What are the characteristics of Mi Fei's calligraphy in Song Dynasty?

One: Mi Fei is really a master of ancient Chinese characters, but Mi Fei is not a pure master of ancient Chinese characters. Mi Fei emphasizes that he is different from others in copying. "Autobiography" said: "Ancient books are different, and they are all the same, so they are slave books." He respected the innovative spirit of the ancients, so he didn't stick to ancient posts in copying and dared to find a new way.

Second: Mi Fei's calligraphy places special emphasis on posture. "Keeping the words correct" is the essence of Mi Fei's calligraphy, and it is also a major feature of Mi Fei's calligraphy style. Mifei broke the balance and created contradictions through the exaggerated deformation of the font. The font was tilted left and right, staggered up and down, with different sizes and crooked edges. Then, the incoherent words are integrated into one, resulting in various modeling postures, showing a colorful mental outlook.

Third: Mi Fei is a pioneer of calligraphy innovator. An important feature of Mi Fei's concept of regular script is that he feels inferior to the Tang Dynasty, and he opposes learning the calligraphy of the Tang Dynasty. He thinks that Zhong You is the ancestor of regular script, and his characters are not only different in font size, but also natural in shape, with the sides not straight. However, Tang calligraphy is neat and neat, lacking in changes, with too uniform strokes and unchanging structure. "The ancient law is completely lost" is "the ancestor of ugliness, strangeness and evil". He emphasized that calligraphy "should be divided into different sizes", the brushwork should not be too uniform, it should have style, and so on. Appreciate the truth and nature of regular script before Tang dynasty, and oppose the rationalization and stylization of Tang script. All kinds of signs of calligraphy show that Mi Fei is a person who can not only respect tradition, but also seriously study predecessors' calligraphy, dare to "suddenly create his own calligraphy" and try to create his own style by denying famous calligraphers. This spirit of never being superstitious about famous artists, constantly denying, constantly discovering and learning from other famous artists and never being satisfied is the most thorough awe of profound traditions. It is the most worthy of recognition and learning.

Fourthly, Mifei pays attention to proportionality in the arrangement and deformation of body posture. This is the theoretical basis of Miffy's body potential theory. "Expensive but not expensive, expensive but not expensive." "Harmony" is proportion, that is, the balance and coordination of comparative relations. Discord is "bitterness" and bitterness is conflict, which leads to anger and strangeness. "Difference" means change, and all the modeling elements in the works are different. Seeking difference can't be artificial, but affectation means painting words and being tacky.