Social Review of Marcy Garden

Circus Garden has attracted more and more attention from the painting and calligraphy circles in China. Beijing's art research institutions and theorists have listed it among several old painters and painters who have specially studied it, and introduced Maxiyuan's calligraphy and Jiao Mo's achievements to Chinese people. This reminds me that many people in our country used to be folk. They are quiet and peaceful, not impetuous for quick success and instant benefit, and they are the easiest to approach the essence of art. There are great men like Huang Qiuyuan in our country. Such an example seems bizarre, but it is reasonable. We can understand it this way. We are such a vast country, with thousands of years of profound cultural accumulation, celebrities come forth in large numbers, and there are not a few folk experts! Some people may be overwhelmed by history and cannot spread their names widely.

Mr. Nishihara is a real painter. His calligraphy is vigorous and dignified, lofty and mysterious, expressing himself and forming a distinctive personal style. He regards his works as the lifeblood of life, and always shows strength and breadth in his performances, thus gaining grandeur and strangeness in momentum.

Mr. Xiyuan's landscape benefits from Huang. As a member of the Huang Research Association, he pursued artistic theory all his life and never slacked off. Professor Zhang commented on Mr. Xiyuan's Jiao Mo Landscape Scroll: "Mr. Xiyuan specializes in a kind of Jiao Mo, which is quite interesting and has everyone's demeanor." Calligraphy is a living line. In his recent calligraphy creation, Mr. Nishihara paid more attention to the strength of calligraphy lines in order to achieve high expressiveness and expressiveness. Mr. Nishihara believes that calligraphy, as a pure art form, must be consciously and closely integrated with all aspects of society if it wants to survive and prosper.

Calligraphy is the last bastion of China's cultural position. As a practitioner in this position, Mr. Xiyuan has created his own artistic world, which is praised by many famous artists. Master Li Keran had an exchange and discussion with Mr. Xiyuan. Li Kuchan once wrote his calligraphy cloud: "Mr. Xiyuan's calligraphy serves the present and is rare." Mr. Xiyuan's calligraphy originated from the Jin Dynasty's Wang Xizhi, followed by the Han and Wei Dynasties, learned from modern He and Kang Youwei, learned from others, and became a family of his own. He is good at cursive script, takes the official seal as the style, pays attention to the change of calligraphy style, strengthens the sense of movement and rhythm of words under the principle of overall unity, and strives to have momentum and change words; Pay attention to the contrast of pen and ink, the collocation of brush strokes, and properly use the "flying leucorrhea" to look around the whole picture, which is very simple and unique.

Mr. Xiyuan is also a landscape painter. He often writes long volumes in Jiao Mo. Now, he feels ethereal, and his brushwork is ancient, which won Huang's brushwork. His momentum is vigorous, uneven and messy.

Many landscape paintings are particularly exquisite. Cynthia, a flower, is often used recently. Its color is bold, incisive and distinctive.

Mr. Xiyuan is the pride of Lanzhou and has created many excellent paintings and calligraphy works. While drinking tea in Lanshan Caotang, I listened to the grand theory of the old man in Caotang and appreciated his works. I feel like a breeze, like a shower. Old people live a very ordinary life and are also very open-minded. At the age of 84 (20 13), they look full of energy. Dull is an artistic transformation. The ancients often said that people and books are old, which is extremely appropriate for the elderly in Xiyuan. We wish the elderly a happy old age and the tree of art will be evergreen.