2. The detailed explanation is as follows:
The inscription on Liquan in Jiucheng Palace was engraved in April of the sixth year of Zhenguan (632), with 24 lines and 49 characters, and the inscription on Liquan in Jiucheng Palace was engraved with six characters. Shaanxi linyou tourism. There are many rubbings of the Song Dynasty handed down from generation to generation. The earliest is the rubbings of the Northern Song Dynasty collected by Li Qi, the son-in-law of the Ming Dynasty, which are now in the Palace Museum in Beijing.
The Inscription of Liquan in Jiucheng Palace is a calligraphy work written by Ou Yangxun in his later years. It is full of vigor and vitality, full of meaning. It's smooth to write with a round pen, and it's smooth to write with a hook. Long curve, suitable for strong support of the whole word. These all show the characteristics of integration. The inscription on Liquan in Jiucheng Palace is known as "the first inscription in the world". Inscriptions and inscriptions were written by Ou Yangxun, a calligrapher in the Tang Dynasty, and Zheng Wei, a prime minister who was famous for telling the truth. In addition, today's emperor Li Shimin is a wise monarch among hundreds of emperors in China feudal society. In particular, the rule of Zhenguan is recognized as the heyday of feudal society, so the inscription of Liquan in Jiucheng Palace is also known as the "Three Musts" monument. Its monument is white and sparse, its structure is rectangular, its stippling is simple and honest, and its pen is steady and subtle. The original monument was erected in linyou county Museum, Shaanxi Province.
In the fifth year of Zhenguan, Emperor Taizong ordered the restoration of Renshou Palace of Emperor Wendi of Sui Dynasty and renamed it Jiucheng Palace. The following year, Emperor Taizong came to Jiucheng Palace in summer. While visiting the palace, he met a clear spring. Emperor Taizong was very happy. Wei Zhi wrote an article and Ou Yangxun wrote a stone tablet. This is the inscription of Liquan in Jiucheng Palace. The inscription reads: Emperor Taizong came here in April of the seventh year of Zhenguan. "Looking at the platform, I wandered in the shade of the west city, hesitated under the shelf, looked down at the earth and felt slightly wet, so I guided it with a stick and the spring water gushed out." It was inherited by a stone sill and led to a canal, clear as a mirror and sweet as a cup. "Illustrates the origin of Liquan. At the end of the Ming Dynasty, he said, "The Huang family is not expensive, and the world is worried. People play with their own glitz, but I take it for granted. Return to nature and write fine works. Think high and fall, hold a full ring. "There is advice in the ode, which is Wei Zhi's admonition to Emperor Taizong.
Among the extant rubbings of Song calligraphy, Li Mao in the Palace Museum and Mitsui Memorial Art Museum in Tokyo are the most famous. Two rubbings, the former is full of ink and the latter is thin and energetic, which can be described as the same tone and different tones, each with its own charm. Ou Yangxun's calligraphy is elegant, smart and vigorous, which has both the charm of Jin people and the new style of Tang people. It is the pinnacle of regular script for more than 1000 years. After Chen, Sui and Tang Dynasties. At the beginning of Zhenguan, he was awarded a bachelor's degree in Hong Wen Pavilion. Ou Yangxun wrote this inscription at the age of 76, which is his masterpiece. Since ancient times, this inscription has been called "the ultimate rule of regular script".
"Jiuchenggong Liquan Ming" is rich and elegant, with a round body, which was split and merged in the early Han Dynasty and brewed in Wei and Jin Dynasties. There are subtle changes in the straightness of the inscription on Liquan in Jiucheng Palace, such as using a round pen and an official method. The straight hook is short in front, the hook is curved, and the knot is narrow and long. Write neatly and rigidly, and the statutes are strict.