2. Preface to Ruan Yuan and Lanting (Southeast Culture 200 1 No.7)
3. Ruan Yuan and the theory of North-South Calligraphy School and the theory of North Monument and South Post (Art and Design, No.2, 2002).
4. The Origin of Confucian Classics and Ruan Yuan's Calligraphy Thought (Calligraphy Research, No.2, 2003)
5. Ruan Yuan and Chunhua Pavilion (No.3, Shanghai, 2003)
6. Introduction to Preface to the King of Jishengjiao (calligraphy 10, 2003)
7. A Textual Research on Ruan Yuan's Friendship with Zhejiang Indonesians (Proceedings of the International Symposium on Indian Studies of Centennial Famous Societies, 2003).
8. Chronology of Ruan Yuan Jinshi Calligraphy (Calligraphy ResearchNo. 1, 2004).
9. On Bao's Calligraphy Criticism (Calligraphy and Painting World, September 2005)
10. liberation in reflection: the connotation of Ruan Yuan's "two theories" (proceedings of the academic seminar on stele study and Kang Youwei's calligraphy, 2005)
1 1. Calligraphy Criticism from Bao's Calligraphy (Art and Design, No.4, 2006)
12. On Bao Calligraphy School and Its Phenomenon (Proceedings of the Seventh National Calligraphy Symposium, 2006).
13. On Bao Calligraphy School and its Phenomenon (Journal of Calligraphy and Painting Art of Taiwan Province University of Arts, No.3, 2007).
14. Radicality and variation —— On the dual nature of Bao's calligraphy thoughts (Proceedings of the 6th China International Symposium on Calligraphy History, 2007).
15. Different views on the influence of Bao's calligraphy thought on the recent calligraphy circle (Art and Design, No.3, 2008).
16. Review of Bao's calligraphy stages and styles (Calligraphy and Painting World, September 2008).
17. The Qing Dynasty and the Changes (Collected Works, No.7, 2008)
18. Bao Calligraphy Art Criticism (Proceedings of the International Symposium on Calligraphy History in Ming and Qing Dynasties, July 2008)
19. Bao's Imperial Examination Life and Academic Thought (Rong Baozhai, No.3, 2009).
20. Radicalness and Variation —— On the dual nature of Bao's calligraphy thought (China Calligraphy, No.7, 2009).
2 1. On Gao Ershi's Calligraphy Style (China Calligraphy and Painting, No.8, 2009)
22. Taking Bao as an example and re-examining the history of calligraphy in Qing Dynasty (the first issue of China Famous Calligraphy City, 2009).
23. Qing Dynasty and Qi (Proceedings of the International Symposium on Qi, 2009)
24. Bao Calligraphy Art Criticism (1) (1, 20 10).
25. Bao Calligraphy Art Criticism (Part 2, 20 10).
26. "On Dong Qichang's View of Calligraphy Creation" (China Calligraphy 20 10 No.3)
27. Huai Ning and Wu An (Study on Modern Jianghuai Calligraphy Style, 20 10).
28. On the New Horizon of Ruan Yuan's Metallographic Research (Proceedings of the International Symposium on Revitalizing Metallography, Xiling Press, 20 10).
29. Criticism of Bao Calligraphy Techniques (Selected Papers on Contemporary China Calligraphy (Techniques, Creation and Education Volume), 20 10).
30. On the calligraphy creation mode of combining North Monument with South Post in Qing Dynasty (please press the original text: Proceedings of the International Symposium on Ancient Calligraphy Creation Research, 20 10).
31."* * * and individuality-on the regularity and particularity of higher calligraphy education" (Proceedings of Hangzhou International Forum on Higher Calligraphy Education 20 10, 20 10)
32. A new vision of epigraphy research in Ruan Yuan (Rong Baozhai No.2, 20 1 1).
33. Snowball (China Calligraphy, No.2, 20 1 1)
34. An Examination of Deng and his Friendship —— Also on the Loss of Bao (Proceedings of Deng Prize National Calligraphy Exhibition 20 1 1 year)
35. Random Thoughts on Creation (China Painting and Calligraphy No.8 20 1 1).
36. The relationship between Wu Xizai's printing view and Bao You (Proceedings of the Third International Printing Summit of Gushan Xiling Printing Press, 20 1 1).
