Under Nanshan, between Weihe River, I want to see the Tianbao Year of Kaiyuan.
Eight lanes across Qinchuan, 400,000 horses are like a cloud.
It is a white fish and a red rabbit.
The dragon head bone and phoenix neck are hideous and beautiful, and the strange posture is obscure and stubborn.
Blue-eyed Hu Er has fresh hands and feet. When he is old, he will brush it for the emperor.
Zhepao Chifu 3,000 people, red makeup and bright sun.
The jade downstairs spits cold, and the exchanges are rushing.
Gong Gong's pen and Mr. Cao Ba's disciple Han.
The stable is full of meat, and the bones in the meat are particularly difficult to pull out.
Jinle embroidered Luo saddle, whip engraved brand, not so close to nature.
It is amazing that the sand is flat and the grass is barren, and the rabbit is taken off first.
Wang Liang flew into the sky with his arms around him, so why did he bend down to get a short iron bar?
Translation:
I can imagine the years under the South Mountain, between Weihe River and Weihe River, and the days of Kaiyuan Tianbao.
The imperial court set up a gossip array to raise horses, which even Qinchuan thought was too narrow. 400,000 horses gallop like clouds.
Horses have different colors and everything;
Head like a dragon, neck like a phoenix, evil and handsome. The strange posture is amazing, and there are also some bad horses, jumping and screaming, mixed in.
Green-eyed Hu people are famous for raising horses. Every year, they cut and brush horses and carefully select them for the Imperial Horse Supervisor.
The son of heaven is watching horses by the pool, with about 3,000 attendants and beautiful women. His red makeup is particularly enchanting under the sunshine.
Downstairs, the hostess vomited endless cold water, and the horse ran in the water waves, splashing like an arrow.
Painters use pigments to copy their pens, and the painting skills of Cao Ba and his disciple Han Gan are overwhelming.
The horses in the inner stables have a lot of meat and a fat ass, so it is really difficult to draw a bone map when drawing meat.
The horse wears gold and jade, and the saddle is embroidered by Luo Ling. They have been whipped and burned, and they have been in pain all day. How can it compare with the horse drawn by Han Gan? They are natural.
You see, on the endless flat sand, fine grass is like cotton, and the horse is light and brisk, eager to try.
These horses should let Wang Liang catch up with the sky with a whip. Why did he bow down and pull the cart to stay on earth?
Precautions:
Han Gan: The official is the teacher's temple. Good at drawing figures, especially pommel horses. Beginner Cao Ba. I was called to worship in Tianbao and learned that there were famous horses in the palace.
Nanshan: refers to the Qinling Mountains, south of Longxian County, Shaanxi Province.
Qiān Wei: Weishui and Weishui are both in Shaanxi.
Kaiyuan and Tianbao: the year number of Xuanzong in Tang Dynasty.
Eight-array map: In the Tang Dynasty, eight-array maps were set up in Qi, Gou, Jing and Ning to manage horses, covering a vast territory of thousands of miles. Qinchuan: Shaanxi and eastern Gansu.
400,000 horses: Mao Zhong, the king of Kaiyuan, was in charge of horse administration. In thirteen years, there were 430,000 horses. There is a saying in Du Fu's "Song of Tian Yu Expressing Qi" that "there were 400,000 horses at that time".
The word "Zhu" refers to all kinds of horses. Zhuéc, a horse with pale fur. Jing (pρ), a yellow and white horse. Tappet (Y and N), light black and white horse. Luo, a black white horse. Li (lí) is a thoroughbred dark horse. Li, a black and red horse. Yuán, a red horse with a white belly. White fish, with eyes like fish and horses. Red rabbit, red horse. Li (xρng), a red and yellow horse. A horse with yellow and white fur. A hairy horse.
Strange posture: a special posture; The "hideous" mentioned above is actually a strange gesture. A virtue: virtuous. Stubborn crossbow: an inferior horse that is difficult to tame and has poor texture. Hide: hide, caught in the middle.
Blue-eyed Hull: Herdsmen. According to this poem, most of the herdsmen in the Tang Dynasty were blue-eyed ethnic minorities. Hull, a minority in the western regions. Fresh: bright, which means flexible here.
Brush cutting: cutting and washing are the responsibilities of herders. Xian Di: The stables in the palace. "New Tang Book Military Records": "Take business as the king of the son of heaven. About six leisure days, one is Feihuang, the other is kira yamato, the third is Dragon Media, the fourth is Pony Inspection, the fifth is Yingsao, and the sixth is Tianyuan. Nine times out of ten, there are always two stables, one is Sister Xianglin and the other is Fengyuan, to feed them. "
Zhe (zhè) robe: yellow robe. This generation refers to the emperor. Linchi: refers to learning calligraphy in Linchi. Pool, inkstone pool. 3000: It means there are many maids.
Qi (chθ): The legendary dragon without horns. In ancient times, its shape was often carved into decorations. This refers to the cicada head spitting water by the pool.
Step: kick, step.
Stone √: Eating or licking with the tongue means licking the pen with your hand. Worker: painter. Zhu lead: refers to the pigment of painting.
Cao Ba: A famous painter after Mao in Tang Dynasty. At the end of Tianbao, he was ordered to draw the imperial horse hero, and the official was General Zuo Wuwei.
The second sentence of "stable horse": it is difficult to draw a bone map because the stable horse is fat. My hip. Han Gan painted a horse, good at showing bones, so it was a cloud.
Prison (jρ): halter. Le: Ma Luotou.
Chuí: Whip with a whip. A whip. Yao: burn, burn. Injury: injury. Tianquan: the natural state without any harm, that is, nature.
