The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start. Or

The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start. Originality _ Translation and Appreciation The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start. -Zhang Tang's "Qiu Si" saw the autumn wind in Luoyang City, and I asked the writer to write a book. The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start.

When the letter is written, I am worried that I have not finished what I want to say; When the messenger started, he opened the envelope and gave it to him. Notes on the Translation of Ancient Poems in Primary Schools, Qiu Si.

The annual autumn wind blows to Luoyang city again. I wonder what happened to my relatives in my hometown? Write a letter from home to greet peace. There are so many things to say and I don't know where to start.

The letter has been written, but I'm afraid I haven't finished what I want to say in a hurry; When the messenger set out, he opened the envelope and returned it to him.

Autumn wind is blowing again in Luoyang city, and the cool wind blows up thousands of thoughts buried in my heart, so I want to write a letter to express my love for my family.

I was worried that there was something I didn't write in a hurry. Before the messenger left, I opened the envelope again. Appreciate the quatrains of Ersheng Tang Dynasty, full of feelings and scenes, with few narrative elements; In the middle Tang Dynasty, narrative elements gradually increased, and daily life events often became the common theme of quatrains, and the style changed from vigorous romance to realism in the prosperous Tang Dynasty. Zhang Ji's "Qiu Si" is full of emotions. With the help of a pregnant episode in daily life-the details of thoughts and actions when sending a letter home, it truly and delicately expresses the deep nostalgia of people who are away from home for their loved ones in their hometown.

The first sentence explains the reason of "the writer's book" ("watching the autumn wind"), saying that staying in Luoyang city and watching the autumn wind. Plain narrative, not exaggerated, but meaningful. The autumn wind is invisible, audible, tangible and tangible, but it seems invisible. However, just as the earth can be dyed green and bring boundless spring colors, the cold air contained in the autumn wind can also make the leaves of trees turn yellow and the flowers wither, bringing a wide range of autumn colors, autumn capacity and autumn state to nature and human beings. It is invisible, but it can be seen everywhere. A wanderer in a foreign land, seeing all these bleak and crumbling scenes, will inevitably arouse the loneliness of staying in a foreign land and cause long-term thoughts of his hometown and relatives. This plain and meaningful word "see" gives readers rich hints and associations.

The second sentence is followed by "look at the autumn wind" and the word "think" is written on the front. Hans Zhang in the Jin Dynasty "thought of Wuzhong leek, soup, and lived because of the autumn wind, saying,' Life is expensive but you don't want it. Why do you stay thousands of miles and become famous?' Then I rode home (Biography of Hans Zhang in the Book of Jin). Zhang Jizu was born in Wujun and now lives in Luoyang. The situation is similar to that of Hans Zhang. When he was homesick, he thought about "Looking at the Autumn Wind", which may be associated with the story of Hans Zhang. However, due to various unspecified reasons, Hans Zhang could not "drive home" and had to write home to express his homesickness. This makes the homesickness already deep and strong, and adds the disappointment of wanting to return, and the thoughts become more complicated. The word "desire" is closely related to "watching the autumn wind". The word "desire" is quite interesting. It turns out that the poet's mood is calm, like a clear water. The autumn wind blew his emotional ripples. It expresses the poet's thoughts and modality when laying paper and stretching his pen: I have mixed feelings in my heart, and I feel that I have something to pour out, but I don't know where to start or how to express it at the moment. The writing is fluent, but at the end of the sentence, the word "heavy meaning" suddenly came back, just like calligraphy. Therefore, the poet's feelings here are not downstream, but deeper. This technology, seemingly ordinary, is actually extremely high. The poet is homesick for the autumn wind and wants to write a book. There are thousands of words, and I don't know where to start. "Meaning is important", but using virtual reality. Liu Yuxi said in "Song of the Knife Ring": "Today, facing each other, the pulse is full of gravity." "Ten thousand centers of gravity" and "ten thousand meanings" are extremely complicated thoughts and feelings. Every reader with life experience can understand how much care there is. How to write this book because it is full of meaning? Did you write it? The author didn't make it clear for the reader to imagine, which is endless and thought-provoking.

