Sun Yong is hidden in calligraphy and painting.

Since ancient times, one of the reasons why the world's excellent cultural images have always been needed by us is that they have the ability to convey the most energetic atmosphere of a nation, express the most essential emotions of an era, and represent the highest imagination that a nation can achieve in its own era.

Since entering 2 1 century, various elegant collections that have disappeared for more than half a century have re-emerged. Although all the elegant clubs nowadays are not comparable to the ancients, they are also precious. Around Baohuatang, there are a group of talented young people engaged in poetry, painting and calligraphy. Although their artistic style is still improving, their excellent works overlap and the art forest attracts attention. Sun Yong is one of them.

Sun Yong was born in Zhucheng, Shandong Province. Graduated from the Academy of Fine Arts of Shanghai Normal University, majoring in painting, calligraphy and seal cutting. He has participated in the joint exhibition of Baohuatang in Daqian Gallery 20 13, the joint exhibition of "Gathering Ji Junxiu" in Baishi Painting Garden 20 13, the Sun Yong Painting and Calligraphy Exhibition in Shanxi Jinshang Park 20 14, and the recommended exhibition of contemporary art in Shanxi Library 20 14. 20 16 Baishi art gallery's collection of essays "Golden Monkey in Spring" is elegant, there is a solo exhibition on 20 17, "Between Water and Stone-Sun Yong Painting Exhibition" on 20 19, and there is an invitation exhibition of national flower, bird and insect book seal cutting. His publications include Sun Yong's Seal Carving-Sixteen Surprises, Heroes-Sun Yongjuan, Sun Yonglin Meiqing's Painting Collection, etc.

During the Spring Festival in 2020, it is very important to avoid epidemics. No filming, no New Year greetings, no visiting relatives, staying at home every day. Accustomed to the noise, China people feel impatient, always looking forward to the end of the epidemic, free access, even in the community.

On such a day, we had an exchange with Mr. Sun.

Mr. Sun is indifferent. He said that staying at home to fight the epidemic is no different from ordinary life except not going out to buy food every day. Get up, eat breakfast, grind ink, draw pictures ... read books and draw pictures three times a day, and stick to your post.

Window of Yi 'nan

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Leaning against the south window to send lofty sentiments, judge your knees to be comfortable. During the epidemic, the studio could not go, the room was narrow and small, and I had to share my desk with my son who didn't go to school. Mr. Sun said with a smile: Fortunately, you have a relaxed heart to arrange your life in an orderly way. Sure enough, there is always a calm attitude in the world of literati.

Qian Shu ban tan Lian

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Thousands of trees, pears, 100 pots of wine, half a pool of autumn water, a well. Up to now, pears have not bloomed, and a hundred pots of wine have not opened. Mr. Sun still drinks the same amount, neither more nor less. Xiao zhuan should be written seriously, carefully and in one go. Huang Tingjian has a poem-new flowers must be drunk a thousand times, and wine runs a hundred ships.

It is worth mentioning that Mr. Sun is good at calligraphy. Through the ability of structure and modeling, he made the appearance of the characters on rice paper reflect a higher level: vigorous and powerful, rich and strange, with a sense of mystery and association space that can not be copied, which constituted a dazzling and charming calligraphy hall, which made people fascinated.

Ji Gu Leshan Lian

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Guanling Hushan

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Moon and night reincarnation

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Books are paintings to the extreme, and books to the extreme. Mr. Sun loves painting, attaches great importance to mountains and rivers, goes in and out between Yuan and Ming Dynasties, and the teacher's heart does not remain, and the teacher does not forget the past. He mainly learns from Huang. His paintings are mostly dry, seemingly dry, but in fact they are bright, and the scenery in the paintings is light and transparent. His works make people feel that his modernity is not following the trend in appearance, but drawing on the mind and intention of China painters, so pen and ink have extremely high aesthetic value.

There are new flowers, and there is no shortage of wine. Mr. Sun is at home, and he just draws pictures every day. Recently, I am crazy about Mei Qing, so I can't go out to see flowers. Fortunately, I "discuss and communicate" with Miss Mei at home. Dig out Miss Mei's paintings, appreciate, ponder, copy and play with them ... The cliff is an old cliff, but the flowers are new.

I am fascinated by Mei Qing, and I am bent over by the pine of Huangshan Mountain. Mr. Sun's pine is similar to Mr. Mei's pine, but in the past one or two hundred years, the pine has taken on a new look. This new look may be loose, but it may be exciting. It's just that things are different

Wang said that painting and writing are interlinked, so we should go to the ancient style in order to see the pen and ink. It is difficult to judge how much Zhang Mei-Qing finally got. However, if you read carefully and use ink, you will feel safe and calm.

The interest in painting mountains may be dyed in one stroke. Layout is the general trend, and there must be hills and valleys in the chest; Dyeing is fun. Relax and be skilled. Mr. Sun is a careful person. He carefully arranges his big mind precisely because of his nuance.

Relax, bamboo is more beautiful. Mr. Sun said: "It is not easy to talk to the ancients-there are too many things to learn and too many things to want-so I lost my concentration. When I was young, I always faced the post first, then backed by the post, and then said I would do it. This is a process of seeing whether a mountain is a mountain or not. What does it matter whether Mei Qing is Mei Qing or not? It is enough to take shape and take advantage of it. "

Chatting with Mr. Sun will always be unconsciously infected by his seriousness and frankness.

Mei Qing imitates Wang Shuming and Mr. Sun imitates Mei Qing. It is not easy to use a pen through the ages, but words are handed down from generation to generation. As far as painting is concerned, the pattern and momentum are changeable. People who sit and talk, whether in red or in Tsing Yi, can do whatever they want ... The same is the literati. You can travel and live in a pleasant place. When you think like this, talking to the ancients in this way is beyond your vision and straight into your heart-your month is my month, your soul is my soul, and your pen and ink can be turned into my pen and ink. It is not easy through the ages, but it is only a literary heart.

When Mr. Sun paints, he does not simply imitate objects, but places infinite feelings in them. His paintings are rich in water and beautiful, with lush vegetation and bright clouds, which organically combines the elements of geographical feng shui "surrounded by mountains and rivers, hiding wind and gathering gas", and the picture scroll is full of vitality. Look at each painting carefully, using a pen is light but not frivolous, fast but not astringent, ethereal contains escape, and vigorous contains frankness. It can not only show his skillful pen and ink control ability, but also contain his personality ideal. Each work gives full play to the accumulation and change of ink and wash, and the blank treatment is full of ink and wash flavor, which is very interesting. Let us feel a real strength and his enthusiasm for life.

It is also the convergence of karma to avoid the epidemic for half a month and be so safe in panic, and to paint like this after meals. Cao Xueqin always said that his Story of the Stone was used to serve food and wine. Mr. Sun said: My painting can't be compared with Cao Gong's essays, but it's a gift of impermanence-I painted in the first month of last year. I just want to be what Wang said-a person who wears light makeup but is not kitsch.

As Mr. Sun said: Life, epidemic or not, family or not can be hidden in paintings and calligraphy.

The owner of Bao Hua Concert Hall

Xiao Ding

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