Liu Yang's Calligraphy Style

In recent years, Liu Yang has been exploring on the road of art, and his works are calm, elegant, aesthetic and simple. In the excavation of handed down art, he correctly interpreted the ancients, pursued exquisite skills and meaningful meaning, thus truly understanding the framework of calligraphy art, and through the gradual understanding and mastery of Kung Fu, he established the idea of combining rubbings with calligraphy and developing his own personality. His calligraphy structure is rigorous, elegant and free, and his brushwork is vigorous and handsome, forming his own artistic style. Liu Yang's calligraphy is bold and unconstrained, combining the charm of the two kings and the meticulous brushwork of southern Fujian. He is free and lively, with a long ancient rhyme, combining rigidity with softness, and appealing to both refined and popular tastes, creating a new generation of cursive style. The works are graceful, simple, meaningful and magnificent, with long meaning, high artistic taste and high artistic achievement. The works are highly praised by the older generation of artists: written with heart, poems and books are good. Liu Yang's calligraphy takes everything in nature from books, which is magnificent and original. His works are magnificent, elegant, elegant and smart, vigorous and steady, dripping and carefree, without losing the rules. In fact, it can be said that there is stillness in the movement, stillness in the movement, stillness in the movement, stillness in the movement, humor in the movement, prestige in the stillness, extraordinary bearing, beauty, and the trend of cirrus clouds surging thousands of miles, which is self-contained.