The word "bone" in "Bone Pen" emphasizes the importance of using a pen in the performance of Chinese painting. Mr. Zong Baihua said: "Chinese painting is dominated by line composition, while western painting is dominated by block structure." This provides a formal principle for traditional Chinese painting and modern Chinese painting. The brushwork of Chinese painting lines is not lines in the general sense, nor is it a simple turning point, pause, frustration, coarseness, lightness, dryness and wetness, but the embodiment of China's brushwork with cultural feelings in Chinese painting, which is "pen-like" and is the key for Chinese painting artists to grasp the vivid charm of their works. Paying attention to brushwork and brushwork has always been the aesthetic requirement of Chinese painting. It is not easy to get the problem of using pen and understanding Chinese painting lines, and at the same time it provides a definite content essence for distinguishing traditional Chinese painting from modern Chinese painting.
A clear understanding of the specific cultural meaning and definition basis of Chinese painting, and an in-depth understanding of the advantages and disadvantages of Chinese painting can come naturally. In addition, the problems encountered are all * * * problems in painting.
"Brush strokes" is the cultural attribute of inner flesh and blood and emotion presented by Chinese painting artists in their creation. Such as: vigorous, vigorous, bold, lofty, diluted, wild, exotic, elegant, broad-minded, calm, elegant, beautiful, ethereal, graceful, vigorous and beautiful, all of which reflect the cultural atmosphere of Chinese painting artists and are directly related to their education and ideological problems. The problem of "brushwork" is the most concrete embodiment of "vivid charm" in Chinese painting, and it is the most vital. Therefore, China painters' research on the problem of "using a pen in bone method" in their artistic practice is a study of the essence of Chinese painting.
Theorists always can't tell the true meaning of using a bone pen. It's really a feeling to use a pen with bone method. A gentle move, a slow motion, a proposal and a setback on the rice paper can all reflect the strength of the bones. The so-called hidden pen not only embodies the power of hiding needles in cotton, but also embodies a philosophy of China people. Shi Tao said: "Painting is subject to ink, ink is subject to pen, pen is subject to wrist, and wrist is subject to heart". It tells the true meaning of using a pen in bone method. Bone method is a kind of mental method in my opinion. There are many painters who can't understand the bone brush all their lives, which just shows that this thing is emotional.
In calligraphy, what does it mean to use a pen in bone method?
Bone pencil
One of the six methods of ancient painting books, the painting theory of Sheikh in ancient southern Qi Dynasty. "Brush bone method" means "brush bone method", which refers to the so-called bone method and the brushwork closely related to it. "Bone method" was originally a concept of learning from each other, and later became a language for people to observe the identity and characteristics of characters, which was very popular in the Han and Wei Dynasties. In addition to the word "charm", Wei Jin people often use comments such as "bone" and "body". The word "bone" is a figurative concept, and "bone" and "bone strength" illustrate the straightforwardness, decisiveness and external performance of people's inner character in a figurative way. The word "bone" is used in the book theory, such as "those who are good at writing are rich in bone, and those who are not good at writing are rich in meat" ("Pen Map"), which refers to strength and pen power. The appearance of "bone" in painting theory began in Gu Kaizhi, such as commenting on Zhou Benji: "Diemirun has bone method"; Comment on Han Benji: "Natural bones are more exquisite and less" and so on. The words "bone method" and "heavenly bone" here are also related to people's articles and faces, and refer to the identity temperament reflected by the bones of the painted characters. Sheikh's application of "bone method" has turned to the artistic expression of bone strength and strength beauty with pen. At that time, all paintings were sketching lines, and the structure, posture and expression of objects could only be expressed by the accuracy, strength and change of lines. Therefore, he borrowed the "bone method" to illustrate the artistry of using a pen, including the meaning of pen power, sense of force (similar to the book theory of "a good writer has many bones") and structural expression. This can be seen from the words "pen for bone stalk", "novel pen", "weak handwriting" and "beyond handwriting". After Sheikh, the bone method has become an important standard for evaluating painting in past dynasties, which is the corresponding aesthetic principle inevitably produced by the unique materials and tools of traditional painting and national style, which in turn promoted the perfect development of national style painting.
