in cursive script and official script in calligraphy, and is also good at painting. He practiced calligraphy with his father since he was a child. Later, he also learned calligraphy from Zhang Zhi and created his own calligraphy. He is famous for his running script and cursive script, but he also has profound skills in regular script and official script. Zhang Huaiguan rated his calligraphy as first-class in "Shu Appraisal". Wang Xianzhi was also good at painting, and Zhang Yanyuan rated his paintings as "low-middle grade" in "Records of Famous Paintings of the Past Dynasties".
Fighting from all sides means:
"Face-changing" is a unique skill of Sichuan Opera. In an instant, one mask of the actor changes into another mask, and this The mask was immediately replaced by a new mask... The masks flashed by so fast that it was overwhelming. Wang Xianzhi's calligraphy can "attack from all sides", which is the "face-changing" magic of brushwork.
"Xiao Wang"'s "attack from all sides" and "one-stroke calligraphy" represent the two extremes of cursive writing: "one-stroke calligraphy" is the gentle murmuring of water, and "attack from all sides" It is a fierce ups and downs; the rhythm of "one stroke of writing" is consistent, and the rhythm of "attacking from all sides" is confusing and intricate; "one stroke of writing" is simple and simple, even without edge, while "attacking from all sides" is complicated and complex. , the flowers are blooming, "the flowers are gradually charming," and the brilliance is too dazzling.