features
both size and size. That is, each word presents a different size, and there is a pen-to-pen connection of a word. The connection between words is both real and intentional, and there is a connection between them.
combination of retracting and releasing. Generally, the short lines are closed and the long lines are released; The back front is closed and the side front is released; Most of them are left-handed, right-handed, up-handed and down-handed, but they can also be converted to each other. It is not excluded that left-handed and right-handed, up-handed and down-handed.
appropriate density. Generally, it is dense on the top and sparse on the bottom, dense on the left and sparse on the right, and dense on the inside and sparse on the outside. The middle palace is tight, and the blank space in the box is as small as possible, and the blank space in the circled strokes is as small as possible. In the layout, the word spacing is tight, the line spacing is widened, and it falls and jumps, and it is vigorous and colorful. < P > The shades blend. Running script writing should be easy, lively and quick, and master the combination of disease and delay, movement and static. Ink color arrangement should be thick at the beginning and dry at the end. The lines are long, thin, short and thick, with appropriate weight and alternating shades. It's similar to cursive, but it's not so grassy.
In the process of writing, the stroke of the pen is obvious in various forms of stippling. This stroke of the pen often leaves traces of each other between stippling and words, which are delicate and delicate.
Running script is the quick writing of regular script, and it is the flow of regular script. Through the analysis of several groups of characters in regular script and running script, it is found that when writing in regular script and running script, the writing method of stippling and the criteria to be followed when using the pen, such as center, spreading the brush, pushing the main and hiding the front, are all consistent, but the running script is relatively stretched and flowing.
Running script is developed and originated on the basis of official script. It is a font between regular script and cursive script, which is produced to make up for the slow writing speed of regular script and the illegibility of cursive script. "Walk" means "walk", so it is not as scrawled as cursive script, nor as straight as regular script. In essence, it is the cursive script or the cursive script. If the pattern is more than the grass pattern, it is called "running pattern", and if the grass pattern is more than the pattern, it is called "running pattern".
The most famous masterpiece of running script is the Preface to Lanting written by Wang Xizhi, a calligrapher in the Eastern Jin Dynasty. The predecessors described it as "the dragon jumps into the heaven and the tiger lies in the phoenix" and praised it as "the best running script in the world". Tang Yan Zhenqing's "Sacrifice to a Nephew" is very bold and unrestrained, and the ancients rated it as "the second running script in the world". Su Shi's Huangzhou Cold Food Sticker is called "the third running script in the world". The famous representative work in the running script is the Lushan Temple Monument written by Li Yong in the Tang Dynasty, which is fluent and rich. There are also Su Shi, Huang Tingjian, Mi Fei and Cai Xiang in the Song Dynasty, Zhao Mengfu, Xianyushu and Kanglilong in the Yuan Dynasty, Zhu Yunming, Wen Zhiming, Dong Qichang and Wang Duo in the Ming Dynasty, Liu Yong and He Shaoji in the Qing Dynasty, and Zhong Zhishuai in the modern era. They are all good at running calligraphy or cursive, and many works have been handed down from generation to generation.