The concept of bone pen
"Bone method" was originally a concept of learning from each other, and later became a language for people to observe the identity and characteristics of characters, which was very popular in the Han and Wei Dynasties. In addition to the word "charm", Wei Jin people often use comments such as "bone" and "body". The word "bone" is a figurative concept, and "bone" and "bone strength" illustrate the straightforwardness, decisiveness and external performance of people's inner character in a figurative way.
Introduction of bone pen
One of the six methods of ancient painting books, the painting theory of Sheikh in ancient southern Qi Dynasty. "Writing with brush bone" or "writing with brush bone" refers to the so-called bone writing and its closely related brushwork.
What are the contents of "Bone Pens in Meticulous Painting Lines"
suggestion
1, refer to similar papers.
2, looking for a book-about how to write a paper-art, JD.COM Amazon Dangdang-in art theory-in university libraries. ...
3. To sum up-from the historical perspective of China's painting (meticulous painting) and from the specific classic works ... the present situation-the future. ...
4. Different lines-representing the characteristics of different objects-such as peony-flowers and leaves-should be represented by different lines (textures) ... Of course, they are not completely fixed-different painters also have different performances.
For your reference, you should not only read the book (the theory of painting history and the understanding of meticulous painting by painters and theorists in previous dynasties), but also understand it-this is a little more difficult. ...
In the appreciation of calligraphy art, why can't we avoid problems such as brushwork, muscle writing, bone method and verve.
"Bone Pen" and Linear Art of Chinese Painting
Chinese painting is an art that emphasizes that the cultural spirit of the Chinese nation is greater than painting itself, so it puts forward high-grade cultural quality requirements for Chinese painting artists. It can also be said that literati painting is a comprehensive embodiment of China's ancient cultural thoughts in painting, and it is also another peak of China's painting development. When we were studying the art history of China, the teacher said, "The presentation of" vivid charm "and" bone brushwork "in the six methods of China's ancient painting theory determines its specific meaning and cultural connotation in China's painting art."
The "six methods" cited in the Catalogue of Ancient Paintings lists "bone brush" as the second brushwork, which is the cultural attribute of internal flesh and blood and emotion expressed by Chinese painting artists in their creation. Therefore, China painters' research on the problem of "using the bone method to use the pen" in their artistic practice is a study of the essence of Chinese painting. Six methods were put forward by Sheikh, a famous figure painter and art theorist who lived in Nanqi during the Southern and Northern Dynasties. Sheikh is good at portraits and ladies. It is reported that he has trained keen observation and profound dictation ability. However, his position in China's painting history mainly depends on his theoretical contribution. His book "Ancient Painting"
The "six methods" include: first, vivid charm, second, writing with a pen, third, pictographic objects, fourth, coloring with classes, fifth, business position, and sixth, transfer writing. Among them, "bone pen" mainly refers to the effect of "pen and ink" as a means of expression, such as the sense of movement, rhythm and decoration of lines. From the ancient painting theory, we can see that ancient painters and critics attached importance to this point. "Pictographic response, color matching and quotient position" is the modeling basis of painting art: shape, color and composition. Double bone method
"Bone method" is to extract the laws of the characters' bones (depicting the faces of the characters) and reveal the charm of the characters. Later, it generally refers to the outline of all depicted objects and the hook line and poke line of Chinese painting. A pen must have the "bone strength" of an animal to be comparable to the skill of using a pen. "Pen Map": "Those who are good at writing are skinny, and those who are not good at writing are fleshy; The skinny and fleshy one is called Jin Shu, and the fleshy one is called Ink Pig; The strong and the strong are holy, and the weak are sick. "
Using a pen is a unique skill of Chinese painting. Generally speaking, the use of bone pen refers to how to properly describe the shape and texture of objects with pen and ink techniques. If vivid expression is understood as "God", then the brushwork can be simply understood as "shape". So vividness and brushwork are inextricably linked. The description of "shape" is written with the help of pen and ink, and the writing of shape is only a means to express "spirit", which is consistent with the law of Gu Kaizhi's "writing spirit with shape" to express objects and images. The word "bone" in "using bone pen" emphasizes the importance of using pen in the performance of Chinese painting. Mr. Zong Baihua said: "Chinese painting is dominated by line composition, while western painting is dominated by block structure." This provides a formal principle for traditional Chinese painting and modern Chinese painting. The brushwork of Chinese painting lines is not lines in the general sense, nor is it a simple turning point, pause, frustration, coarseness, lightness, dryness and wetness, but the embodiment of China's brushwork with cultural feelings in Chinese painting, which is "pen-like" and is the key for Chinese painting artists to grasp the vivid charm of their works. Paying attention to brushwork and brushwork has always been the aesthetic requirement of Chinese painting. It is not easy to get the problem of using pen and understanding Chinese painting lines, and at the same time it provides a definite content essence for distinguishing traditional Chinese painting from modern Chinese painting.
