Liu Gongquan's running script plays an important role in the development of China fonts. So, have you ever appreciated Liu Gongquan's running sc
Liu Gongquan's running script plays an important role in the development of China fonts. So, have you ever appreciated Liu Gongquan's running script font? The following is what I arranged.
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Liu Gongquan's calligraphy features 1. His calligraphy is vigorous, rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite. But also because of the uniqueness of his works. Clear pronunciation and mellow voice, thin and hard, firmly follow Weibei. The stippling is crisp and beautiful, strong and rigorous, and is known as "Yan Gu". The regular script of "the book is expensive, thin and hard, and the spirit is clear" is slightly thinner and harder than the surface.
2. His calligraphy was very famous at that time in the Tang Dynasty, and there was a folk saying that "Liu Zi is a thousand dollars". Calligraphy is vigorous and powerful, and every word is rigorous and meticulous.
3. Liu's brushwork is diligent, steady but not vulgar, risky but not strange, old but not withered, moist but not fat, harmonious and charming. The strokes are even, hard and thin, with exposed edges and corners and rich changes, avoiding single hanging and repetition.
4. Most horizontal paintings are round, with strong bones, clear head and tail, short and thick, long and slender, handsome and handsome, while vertical paintings are vigorous, vigorous and slender, concise and firm, sharp and beneficial, heavy and slightly short, and neat with pens. On the whole, it is restrained and stretched, the uterus is tightened and the limbs are developed. In rigor, we can see the graceful and open style. ?