37. Jin Nong and the thirsty pen are eight points (reader appreciation (theoretical version) 20 1 1 year 1 1 month)
38. The relationship between Wu Xizai's printing concept and Bao You (I) (No.2, 20 12).
39. The relationship between Wu Xizai's view of printing and Bao Youyou (II) (No.4, 20 12).
40. Inscription calligraphy: A study of epigraphy in Ruan Yuan (China Calligraphy, No.3, 20 12).
4 1. Travel and seal cutting: A research on the travel and seal cutting of the shogunate in Ruan Yuan, Chen Hongshou (Proceedings of the International Symposium on the History of Seal Cutting in Ming and Qing Dynasties, 20 12).
42. From the discovery of wood ink to the authenticity of Preface to Lanting (Rong Baozhai No.5, 20 13).
43. A Study of Ruan Yuan's Calligraphy and Inscription (I) (Rong Baozhai, No.8, 20 13)
44. A Study on the Friendship between Ruan Yuan's Calligraphy and Inscriptions (Part II) (Rong Baozhai No.9, 20 13)
45. "Breeze and White Clouds" ("China's Great Calligraphy" 20 13 Summer)
46. Research on Deng's Friendship with Liang Kui and Mei Kui (Proceedings of the International Symposium of Xiling Publishing House, 20 13).
47. "Ji Jin Xerox Ji Jin: On Ruan Yuan's epigraphy" (Rong Baozhai No.6, 20 14).
48. Textual Research on Ruan Yuan's Calligraphy Course and Style (Proceedings of Ruan Yuan's 250th Birthday, 20 14).
49. Printed characters in Trang Van and printing altars in Yangzhou in Qing Dynasty (Proceedings of the 4th International Printing Summit of Gu Shan Yin Zheng Xiling Printing Society, 20 14).
50. Looking at Ruan Yuan's Calligraphy Thought from the Second Theory (Elegance Yuntai: Proceedings of the International Symposium on Ruan Yuan Studies, 20 15).
5 1. Textual Research on the Course and Style of Ruan Yuan's Calligraphy (China Calligraphy 20 15No. 10).
52. Monument Line: Calligraphy Interpretation of Kang Youwei's Manuscripts (Academic Works Collection of the 11th National Calligraphy and Seal Cutting Exhibition, 20 15).
53. The seal altar in Yangzhou in the middle of the 20th century and its phenomena —— Centered on Cai Yian, Sun Long's father and Sang Baosong (Proceedings of Contemporary Seal Cutting Seminar by Xiling Seal Publishing House, 2015); Also published in Xiling Art Troupe (No.1, 20 16).
54. Fragment of Indian history-seal cutting in Yangzhou from the founding of the People's Republic of China to the 17th year of the Cultural Revolution (China Calligraphy 20 16No. 1 issue).
55. Bao "The Turning Point of Dynasty Calligraphy and Qing Dynasty Inscription" (China Calligraphy and Calligraphy No.3, 20 16) 1. History of Calligraphy in China (co-authored with Huang Yun and others, Liaoning Fine Arts Publishing House, 200 1).
2. China's Painting Ontology (participated in the compilation, Tianjin People's Fine Arts Publishing House, 2005).
3. Complete Works of China Calligrapher Yi Bingshou and Chen Hongshou (Hebei Education Press, 2006)
4. Bao Calligraphy Criticism, Press, 2007
5. Classic Inscription Tutorial "The West Chamber" (Guwuxuan Publishing House, 2007)
6. From copying to creating Dong Qichang (Shanghai Painting and Calligraphy Publishing House, 2008)
7. Bai Jiao's On Art (selected, Shanghai Calligraphy and Painting Publishing House, 20 10)
8. The Wonderful Way of Books (Southeast University Press, 20 1 1 year)
9. Calligraphy Appreciation (edited by Huang Yun, Jiangsu Education Press, 20 12)
10. Study on Ruan Yuan's Calligraphy (Rong Baozhai Publishing House, 20 12).
1 1. Seal cutting and copying (edited by Jiangsu Education Press, 20 13)
12. Notes on Mu Yanzhai's Painting and Calligraphy Appreciation (proofreading, Shanghai Painting and Calligraphy Publishing House 20 15)