Pen and linearity
"Brush strokes" is the cultural attribute of inner flesh and blood and emotion presented by Chinese painting artists in their creation. Such as: thick and stiff? Bold, lofty, diluted, wild, exotic, elegant, broad-minded, calm, elegant, aesthetic, ethereal, graceful, vigorous and aesthetic are the reflection of the cultural atmosphere of Chinese painting artists, which is directly related to their academic support and ideological problems. The problem of "brushwork" is the most concrete embodiment of "vivid charm" in Chinese painting, and it is the most vital. Therefore, China painters' research on the problem of "using a pen in bone method" in their artistic practice is a study of the essence of Chinese painting. ? After the development of Chinese painting theory to Yuan Dynasty, pen and ink became the core topic. So that it's time to talk about painting being unreasonable ... >>
What are the creative principles such as "vivid charm, bone brushwork, pictographic images, color classification, business position, transfer and modeling"?
Give a simple example and you will understand. When you draw a picture, you draw the charm of the Tang Dynasty, using the lines and brushwork of the Song Dynasty and the composition method of the Ming Dynasty. If you don't learn from others, you are a China giant and a painting leader. If you are not clear, you can ask the instructor for specific details.
What is a sketch book in calligraphy practice?
Double hook contour filling method is the name of China's painting and calligraphy techniques. Draw the outline of an object with a line hook, commonly known as "hook". It is also called "double hook" because it is basically closed by two hooks, left and right or up and down. Draw an outline along both sides of the handwriting with thin ink lines, also called "double hook"; After the double hook is filled with ink, it is called "double hook contour filling".
Double hook contour filling method is the name of China's painting and calligraphy techniques. Draw the outline of an object with a line hook, commonly known as "hook". It is also called "double hook" because it is basically closed by two hooks, left and right or up and down. Mostly used for meticulous flower-and-bird painting. Copy and expand old French books. Draw an outline along both sides of the handwriting with thin ink lines, also called "double hook"; After the double hook is filled with ink, it is called "double hook contour filling".
Gu Kaizhi in the Eastern Jin Dynasty praised the painting in Wei and Jin Dynasties (a wonderful method of copying and unfolding): "When copying, you should cover up the two elements and let them go from the bottom right to the town so that you can't move right." The pen is moving forward, but the eyes are looking forward. The new painting is very close to me. You can always keep your eyes closed, and when the pen and paper are separated, you can copy far away from my ears. Then the copy of the product is small. "It can make the new trace cover the original trace, prevent it from approaching and prevent it from entering."
The Preface of Ancient Paintings by Sheikh of Nanqi: "What are the six methods? First, the charm is vivid; Second, the bone method uses a pen; Third, the pictogram of things is also; Fourth, it is also right to give color to the class; Fifth, the place of business is also; Sixth, the same is true for transliteration. "
Song Jiangkui's "Copying and Continuing the Book Spectrum": "The method of double hooks will make the ink light, or the outline will be filled, or the back of Zhu Qi will be fat and thin."
Yang Mingshen's "Dan Lead General Record, Character Learning and Shadow Book": "The Six Dynasties people emphasized the study of characters, and the imitation was especially prosperous. The person who filled in the outline was the double hook of today." Those who say "shadow books" are all famous now. "