Three or four sentences, leaving aside the specific process and content of writing letters, just cut out a detail when the letter at home is about to be sent out-"I can't talk about it in a hurry, and pedestrians have to open it again." The poet felt unable to write because of his "heavy meaning", and he was too busy to think about it because of the messages from passers-by. His deep and rich feelings and unspeakable contradictions were "urged", making this letter containing thousands of words almost "I tried to read your reminder, but the ink was too weak" (Li Shangyin's Four Untitled Poems). The book is sealed, as if it had been said; But when passers-by were about to hit the road, they suddenly felt that they were in a hurry just now, for fear of missing anything important in the letter, so they hurriedly opened the envelope. The word "fear again" describes psychological nuances. This "imminent opening" action is not so much to add a few words that I haven't had time to say, but rather to verify my doubts and concerns. The results of Kaifeng test may prove that this kind of worry is purely neurotic. The uncertainty of this "fear" actually prompted the poet to make the decision of "unsealing again" without thinking, which shows that he attaches great importance to this "meaningful" letter from home and deeply misses his loved ones-there are thousands of words, for fear of missing a sentence. If you really think that the poet has remembered something and added something, it will turn the vivid details full of poetry into a dull record. The reason why this detail is pregnant and chewy is precisely because it is produced on the psychological basis of "doubt" rather than "necessity". The phenomenon of "pedestrians come and go" in life is not all typical and worth writing in poetry. Only when it is associated with a specific background and a specific psychological state can it show its typical significance. Therefore, in the case of "looking at the autumn wind", "meaningful" and "fearful", writing the details of "about to start" itself includes refining and typifying life materials, rather than simply describing life. Wang Anshi commented on the poem, saying that "it seems to be the most extraordinary, easy but difficult to achieve" ("On Zhang Shi"), which is a comment that has won the essence of excellent work and bitterness. This poem, which is extremely natural, extremely plain and as natural as life itself, seems to be a vivid example of Wang Anshi's meticulous comments.

The whole poem is coherent, clear, simple and truly expresses the wandering mentality. In the feudal society where information transmission is inconvenient, people who have lived in different places for a long time often have similar experiences. This very ordinary little thing, very ordinary subject matter, once refined by the poet, has a representative significance. Later generations often read it and often sigh with empathy. The so-called empathy, empathy.

Appreciate this is a homesick poem. Express homesickness by describing the feelings before and after writing a letter. The first sentence explains the reason of "The Writer's Book" ("Looking at Autumn Wind"), and the last three sentences describe the psychological activities before and after writing. Before writing a book, it is "full of meaning" and after writing a book, it is "endless fear". The detail of "opening the envelope" vividly shows the mentality of "endless fear of repetition" and integrates meaning and form. What is written is common to everyone, but not everyone can say it. As a guest in a foreign country, I miss my hometown when I see the autumn wind. Please send me a message. Afraid of missing something when I left, I quickly opened it and read it several times. Things are flat, and once they enter poetry, especially when a master like Zhang Ji enters poetry, it will become a wonderful place. This is not common in poetry. Of course, there are also many excellent works with letters from home as the theme in Tang poetry. For example, Cen Can's "On welcoming messengers to Beijing": "When you meet, you don't need paper and pencil, and you can report peace with your message." Writer Ma Jun, in my busy schedule, as an envoy of Lu Yu, sent comfort to Lu Yu's family. Du Fu's hope for spring: "After three months of war, a letter from home is worth a ton of gold." The writer was trapped in Chang 'an under the occupation of An Shi Rebellion. I don't know if his home in the war was Anji, and I am eager to come to comfort me. They all expressed their homesickness with unique skills. The uniqueness of this poem lies in its depth, shallowness and softness in twists and turns. At first glance, it is just a few words, but it is full of profound meaning.

Wang Anshi's poem entitled "Zhang" said: "It seems to be the most extraordinary, but in fact it is a piece of cake." It can quite tell the artistic style and creative bitterness of this poem. Poetry follows the autumn wind, which is a common technique since the Book of Songs. With the autumn wind, the wild geese fly north and south. They travel in other places, and it is easy to contact and think. For example, Liu Yuxi's "Autumn Wind" once said: "Autumn wind comes everywhere, and rustling sends geese. When I came to the court tree, the lone guest heard it first. " Let's look at the history of the poet again. It turns out that he is from Wuzhong (now Suzhou, Jiangsu), which reminds people of the story of Zhang. "Book of Jin, History of Han, Biography of Zhang" says: "Seeing the autumn wind, I miss Wuzhong leek, soup and perch, saying,' If you don't aspire to your life, how can you become famous after being detained for thousands of miles!'" "Then I drove home." And Hans Zhang Daitong, with all the officials to the north. Hans Zhang predicted that Sima Tong, the king of Qi, would make trouble, so he decided to abdicate. Zhang Ji may not have any political reasons, but when he saw the autumn wind, his thoughts about his hometown were very similar. Although he couldn't "drive home" immediately like Hans Zhang, he poured his homesickness on paper. Although this creative impulse of feeling things and feeling things uses the traditional "ascending" method, it contains such rich connotations, which cannot but become a feature of this poem.

