Yan Zhenqing wrote many monuments in his life, which have been passed down to this day: many pagodas, dignified and dense in structure, beautiful and charming; "Dong Fangshuo painted a monument to praise" with a strong Qingyuan style; "The Inscription of the Golden King" is even more dignified and vigorous; "Zang Huaike Monument" is magnificent and vigorous; "Over the cup" is graceful and smooth; Ma Gu Xian Tan Ji is vigorous and solemn, with exquisite structure and full of charm. "Da Tang Fu", carved on a cliff, is the largest regular script in Yan Zhenqing, and its calligraphy is square and smooth, showing no bones and muscles. Song Dynasty Monument, also known as Song Guangping Monument, is open and full of vitality. "Eight official pavilions report good deeds", with strict weather; Yuan Jie Bei is vigorous and far-reaching; The book of manna seeds focuses on harmony; Li Bei's calligraphy is vigorous, but the strokes are fine, which is different from other tablets. Yan tablet was unearthed in 1922. Its calligraphy and painting are as good as new, which can best convey the original style and spirit among the inscriptions in Yan Zhenqing. His calligraphy is bold and neat, which is the masterpiece of his later years. Yan's Temple Monument is rich in calligraphy, which is also his masterpiece in his later years.