Pingsha: the vast sand source is called grassland. Qiān cotton: Weeds on the grassland grow luxuriantly and continuously. Money, lush.
Jing Hong: Cao Zhi's Ode to Luoshen: "If you are surprised, you will be surprised." Hong flies fast when he is afraid. Tuotu: An escaped rabbit. It means to act very quickly. Take off and escape.
Wang Liang: "Su Shi's Poetry" quoted Song people's note: "Wang Liang and Zhao Jianzi are rulers." "Huai Nan Zi Lan Mingxun" said that Wang Liangshan was a royal horse. Later, it was extended to a star name. Jin Shu Tian Wenzhi: "Wang Liang has five stars, living in Kuibei, in the river, and the son of heaven is also an official." "Forced to fly into the sky" came from this. Policy: whip.
Yuán: A straight wood used to drive livestock in front of vehicles. Song people quoted the Book of Jin according to Su Shi's poem: "Cai Mo played Wang Dao with a short axis."
Appreciate:
Poems about horses have been circulating for hundreds of years since Du Fu wrote "General Cao's Painting a Horse" and other famous works in the minister's house. Su Shi came to write this poem and Fourteen Horses of Han Gan after Du Fu.
Su Shi's ancient style, entitled "The Horse-herding Map", begins with the title. Judging from the time and place of Han Gan's life, he said that when he saw this picture, he seemed to see the grand occasion of raising horses in Kaiyuan and Tianbao years between Nanshan and Weihe River in Guanzhong. Poetry does not start directly from the picture, but deliberately shows circuitous, giving people a feeling of being suddenly enlightened. Words and phrases are intentionally uneven in length, arranged in the middle and jumped abruptly. Fang Qing lamented that he was "energetic", and Ji Yun also appreciated this expression, saying: "If the word' zhi' is removed from the second sentence, the taste of God will be reduced." On poetry, the ancients thought it was important to work at the beginning. In Shen Deqian's "Talking about Poetry" in the Qing Dynasty, he said: "It is expensive at first." At the same time, I quoted Wang Wei's "Bowing to the wind", Du Fu's "Hao" and "Armored all over the sky", and Cen Can's "Seeing off guests and birds outside", thinking that "it's amazing to be suspicious of rocks" is also the same at the beginning of Su Shi's poem, which is obviously a painting, but can't draw a word, and there are amazing soldiers beside it, laying a broad space for the next recitation.
Judging from the time and place, the poem goes on to recite the horse, but it still tells the truth without painting. According to the poem, when Emperor Xuanzong of the Tang Dynasty was in power, he set up eight workshops and raised 400,000 horses. All kinds of horses are complete, and the horses in the emperor's royal stables are even more heroic. In the poem, from the sentence of "dividing villages into eight groups" to the sentence of "going back and forth", the horse's expression is decorated with gorgeous words, which makes people overwhelmed. In the description, each has its own emphasis, two sentences are about color, two sentences are about expression, and two sentences are about herdsmen's answers; The rest of the sentence, like the grand occasion in the palace, is about horses, but it is brilliant and endless. Rich in sentence patterns, Yu Xuantang and Song Shichun pointed out that it was the sentence of "crow, owl and pheasant in carved eagle" written by Han Yu in Lu Hun Mountain Fire Huang Fu Shi Yun, while Wang Qingshizhen proposed to learn the syntax of Ji Jiu Pian, "because of his anger, I didn't see its repetition." This poem learns from Du Fu as a whole, and is inserted into these two poems that learn from Han Yu, full of strange new ideas and hard words.
When this poem was written here, it was full of vitality and gave a detailed introduction to raising horses during the Xuanzong period of the Tang Dynasty. After that, I began to get down to business, but I still lined up "all workers' pens and lead" to introduce painting; The next sentence is written by Han Gan, but the first four words "Mr. Cao Ba" are still the background, and the only real topic is "Disciple Han". After a long speech, I can get to the point and break the routine of painting poetry; It's even more difficult to get into the business after getting into it. Surprisingly, after a hasty and relaxed topic, this poem suddenly swung away and turned to the difficulty of drawing horses. It is said in the poem that the horses in Tiandi's stable are fat and fleshy, and it is not easy to show their bones. Han Gan, on the other hand, can be "linked by flesh and blood" and see more strength. At the same time, we decorated the stables with colorful horses, put on reins, branded them with fire marks, and lost the charm of horses as a contrast. We formally appreciated Han Gan's painting "Close to Nature", and the brushwork was wonderful. Only these words in the poem are really spent on the painting, because the contrast is full, so it is full. Looking back at the previous description, it seems that every sentence is written in a picture. So, let's enter the collection immediately. At the time of exorcism, the poem still refused to be flat, nor did it mean the same thing, saying that the horse god in the painting should be combined with Tianma. Such a knot, steep wave, was praised by Ji Yun as: "One day, one day later, unpredictable. "The end of the poem is another expression of Su Shi's ambition through his horse." If you don't cooperate with the poem' Wang Liang flies in the sky with an arrow, why bow your head for the short axis'? It means comparing yourself to a horse and mocking the ruling minister for not doing his best. If Wang Liang's intelligence controls him, why bother to beg desperately? "(Wutai Poetry Case). This meaning is the same as Su Shi's poem "Fourteen Horses of Han Gan" written in those days, "There is no Bole in the world, no Korea, who can read this poem and painting?"
Su Shi's poems are full of strange sentences, especially this one. Poetry is a painting, but the whole poem really only involves a few sentences, so Ji Yun said, "The composition is wonderful." This comment on writing just points out the true colors of Su Shi's wanton poems.