Born in Jiaxiang, Shandong Province in May 1970.
Graduated from the School of Art and Design of Shandong Light Industry University in 1996, and stayed at the school as a political counselor and part-time teacher.
In September 2000, he entered the Institute of Chinese Calligraphy Culture of Capital Normal University to study for a master's degree in Chinese calligraphy culture.
In September 2004, he continued to study for a doctorate in Chinese calligraphy culture at the Chinese Calligraphy Research Institute of Capital Normal University, under the supervision of Professor Ouyang Zhongshi.
In December 2005, as a doctoral student representative of the "Chinese Calligraphy Higher Education and International Exchange Project", he went to Japan for a visit and academic exchange, and held a calligraphy joint exhibition.
In July 2007, invited by Nanyang Technological University in Singapore, he went to the Confucius Institute in Singapore to participate in the International Forum on Chinese Language Promotion and hold a calligraphy exhibition.
In December 2007, he was promoted to associate professor.
In December 2007, he obtained a doctorate (with a focus on fine arts and Chinese calligraphy culture).
In August 2009, he entered the Art Postdoctoral Research Station of the Academy of Fine Arts, Tsinghua University, and worked as a co-supervisor with Professor Chen Chiyu.
In December 2011, he was transferred to the National Museum of China. 1. Since 1983, he has participated in many large-scale calligraphy and painting exhibitions at home and abroad and won awards. He has been selected or specially invited to participate in important calligraphy and painting exhibitions at home and abroad for dozens of times.
2. The scientific research result of "Wen Tong and Northern Song Dynasty Painting" won the first prize of Capital Normal University's 2005-2006 Scientific Research Project Outstanding Achievement Award.
3. Won the Excellent Graduation Project (Thesis) Guidance Award of Shandong Institute of Light Industry for two consecutive years from 20056 to 2007.
4. In June 2008, he won the “May 1st” Cultural Award of Shandong Province.
5. "Art Education" (a national core art journal), August 2006, full-page special introduction.
6. "New Shandong" magazine, June 2005, special edition introduction. 7. "Dazhong Daily" July 23, 2004, special introduction.
8, "Shandong Overseas Chinese News" March 21, 2008, special interview.
9. "Dazhong Daily" published a special edition on popular calligraphy and painting on October 16, 2009.
10. Special introduction to the column "Holy Land Calligraphy and Painting" in July 2010 of "Information and Economy" magazine.
11. A special introduction on the front page of the "New Works by Famous Artists" column of "Xizhi Calligraphy and Pictorial News" on May 28, 2010.
12. A special interview in the "Wenyuan" column of "Motherland" magazine in May 2010.
13. Special introduction to the "Art Corridor" column of "Shandong Pictorial" in June 2010.
14. In December 2010, he received general funding from the China Postdoctoral Science Foundation.
15. In December 2010, he received funding from the Beijing Social Sciences Publishing Fund.
Published articles, works and published works:
Since then, he has been published in the national core journals "Art Hundreds", "Art and Design", "Theoretical Journal", and "Art Education" He has published more than ten academic papers in various publications such as "Chinese Calligraphy", "Art and Design", "Chinese Adult Education" and "Art View"; published more than 100 works; published three collections of works; participated in the editing of books Three parts. Preface to Linlan Pavilion
Poetry of Cao Cao on the Folding Fan in Small Regular Letters