Xiang Han was slightly drunk with lotus flowers and bathed in moonlight water.
Note: Lotus is another name for lotus.
What are the characters with deciphering characters in the four-character calligraphy leisure chapter?
the aged
Pronunciation páng méi hào fà
Interpretation Pang: variegated color; Hao: White. Eyebrows are gray. Describe the old man.
The source returned to Zhang Han Daheng's "Thinking of Fu Xuan": "The micro-eyebrows are looming." Shan Li quoted the story of Hanwu: "Yan Yi, I don't know who he is. Emperor Wen of Chinese is A Lang. Emperor Wu tasted Shu Lang and saw his eyebrows. "
Fat girl is so thin.
Idiom, carving idle chapters, half a life like a dream, what's the solution?
Zuli, let life slip away from you and come to Shanghai.
[Interpretation] Live like a drunken dream. Describe the purpose of life is not clear and decadent, sinking.
[Language] Song Cheng Yi's "Mr. Ming Dow's Behavior": "Although tall, it is wisdom; Stick to experience; Drunk to death; Unconsciously. "
Debauchery, drunkenness, debauchery
[Antonym] Diligence and thrift, strict economy, frugality.
[Usage] It is derogatory. Generally used as predicate, attribute and adverbial.
[Structure] Combined type.
[Discrimination] ~ It is different from Land of Flowers and Wine: ~ It focuses on lethargy and decadence; Multi-fingered person; "Slumdog" focuses on debauchery and corruption; More about life.
An ambitious person should not ~; Idle one's life.
What good idioms or words are there in calligraphy to carve idle chapters?
A complete stroke damages a moderate income.
What characters are commonly used in Chinese painting?
Money, also called signature, is the author's name, year, month, and porch number outside the writing of this article. Before the Tang Dynasty, many writers didn't ask questions, so it was very troublesome to study ancient works, which became a lot of forgeries, so many works by Wang Youjun, a great scholar, were suspicious.
In addition to font and font changes, paragraphs can be divided into two categories: single paragraph and double paragraph, which are described as follows:
Classification of signatures
Also called the next paragraph, it is the author's own title. After the work is completed, it must be inscribed as a sign of courtesy and responsibility to the work.
Simply sign a short paragraph with your name or year, but don't exceed a cross.
One-character calligraphy is called one-character calligraphy.
Only the author's name is signed in the second field, and the title of the book is given in the first field. (Most of the three words have their own names. If a word has a name, add a word [book].
Four-character funds are mostly names with the word [book] or years with the word "book", and the years are mostly official branches.
Five words, five words, more than three words, name plus year or name plus two words, add [book] below.
Of the six words in the six fields, the three-character name plus one year or the two-character name plus one year and one month; The moon has many uses.
In the seven-character paragraph, the word "year, month and year" is added with the word "name" or the word "book" is added under the word "name".
Long style is to add many words to the inscription in addition to the year, month and name, in order to seek the diversity and balance of the work, fill the vacancy and express the author's feelings.
Adding the author's Zhai Xuan number and the author's place name, there are useful names, such as Qing, Wu Changshuo, Zhejiang Anji, etc., and [Anji Five Cang Shi] is often used in inscriptions.
Those who add the word "author" or other names, such as Qing, Wu Changshuo, formerly known as Cang Shi, often use [Cang]. There are many nicknames.
In ancient times, the author's official title was also added to the inscription, especially in the Tang Dynasty. For example, Ou Yangxun wrote the inscription of Jiucheng Palace Liquan (and a letter from Ou Yangxun, the minister of Bohai Sea, led by the Prince).
Second, two paragraphs
That is to say, in addition to a single paragraph, the words such as the name, title and tribute of the recipient are added.
The name of the recipient is more respectful to others. If there is no font name, you can call it by first name, but it is best not to connect the first name with the last name. The official titles of recipients were commonly used in ancient times, such as "observing adults" and "Ge Lao". Today, teachers are called "teachers", "principals" and "professors". The title of the recipient, if the recipient is related to the author; Elders often use [in-laws] and [in-laws]. Respect the words elegance, elegance, elegance, elegance, elegance, elegance, elegance, elegance, elegance, elegance, elegance and so on.
Chinese painting is a comprehensive art integrating poetry, calligraphy, seal cutting and painting, and it is a unique artistic tradition of Chinese painting. The calligraphy of poems inscribed on China's paintings not only helps to supplement and deepen the artistic conception of paintings, but also enriches the artistic expression of pictures. It is one of the important means for painters to express their feelings, express their individuality and enhance the artistic appeal of paintings. The combination of poetry, calligraphy and painting has always been called "three beauties" and "three musts", which is a compliment to the combination of poetry and calligraphy, and also an artistic realm that Chinese painting generally pursues. Inscription is an art form that combines poetry, calligraphy, seal cutting and painting.
Inscription, also known as inscription, inscription, painting and inscription. Knowledge of form or money.
The title of Chinese painting includes two aspects: title and title. Write a poem on the screen. The painted characters are divided into praise painting, poem (word) painting, drawing notes, drawing postscript, painting and so on. Write down the year and month, sign and seal the painting, etc. , also known as "style". Some articles also record the origin, age, painting place, etc. If it is a donor's work, you must write the recipient's name, title, social language and courtesy, with various contents and formats.
Inscriptions should not only have exquisite poems, but also exquisite calligraphy. Therefore, inscriptions must be highly cultivated in both literature and calligraphy.
