Once at lunch, Wang Xizhi's favorite garlic paste and steamed bread were brought to him, and he was urged to eat quickly several times. He still didn't even look up, as if he didn't hear, and he was absorbed in reading the post and writing. The meal was cold, so Jibang had to ask Wang Xizhi's mother to persuade him to eat. Mother came to the study, only to find Xihe holding a steamed bread stained with ink and sending it to her mouth, making her mouth black. It turned out that when Xi Zhi was eating steamed stuffed buns, he was still looking at the words and thinking about how to write them in his mind. As a result, he mistook the ink for garlic. Mother couldn't help laughing when she saw this scene. Wang Xizhi still doesn't know what's going on Hearing his mother's laughter, he also said, "today's mashed garlic is really fragrant!" " Wang Xizhi persisted for decades, studied hard, kept posting, and practiced very solid kung fu, which laid the foundation and paved the way for his future development.
2. Profile of people
Wang Xizhi (303-36 1 year, 32 1-379), a famous calligrapher in the Eastern Jin Dynasty, is known as the "book saint". Langya, a native of Linyi, moved to Yin Shan (now Shaoxing, Zhejiang) and lived in seclusion in Jinting County in his later years. Successive secretary, general Ningyuan, Jiangzhou secretariat, later literature and history records, right general.
3. Personal achievements
(1) Calligraphy style
Wang Xizhi's Preface to the Collection of Lanting is highly praised by calligraphers of all ages and is known as "the best running script in the world". Wang Jianshan followed regular script, cursive script, all kinds of brushwork, carefully studied brushwork, imitated brushwork by hand, learned from others, prepared all kinds of brushwork, and melted into one furnace. He got rid of the style of writing in Han and Wei dynasties and became a family of his own, with far-reaching influence.
(2) works
Wang Xizhi's original works existed before the world, and the fine copy of Tang people has always been regarded as original works. Because of its long history and long-standing reputation, Rainbow Xi's other inks have different inferences about its engraving age. Some are called Song Copy, some are suspected to be Mi Fei Copy, and more are classified as Tang Copy. It has been recorded a lot and carved into various essays again and again. The public and private collections and circulation after the Yuan Dynasty are vivid and reliable, and their preciousness is self-evident.
4. Historical evaluation
(1) Yiyi: "I used to have ten caos, but I lost them when I crossed the river. I often sigh that the beautiful traces will never disappear. Suddenly, when I saw the first step to write back to my brother, I was radiant and returned to the old concept. "
(2) Liang Wudi: "Wang Xizhi's calligraphy is vigorous and free and easy, such as the sky in Yue Long, the tiger lies on the phoenix. Therefore, I have treasured it for generations and always thought of training. "
(3) Emperor Taizong: "I am eager to catch up, this person is just like this, and the rest is just like this. What's the point? "
(4): "The Book of Xi says:' Zhong and Zhang Xin are second to none in finding famous works, and the rest are not enough." There is another cloud:' My book is better than a clock, Zhang Dang resists walking, and Cao Zhang is still a wild goose.