More than 20 stone carvings, such as statues and sarcophagus beds carved in the Northern Dynasties, show the exquisite stone carvings from the Han Dynasty to the Qing Dynasty. The second part is calligraphy works, which show two calligraphy works, namely, the stele of Xiang Yan Pavilion in Wang Duo and the imperial calligraphy of Hanlin Academy in Kangxi Hall. The third part is the epitaphs of past dynasties, showing more than 100 epitaphs from the Northern Wei Dynasty to the Republic of China. "Qinyang Revolutionary History Exhibition" passed
Physical objects, photos and documents reflect the glorious course of Qinyang people's bloody struggle for national liberation, resistance to aggression and establishment of a new China during the First Revolutionary Civil War, the Second Revolutionary Civil War, War of Resistance against Japanese Aggression and the Liberation War. "Today's Qinyang Exhibition", with an exhibition line of 150 meters long, shows the brilliant achievements of Qinyang in comprehensively implementing reform and opening up in industry, agriculture, township enterprises, urban construction, science and technology, culture and education, and accelerating the construction of two major civilizations after the Third Plenary Session of the Eleventh Central Committee. General Secretary Jiang in Qinyang mainly shows the specific situation and scenes of General Secretary Jiang's inspection in Qinyang on June 3, 1996.
In addition, the museum has also produced mobile exhibitions such as Qinyang historical relics photo exhibition, Qinyang national defense knowledge education exhibition, Qinyang heroic exhibition, photo exhibition of welcoming Hong Kong's return to the motherland, national party history photo exhibition, patriotic education photo exhibition, calligraphy and painting exhibition, etc., and carried out patriotic education in factories, troops, schools and rural areas. 1997 was awarded "National Excellent Patriotism Education Base of Cultural Relics System" by National Cultural Heritage Administration in May. Qinyang Museum has more than 600 pieces of cultural relics 1600, which are mainly divided into pottery, porcelain, stone tools, bronzes, jade articles, calligraphy, painting and modern cultural relics. Among them, Wang Duoshu's calligraphy inscriptions are the most famous. The calligraphy tablet in Wang Duo consists of three parts: the tablet of Chuangbaixiang Town, the tablet of Xiang Yan Pavilion, and the tablet of Ousheng Temple in Yanggongjing. It consists of 24 rectangular bluestones, each engraved with "Bachelor Zongbo" and "Wang Feng Seal", and engraved by Zhang Er. Wang Duo's calligraphy steles include block letters with ancient charm, elegant and handsome features, bold and powerful features, cursive scripts that are free and easy, and big grass with free and easy brushwork. This calligraphy tablet is in block letters, connected from top to bottom, patchwork and endless charm, reaching a perfect artistic realm. It is an important masterpiece of Wang Duo's calligraphy art in his later years, and it is also the best preserved and largest in Wang Duo at present.
Stone Garden in Hanoi
Qinyang Hanoi Stone Garden was called Hanoi in ancient times, so it was named Hanoi Stone Garden. In the Stone Garden, more than 200 exquisite stone carvings of Qinyang have been relocated, which are divided into three parts according to their contents:
first part
The first part is the stone carvings of past dynasties. There are more than 20 stone carvings on display, from the Western Han Dynasty to the Republic of China. Among them, stone to ward off evil spirits, sarcophagus bed and Buddha statue all have high cultural value. Due to the prevalence of thick burial in Han dynasty, coffin bed as a burial tool is a new product, so it is relatively simple. In ancient China, there were obvious differences in funerary objects due to different status levels. In addition to a large number of funerary objects used for food, clothing, housing and transportation, some imaginary exorcism objects were carved in tombs and on the ground to protect the safety and peace of the dead. The emperor and nobles used Kirin and Tianlu to ward off evil spirits. To ward off evil spirits is another name of Fei Lian, and it is also a god beast, because Taoism was popular in Han Dynasty.
People are obsessed with becoming immortals, so Fei Lian has become a tool to ascend to heaven. To ward off evil spirits in front of the tomb, one is to show that the owner of the tomb is prominent, and the other is to symbolize that the owner of the tomb can become immortal after death. Although this stone exorcist is a semi-finished product, he has horns on his head, wings on his body, and his majestic shape of holding his head high has been displayed in front of people, providing a physical basis for studying the art of stone carving in Han Dynasty. From the Han Dynasty to the Northern Dynasty, after more than 500 years' development and evolution, the sarcophagus bed has become more and more perfect, not only adding bed legs and bed circumference in shape, but also adding painting and carving art more importantly.
the second part
The second part is the works of calligraphy art, and the first is Xiang Yan Pavilion by Wang Duo, a famous calligrapher in Ming and Qing Dynasties. Wang Duo, a native of Jinmeng, Henan Province, was a history of rites in Ming and Qing Dynasties. He lives in Bo Gu and is studious. He is proficient in history and painting, especially in calligraphy. Later generations praised him as a magic pen. There are many works handed down from generation to generation by Wang Duo, among which the most famous ones are Zhuanshan Original Post, Langhua Pavilion Post and Xiang Yan Pavilion Post. The regular script of Xiang Yan Pavilion posts is vigorous and elegant, with the profound meaning and dignified structure of Gong Yan, and the vigorous feeling of Gong Liu. It is the representative work of Wang Duo's regular script all his life. Wang Duo's calligraphy is free and easy, and vigorous. Structurally, vertical and horizontal, ups and downs in danger, patchwork and rich changes. He intends to write Zhang Xu's posts and brushwork in one go. Wang Duo had an indissoluble bond with Qinyang all his life and lived in Huaiqing many times, leaving many precious calligraphy Mo Bao. At present, the earliest discovered tombstone is Wang Duo's tombstone for Zhu Zaiyu, the king of Zheng. The book will be published in the next four years (1624), with a total of 1774 words, and is now in Zhu Zaiyu Memorial Hall. The second is Kangxi's "Dianhantang Imperial Book Post". Kangxi, as the emperor of the Qing Dynasty, was not only an emperor who made great achievements in governing the country and keeping the country safe, but also had high attainments in calligraphy. He loved learning Kung Fu calligraphy since he was a child, and his early works were mostly the works of famous artists, mainly Dong, Mi Fei and Zhao Mengfu. His works are elegant, harmonious and elegant, and his calligraphy is becoming more and more mature and elegant after middle age, which is a masterpiece of stone.
the third part
The third part is the epitaph of past dynasties. More than 80 epitaphs from Wei and Jin dynasties to the Republic of China were exhibited, covering important cultural and historical materials such as humanities, geography and border customs. Cao Jin's epitaph, in particular, records in detail Cao Jin's achievements in building water conservancy, fighting against the British army and setting up education in Taiwan all his life, which has important historical value. These epitaphs are precious historical materials for studying places of interest.