"Dream Fairy Cottage Map", collected by Beijing Palace Museum; Old Pictures of Xizhou Dialect, collected by the National Palace Museum in Taipei; "Tongshan Map" in the Palace Museum in Beijing; "Half Chicken Fan Map", collected by the National Palace Museum in Taipei; The figure of prostitutes in Wang Shu Palace in Beijing Palace Museum; "Chang 'e Map" in the Palace Museum in Beijing; Li Duanduan's Begging for Poetry is collected in Nanjing Museum;
"Imitation of Tang Dynasty Ladies", collected by the National Palace Museum in Taipei; Pictures of ceramic poetry collections, collected by the National Palace Museum in Taipei; The map of hay and so on.
Extended data:
Tang Yin seldom indicates the year when he paints, and his painting style changes irregularly, so it is difficult to infer the time when he painted, and it is also difficult to divide the changing process of his painting style by time. As far as subject matter is concerned, Tang Yin's paintings mainly include landscape painting, figure painting, flower-and-bird painting and so on. On the one hand, Tang Yin's artistic achievement in landscape painting lies in breaking the stereotype and accepting the landscape paintings of the North-South School, the Southern Song Academy and the Yuan literati.
Mainly studied Li Tang and Liu Songnian in the Southern Song Dynasty, and also learned the rigorous and vigorous style of the Song people. At the same time, he participated in Xia Gui's composition and pen and ink techniques, extensively dabbled in Li Cheng, Fan Kuan, Guo He, Huang and Wang Meng in the Northern Song Dynasty, and gradually formed his own style.
The layout of the picture is rigorous and orderly, the shape is real and vivid, the mountains are majestic, the rocks are steep, the axe is chopped, the brushwork is vigorous, and the pen and ink are dripping. On the other hand, I have personal observation and real feelings about natural mountains and rivers. Tang Yin's figure painting has superb realistic skills, accurate images and unique charm. Ming Lu Hua commented that his figure painting is "Qian Shunju, Du Chang (Du Jin) is a layman".
There are two kinds of ladies' paintings, one is fine lines, bright colors and high weather, which comes from the institutional paintings of the Southern Song Dynasty, such as the prostitute map of Wang Shu Palace. Exquisite brushwork and heavy colors, with the "three white methods" to dye the face of ladies and gentlemen, highlighting the thick coating of ladies and gentlemen. The lines of clothes are drawn with fine and smooth iron lines, and the clothes are painted with rich colors, which makes the front edge gorgeous.
It vividly depicts the famous prostitutes scrambling to dress up, competing for beauty and coquettish, and is an excellent painting of ladies by Tang Yin. The other was born out of the courtyard of the Southern Song Dynasty, and the pen and ink were fluent. The brushwork is vigorous, the lines are undulating, and the beauty is simplified. Tang Yin's paintings combine the techniques of the Song Dynasty's courtyard and the charm of Yuan people's pen and ink, showing a bold and graceful but elegant character.
The composition is concise and clear, the picture is well-defined, dense and well-organized, the pen is clear, thin and not light, powerful and rhythmic, and has the beauty of combining rigidity with softness. The ink color is dripping and changeable, and there is harmony; The artistic conception is simple and elegant, beautiful and free from vulgarity.
Reference: Baidu Encyclopedia-Tang Yin