The monuments of many towers are the works of the great calligrapher Yan Zhenqing. The words are exquisite, vigorous and full of atmosphere, as gorgeous as Yang Guifei, and the words are regular, coordinated and balanced, giving people a refreshing feeling. At the same time, calligraphy works reflect the full aesthetic taste in the prosperous Tang Dynasty.
China's calligraphy has an extraordinary influence in the history and culture of China, and even in the world art, which has produced great calligraphers and calligraphy works. Calligraphers in each era and their works reflect the historical development process and the history of calligraphy development. Since China has written records, the development of China's calligraphy has experienced the evolution of Oracle Bone Inscriptions, bronze inscriptions, seal script, official script, regular script, cursive script and running script.
China's 5,000-year splendid civilization and unparalleled rich written records have been recognized by the world. In this long and profound history, China's calligraphy and painting art reproduces this diachronic evolution process with its unique artistic form and artistic language. In the historical evolution, calligraphy and painting, a sister art, explained the traditional cultural connotation of China with its complementarity and independence.
Because the tools and materials used in the creation of books and paintings are the same. When talking about the origin of China's ancient characters and pictures in the Book of Famous Paintings in Past Dynasties, he said: "At that time, books and pictures are inseparable. The image system is innovative but still slightly, which can't convey its meaning, so there are books; I can't see its shape, so I have a picture. " Although calligraphy and painting are homologous and comparable, their future development and changes are complementary and independent.