Mr. Guo is in the prime of his life, and more than 100 calligraphy works exhibited this time are his masterpieces in the past five years. Looking at his structure and calligraphy, he won the Wei and Jin demeanor and was well versed in the statutes of the prosperous Tang Dynasty. As a descendant of "Uighur", Mr. Guo is heroic, especially fond of frontier poems in Tang poetry and unrestrained in Song poetry. This exhibition, with a long scroll and a huge system, is dripping with ink, full of heroism and pure appearance. It can be said that "the pen front kills rabbits in the mountains, and Mo Chi flies out of the north fish"!
Mr. Guo knows very well that calligraphy, the quintessence of China, also needs both yin and yang. In addition to being bold and unrestrained, it is also graceful and restrained as a "small bridge flowing water". Mr. Guo's "One-character Calligraphy" and the sketch of this exhibition are all his experiences in reading poems and understanding life. Essays may be inspirational (for example, "virtue-heaven is healthy, earth is Kun, and gentlemen are based on virtue"); Or for self-cultivation (such as "Buddha-I have a Buddha in my heart and a Buddha in my heart"); Or for the realm (such as "Zen-Zen is a realm"); Or for philosophy (such as "goodness-good people, people are also good") ... it can be said that "the soul of books has eyes, but poverty is a solid word"!
Learning is the essence of a book, and culture is the essence of a book. Guo, a calligrapher of Yugur nationality, has been practicing for decades, giving attention to both rhyme and method, and having both beauty and goodness.