The practice of calligraphy began in Oracle Bone Inscriptions, and the characters first evolved in Oracle Bone Inscriptions, and all kinds of calligraphy styles were written. He thinks that regular script is just a tool word, while Oracle Bone Inscriptions, bronze inscriptions and seal script are difficult to write, so it is necessary to master the central pen. The key to writing well is to control the pen. It is much easier to write other scripts as long as you are good at controlling pens. His posting style is also extremely unique. He didn't draw red and double hooks, but copied them one by one. His unique way is to write purposefully. As long as he carefully observes those famous tablets and posts, he can deeply understand the true meaning with the help of "magic" and everything will be ready when he writes. When you are a beginner, ink is hung on the wall, which shows that practice is also work, and work is also practiced.
Don't want to find commonness: practicing calligraphy is the same as doing things. What everyone fears most is "superior", and what he emphasizes most is "superior". High standards are high, and it will pass without entering the eyes. The target is the famous historical sites and outposts before Jin and Tang Dynasties. I can't help but be surprised that the words he chose to practice when he was a beginner are strikingly similar to the choices of calligraphy textbooks for higher education. Low is low, do your best, and be a low-key person. His formula for success is: innate talent+inner cultivation+acquired experience. In Wang Shumin's mind, success or failure lies in the word "Fa". He believes that a good inscription is Dharma, that is, removing weeds and preserving essence, accumulating naturally and coming naturally. Law is the beginning, it is the beginning. When Buddhism is good, it is connected with the ancients, overlapping and merging, and you have me. He admits that most artists pursue individuality, but what he pursues is sameness and * * *, sameness means vulgarization, and vulgarization means abandoning individuality and getting carried away. Everyone is born with personality, and what traditional art needs most is maintenance. The secret of learning traditional art lies in seeking common ground rather than reserving differences. Transcendence and innovation, not reaching a certain height, are simply nonsense. You didn't see the monument of calligraphy in Jin and Tang dynasties standing tall, and modern calligraphers can only look up, not sell themselves short! Only when you forget me first will you finally have your true self. Of course, not all calligraphy pursuers will have a true self if they forget me. Wang Shumin's most ardent wish is to reach the back of his father's literature as soon as possible-to walk into Lanting and walk out of Lanting.
Not ordinary people! It's not an ordinary dream! Wang Shumin is not an ordinary person. He was born in a scholarly family for generations, and he has been a literate person for generations. His grandfather was a famous scholar and private school teacher in Songhua River East, and his father was a cross-century calligrapher. The original painting is now hidden in the Collection of Wang's Calligraphy Works, which is really priceless. Anyone who is lucky enough to see the preface to the Lanting Pavilion is amazed at its extraordinary character and beautiful charm! It is said that after Wang's death, many rich people and businessmen's dreams of collecting at high prices were shattered. His mother has been teaching for more than 40 years in her life. She is virtuous and virtuous, accompanying her father to copy everyone's original works, and she is almost obsessed with the pursuit of calligraphy art. The characters in the book are solid and full of charm. Wang Shumin stubbornly and completely preserved the original calligraphy of his parents. He wants to defend not only artistic dignity and family honor, but also the deep affection between father and son.
To be fair, compared with his parents and some calligraphers, Wang Shumin spent very little time practicing calligraphy by himself! But he learned to write with his parents since he was a child, witnessed his parents' writing for nearly 60 years, and enjoyed decades of famous monuments and posts, which can be described as two-thirds of his life! The true story of his parents and other people's experiences have long been profound! Becoming a wizard is no accident.
Wang Shumin didn't have an ordinary dream: despite his innate genetic quality and the subtle blessing of environmental education, he was never arrogant and vain. Judging from the calluses about 0.3 cm thick on his index finger and middle finger, his efforts were considerable. He was deeply ashamed that his work could not enter the room with his father's work. He feels sad and anxious about the sacred calligraphy art being eroded by commercial civilization, and this kind of sadness and anxiety continues. Therefore, "one small step forward every day" is his motto. He walks, synchronizes and transcends with tenacious will, and is determined to carry out the paranoid artistic spirit to the end.
If you want to ask about Wang Shumin's calligraphy, some experts and scholars have marveled that there were two kings in ancient times-Wang Xizhi and Wang Xianzhi. Now there are two kings-Wang and Wang. Because my level is really limited, I dare not judge at will. Please enjoy it yourself. I believe that the aesthetic taste and taste of the public are similar. Even people who don't know calligraphy will be as refreshed as I am when they see Wang Shumin's handwriting!
According to the evolution of China characters, Wang Shumin wrote many famous steles and stickers, and the characters are authentic. His understanding of China's calligraphy art is to seek common ground while reserving differences. Everyone's personality is born, and there is no need to pursue it deliberately. Some things are equal to not pursuing. Calligraphy art is the art of seeking common ground while reserving differences, but who can agree with it? Nothing can be the same, nor can they be the same. This is the charm of calligraphy. In the process of writing a famous monument and post, you must forget yourself and be eager to show that you don't have yourself in the end, even if you do, it's just a scratch. Only by forgetting yourself can you have me, and if you can't, you can pursue it. This is the essence of calligraphy art.
Wang Shumin believes that the peak of traditional calligraphy art is endless, so on the long road of calligraphy art, he still strives to reach the top. Let's pay tribute to talented calligraphers and all calligraphers with high social responsibility.