"If you want to be a writer, you are full of meaning", in which the word "desire" is closely related to "watching the autumn wind". It turns out that the poet's mood is calm, like a clear water. The autumn wind blew his emotional ripples. The writing is fluent, but at the end of the sentence, the word "heavy meaning" suddenly came back, just like calligraphy. Therefore, the poet's feelings here are not downstream, but deeper. This technology, seemingly ordinary, is actually extremely high. We played poetry carefully: the poet was homesick for the autumn wind and wanted to write a book, and I didn't know where to start with a thousand words. "Meaning is important", but using virtual reality. Liu Yuxi said in "Song of the Knife Ring": "Today, facing each other, the pulse is full of gravity." "Ten thousand centers of gravity" and "ten thousand meanings" are extremely complicated thoughts and feelings. Every reader with life experience can understand how much care there is. How to write this book because it is full of meaning? Did you write it? The author didn't make it clear for the reader to imagine, which is endless and thought-provoking.

Although "the meaning is too heavy", I can't write it, but in a sense, the letter from home is still written. The problem is that I'm in a hurry to write, and I'm still unfinished. The word "urgent" is vivid and picturesque, which not only describes one's own side, but also reflects the sender's side. As can be seen from the following, the messenger met him immediately during the trip: he may be about to get on the horse and board the ship. Even if it's not as urgent as Cen Can's "meeting at once" in Beijing, he's still anxious for a long time. As the messenger is in such a hurry, the writer has to write quickly. It's difficult to express the ideas in a hurry. In this logical description, the poet's eagerness and haste are as vivid as they are now. The word "inexhaustible" also closely echoes the above-mentioned "heavy meaning", because it is "inexhaustible" and "heavy meaning" is also related to the homesickness caused by "seeing the autumn wind". Huang Shucan's Notes on Tang Poetry says: "The meaning of the first sentence has been generally seen, and the official letter is inexhaustible." When pedestrians come, Kaifeng opens, which is even more wonderful. Think about how to connect the second half of this song, and you will know that the first sentence is difficult to write. "Explain that the beginning of the second half of the poem and the beginning of the whole poem are closely linked. The conclusion of the sentence is even more ingenious and can be called a warning strategy. Yu Biyun nearby commented: "I wrote a book, but I can't talk for a long time. I am about to open, and I am homesick. " He added: "This kind of poetry is all about sex." The so-called "ultimate language" is to write the most sincere feelings of human beings and reach the extreme. Structurally, the last sentence says "I can't talk about it in a hurry" and the next sentence says "I'm going to open it soon", which makes the atmosphere of "hurry" full.

The background of creation is Zhang, who lived in Luoyang when writing this poem. It was autumn, and the autumn wind evoked the poet's loneliness in a foreign land, which made him miss his hometown and relatives, so he wrote this poem.

Zhang Ji (about 767 ~ 830) was a poet in the Tang Dynasty. The word Wenchang, Han nationality, is from Wujiang (now Hexian County, Anhui Province) and looks at Suzhou Wu (now Suzhou, Jiangsu Province) 1. His ancestors moved to Hezhou, and later he was from Wujiang (now Wujiang Town, Hexian County, Anhui Province). The world calls it "Zhang Shuibu" and "Zhang". Zhang Ji's Yuefu Poems are as famous as Wang Jian's Yuefu Poems, also known as "Zhang Wang Yuefu". Famous poems include Song of Xia Sai, Complaining for Women, Song of Picking Lotus and Song of Jiangnan. 1 textual research on Zhang Ji's native place holds that Han Yu's "Zhang Ji is in Wu Jun" refers to his view of the county, and quotes historical biography materials such as New Tang Book Zhang Jichuan, Chronicle of Tang Poems, and Ji Sheng in the Middle of the Earth to refute the Suzhou theory and determine that Zhang Ji is from Wujiang. Ji Zhang

Acacia after night, dust goes with the horse, and the moon goes with the boat. The longer they are apart, the wider they become and the thinner they become. Twist the fragrant paper by hand to remember Xiaolian. Who wants to inherit? The green peaks we left at dawn can still be seen at night. Go out and miss your hometown. Thoughts are like endless rivers, drifting with the boundless Jiang Tao. Should be unbearable, the old man's sky, looking at Hu Aishan, acacia has no goose feathers. A thousand daughters buy each other like gifts. Who can complain about this situation? The night is long and bitter, and early spring is dyed by acacia. Xi is homesick, so you gave it to the other person to stay for a long time. The fragrance extinguishes the embroidered curtain, and people are silent, leaning against the threshold and worrying about the distance. Afraid of lovesickness, I have missed it, and it's my turn to miss it, revealing a trace of brow. Where is the depression of younger brothers and sisters? Let's go to war and thank each other! Ultima Thule is still far from the end, only the mind is infinitely long, and there is no time. I am a lonely stranger in a strange land, and I miss my family more often during the holidays. Don't think about the performance outside, or koEY spirit, always sit in front of the bottle.