Who are the four heavenly kings of the Qing Dynasty?

The Four Kings in the Early Qing Dynasty refer to Wang Shimin, Wang Jian, Wang Yi and Wang, also known as the Four Kings of Jiangzuo. Their painting styles are similar, and they formed the "Four Kings" painting school according to the psychological formula of the traditional aesthetic model, which was dominant in the painting circle at that time. The "Four Kings" belong to the orthodox school of painting and also to literati painters. They advocated the painting style of Nanzong and created another new painting style. The pen and ink level of Chinese painting has developed to an unprecedented height.

Wang Shimin was born in Wang Shimin (1592- 1680) and Taicang, Jiangsu (now Jiangsu). The word "smoked" means "heavy smoker" and "old man at the west foot" at night. Wang Xijue's grandson was born in the family of an official in the Ming Dynasty. Chongzhen was a minister of Taichang Temple in his early years, so he was also called "Wang Fengchang". Be good at painting landscapes, learn from Dong Qichang as a child, copy famous artists in Song and Yuan Dynasties, and take Huang as his ancestor; Pen and ink are light, moist and beautiful, hills and valleys are less varied and more simulated.

. When Wang Hao and Wu Li left their gate, Sun Wang was instructed by them. Later generations called him the "Four Heavenly Kings", together with Wang Jian, Wang Yi and Wang, and with Yun, he was also called the "Six Nobles". Created the "Lou Dongpai" of landscape painting, ranking first among the "Four Heavenly Kings" of painters in the early Qing Dynasty. Part-time official script, capable of poetry. His works include Tian Ji, Postscript of Lu Hua and Fu Yi Tu.

Wang Jian

Wang Jian (1598- 1677) was a painter in the late Ming and early Qing dynasties. People's photos, round photos, elephant trunks, and fragrant dyeing. People from Taicang, Jiangsu. Wang is a rich collector. He was once the magistrate of Lianzhou, and some people called him Wang Lianzhou. He is good at landscapes, studied under Dong Yuan, Huang, Wang Meng, and often learned from Wang Shimin's strong points to develop and change, forming his own style. His paintings make good use of the sharp pen in the center. Jie Suocun painted the rocks of Pima, with delicate brushwork and rich ink color. You can also draw green mountains and rivers, proper drying, harmonious research and simple taste. Wang Jian's landscape paintings had a great influence in Qing Dynasty. They are as famous as Wang Shimin, Wang Yi, Wang Yun and Wang Yun. They were called "Four Kings Wu Yun" or "Six Kings" in the early Qing Dynasty, and they are authentic in painting circles. There are Dream Map, Lin Qiu Mountain Color Map and Autumn Mountain Map that have been handed down. He is the author of "The Collection of Dyed Xiangan" and "Postscript of Dyed Xiangan".

Wang Yi

Wang Yi (1632- 17 17) was a painter in Qing Dynasty. Word Shigu,No. Geng Yin, three terms, Jianmen Ke Qiao, Wumushan, Qinghui Laoren, etc. They are all from Changshu, Jiangsu. My ancestors were all good at painting, and my father Yunke specialized in painting landscapes with beautiful and elegant style. Influenced by his family since childhood, Wang Yi loved painting. He first took Tongli as a teacher and copied Huang's landscape paintings in Yuan Dynasty. Later, he was appreciated by Wang Jian and accepted as a disciple, teaching him to read and learn calligraphy. And learn from Wang Shimin. Later, he and Wang Shimin, Wang Jian and Wang were called the four heavenly kings, and He and Yun were also called the six heavenly kings in the early Qing Dynasty. Although his landscape paintings began in ancient times, they were not copied by a single family. Wang Wei's Snow Scene, Li Cheng's Cold Forest, Dong Yuan's Far Zhu in Hirayama, Small Temple in Autumn Mountain, Little Snow in Fishing Village, Misty Rain in Yunshan by Mi and his son, and the works of Huang Zhenwu, Wang Meng and Ni Zan in Yuan Dynasty are all his objects. He not only has a deep foundation in traditional techniques, but also can master them skillfully. But it is not completely bound by law, and pays more attention to sketching. He runs through all factions, conveying mountains and rivers in the Northern Song Dynasty with pen and ink from the Southern Song Dynasty, and creating colorful styles and features.

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Wang (1642- 17 15), also known as a Taoist born at the foot of the platform. He is known as one of the "Four Heavenly Kings" in the early Qing Dynasty, and is the grandson of the famous painter Wang Shimin. He studied the original works of famous artists in Song and Yuan Dynasties since childhood, and fell at the feet of the ancients all his life. At that time, he was recognized as a master. The painting "Smoke Drift Away" is his masterpiece. The layout of the peaks and hills, the brushwork of rocks and trees, all come from the yellow, with vague content and lack of commerce. But the pen and ink are skillful, and there is a kind of chic beauty.