In addition to paying attention to poetry and painting, the titles of Chinese paintings are generally inscribed in China calendar (Yang and Yin). As for seasons, months, seasons and festivals, they have different names, which have been passed down from generation to generation and become a fashion. Especially in Gu Shuhua, Lao Yang and Laoyin (so-called big branches) are mostly used, so the list is attached to the end of the volume for retrieval.
What are Qin idioms?
Artists who are good at seal cutting, painting and calligraphy generally have many seals. All these seals, except the name and font size, are collectively called "idle printing" in Indian studies. Leisure stamps evolved from seals engraved with auspicious characters in Qin and Han Dynasties, and became popular after Song and Yuan Dynasties, but they were not "leisure stamps". In modern times, leisure chapters have developed into an indispensable part of China's painting and calligraphy art. Painters either create their own words or extract aphorisms from leisure chapters to show their understanding of life and art [Photo: Now is an era when clouds fade and the moon disappears]. Leisure chapters generally include introduction chapters, corner-pressing chapters, auspicious words chapters, warning chapters and collection chapters. Or equivalent to a famous seal. [Photo: Emotion on Paper] Traditional literati paintings in China pay attention to the integration of poetry, calligraphy, painting and printing. When appreciating paintings and calligraphy, we always start with the appreciation of the seal and identify the knowledge and accomplishment of the painter from the seal. A good leisure seal not only makes people think deeply, but also silently shows the level of seal engravers and painters. So there is a saying that "idle seals are not idle". It can't be as long and lyrical as prose. Leisure chapters can only rely on the talents of seal engravers. The language is novel, concise and elegant, and they can speak frankly or refract implicit words, or quote or create their own poems, aphorisms and anecdotes to enjoy themselves. Its elegance and vulgarity can be seen between the lines. [Photo: I don't know whose courage it is] Many idle chapters reflect the life of painters and painters. In addition, there is a casual chapter "Cattle and horses walk under the Ivy League door", which expresses the author's attitude of learning painting modestly by worshipping the famous painter Xu Wei. Wu Changshuo, a middle-aged magistrate of Anton, left his post a month later and was engraved with the stamp of "Order of Anton in January", which shows that the author has no intention of officialdom. Qi Baishi, a carpenter, earned a living in Beijing in his later years and was often looked down upon, but he never looked down upon it. In his paintings and calligraphy works, he is often stamped with the seals of "Xiangtan people in Changsha, China", "Mu Jushi", "Lubanmen" and "Carpenter's Gate" to show his unique experience. Fang Cheng, a painter whose ancestral home is Zhongshan City, Guangdong Province, asked someone to carve the seal of "Central Lang", which was humorous and cordial and entrusted the wanderer with his deep attachment to his hometown. "Clean" means. On the other hand, the essay "Jiangnan Buyi" shows his native place (Xu Beihong is from Yixing, Jiangsu), and also reflects that he came from a common people. Zhang Daqian was born in poverty. He expressed his life experience, experience and situation with leisure chapters such as "begging for food on earth has not returned" and "bitter gourd flavor". [Photo: Xuefeng Mountain Man] Some leisurely chapters directly reveal the contents of his works, such as Li Kuchan's Painting the Eagle. When Mr. Li Keran paints cows, he likes to use the word "willing to be a willing ox". In addition, he extracts aphorisms and aphorisms, or writes his own words to encourage himself. After Qi Baishi became famous, he often used words such as "ink play", "no painting", "outsider" and "false reputation" in his works, showing the spirit of self-modesty. In his later years, Qi Baishi's essays, Knowing Heaven and Appreciating Diligence, Inscription on a Stone, and The Spirit of a Generation Returning to Flowers and Plants, show his joys and sorrows in dedicating himself to art, with Gao Shiqi carving "spare ink to make the taste light" and Pan Tianshou printing "no carving". The word "don't engrave" not only expresses the author's views on art, but also his own requirements for being a man. When following art, people should be natural and frank and humiliated, but with amazing perseverance, in the 35-year poverty, they devoted themselves to compiling the four-volume masterpiece Seal Carving, which filled a gap in the history of seal carving in China. Leisure chapters such as "Cherish Time", "Be Modest and Strengthen Your Bones" and "Young People Have Hard Work" are a true portrayal of Kang Zhi's artistic pursuit, reflecting his magnanimous mind, humble attitude and unremitting spirit towards art. He likes the seals of "icing on the cake is easy, it is difficult to send charcoal in the snow" and "it is the hardest for old friends to come after the storm". There are also Li Keran's "Three Thousand Paintings Wasted", "One Thousand Difficulties" and "There is no royal road to the top". There are only a few figures, which reflect the author's persistence, lifelong pursuit and perseverance. But his Seventy is thought-provoking. [Photo: Heaven avoids surplus, people are satisfied] There are also leisure chapters to explain the philosophy of painting and calligraphy, reflecting the law of artistic creation. For example, the calligrapher Deng in Qing Dynasty creatively changed the gentle and comfortable style of Xiao Zhuan, and engraved the chapter "I can't write this book at will". Shi Tao, a painter in the early Qing Dynasty, printed on his famous painting "The Map of Huangshan Mountain", which has profound implications. At the same time, it also breaks an unchangeable law of artistic creation: art is always paved by profound life accumulation. In addition, there is a casual chapter in Guan Shanyue's "Who did the ancients learn from", which frankly asked the old teachers in the Song Dynasty about the ancient atmosphere; Another of his leisure articles, Suit Me, Only Be New, shows the painter's spirit of being unwilling to be in the past and deliberately innovating and exploring. Fu Baoshi's two leisurely chapters, Changing the World and Beautiful Mountains and Rivers, show the painter's admiration for his new life and his ancestral home in mountains and rivers.