Appreciation of Fujian Wu Naiguang's Calligraphy
Fujian Wu Naiguang Calligraphy Picture 1
Fujian Wu Naiguang calligraphy picture 2
Fujian Wu Naiguang Calligraphy Picture 3
Fujian Wu Naiguang Calligraphy Picture 4
Brief introduction of Wu Naiguang's calligraphy
1949 was born in Gulangyu, Xiamen, and his ancestral home is Lianjiang, Fujian. Painter of Fuzhou Painting Academy. He is currently a member of Fujian CPPCC, the 8th and 9th CPPCC, a member of China Calligraphers Association, a vice chairman of Fujian Calligraphy Association, an honorary director of Fuzhou Calligraphy Association, a judge of China Calligraphy Association's Young and Middle-aged Exhibition, and a judge of the National Couplet Calligraphy Exhibition. Won the "National Award" of the 4th National Youth Exhibition. It's easy to be discredited since childhood, but my father leads me strangely. When I was five years old, I began to learn Chinese characters, and Tang Kai was introduced to me. The Japanese class continues. Later, he set foot in Wei Li and devoted himself to the grass industry, laying a solid traditional foundation. 1968 cut in line in northern Fujian, where he worked as a herdsman for 12 years, traveled millions of miles and helped Africa twice. The taste of ancient Fujian and exotic scenery come to mind. 1983, he abandoned his old business and returned to calligraphy. He studied under Mr. Chen Fenwu, extensively studied calligraphy theory, intensively studied inscriptions and constantly improved himself. The works are vigorous and free, and the brushwork is self-contained. Wenxuan Gallery recommended the calligraphy art of calligrapher Wu Naiguang, who is famous for his excellent calligraphy and his combination of rigidity and softness.
Wu Naiguang's Calligraphy Honor
Representative works were selected for the 3rd, 4th, 5th, 6th and 7th National Calligraphy Exhibition, the 3rd, 4th, 5th, 6th and 7th China Youth Exhibition, 20th Century Calligraphy Exhibition and Contemporary Masters Exhibition. 1, 2, 3 national couplet calligraphy exhibition, judge of the second national newcomer exhibition.
Layout of calligraphy works
A calligraphy work mostly includes three aspects: text, inscription and seal.
The text is the main content to be written and the main body of the work. Articles, poems, aphorisms, etc. All are healthy and uplifting, and auspicious and peaceful words can be used as the content of calligraphy works.
The title is the explanatory text outside the text. Including the theme of the text, the time and place of going out and writing, the author's name, font size, fasting number, the title and name of the given object, etc. Not every work has to write these contents. The content of the inscription depends on the specific needs of the work. Part of the inscription is written in front of the text, which is called the front paragraph; Some are written at the back of the text, which is called the next paragraph. The name and address of a given object should be written in front of the text to show respect.
The seal stamped in calligraphy works can be divided into name seal and idle seal according to its content. From the position of coverage, there are the first chapter and the foot chapter. The first chapter stamped on the work is called the first chapter, and the chapters stamped on the text and the next paragraph are called footprints. Seals mainly play an ornament role in calligraphy works, so it is not advisable to have too many seals in a work, usually one or three.
Characters, inscriptions and seals are three organic parts of a work. When creating, we must make overall arrangements to make the three constitute a perfect and harmonious whole.