Exquisite lower case calligraphy Enjoy exquisite lower case calligraphy pictures 1
Exquisite calligraphy pictures in small letters 2
Exquisite calligraphy pictures in small letters 3
Exquisite calligraphy pictures in small letters 4
Exquisite pictures of lower case calligraphy 5 knowledge of lower case calligraphy
Small letters are isolated, although they are not connected, but we should also pay attention to the spirit. The spirit of lower case letters is mainly accomplished through pen gesture and body gesture.
Painting style
When writing small letters, due to the interaction of strokes, a wisp of ink is inadvertently brought out, which echoes the next stroke. This kind of brushwork is also called thread tying in calligraphy terminology. If used well in regular script, it can increase the fluency of strokes. However, it must be noted that the meaning of lowercase letters is from the inside out, with no trace as the first priority, so the binding line can only be accepted, and it must not be used more.
Body posture
When writing small characters, the characters should be straight, similar and the same size. The potential changes in the structure include directional potential, reverse potential, open potential, combined potential, flat potential, oblique potential, odd potential and so on. , Wang Xizhi's lower case? If the shape is broken and still connected, then the situation is oblique and anyway? Therefore, the body is broad-minded, the words and deeds are vivid, and there is no stagnation.
Taking advantage of the situation is an important method to study the qi circulation of Ni Sumen's Shu Lun in regular script: While writing, Jin people don't pass on secrets. On the cover side, the author takes advantage of the trend and uses a pen to make a positive and a negative structure. The so-called head-to-head opposition is also obtained from the wrist. Every word that gets the situation is alive, and the situation is inherited. The word Xin Xu turns left and right, which is strange anyway. ? This passage is very interesting. The so-called "turn left and turn right" is the structure of "stop left and stop right", which changes its angle slightly, thus producing a change in posture, which makes its posture rise and fall, but its center of gravity still needs to remain stable, so in a dangerous posture, the style of fine print is produced. Of course, turning left and right is just an example. Learners can draw inferences from others and use them flexibly. Let's talk about it below.
First, the horizontal trend
The so-called horizontal posture is to stretch its horizontal painting, and the posture is slightly flat and dignified. This method of taking posture in small letters can be represented by Wang Xizhi's Daughter Cao E Tablet. Be sure to pay attention to the uneven opening and closing of a line. Although the font is slightly flat, the posture should be vivid. This method of taking posture is to lengthen the main painting of each word, and the object painting converges, which makes it easy and purposeful.
Second, the longitudinal potential.
The so-called vertical potential is to shorten the horizontal map, tilt it slightly to the right, extend the vertical map and tilt it slightly to the left, thus forming a resting potential that stretches left and contracts right. Because the posture is long and narrow, such as oblique, it is called vertical posture. When writing this posture, it is not easy to grasp the center of gravity. Therefore, the pen strength should be heavy, and the weight can support the center of gravity. On the other hand, it should be noted that each horizontal painting should not tilt to the right in the same direction, and each vertical painting should not tilt to the left in the same direction, so it will be flush again. There is also a gesture of shrinking left and extending right, which is widely used in lowercase letters, that is, drawing horizontally to the right and vertically to the right, making its posture slightly to the right. Because the whole character leans to the right, it produces a dangerous posture, which is flexible and changeable.
Third, turn up and down, left and right.
The narrow sense of up-down-left-right-turn lies in the physical change of each font structure, while the broad sense of up-down-left-right-turn lies in the physical change of up-down-word, left-right line. The above methods can be used alternately in lowercase letters. As for the feeling of back to back, it lies in the trend of clutch. Generally speaking, most of the fine print is written with the trend, and the trend structure is elegant and generous, so beginners should study it carefully.
In short, the momentum of lowercase letters is mainly composed of gesture and posture, and posture is also a comprehensive artistic effect. The above analysis method is only a method of anatomical posture. Although beginners can understand the meaning of posture in theory, they may not be able to gain momentum in practice, because it also involves advanced skills and mature statutes. Only through constant practice can they be enlightened, and once they gain motivation, they can be absorbed. Scholars should also broaden their minds in knowledge, not stick to the rules, not stick to the rules, be calm, and not make them arrogant, so as to be elegant and upright, and also broaden their horizons in nature. If you are not narrow to the vulgar, your chest is slim and graceful, overflowing your fingers and wrists, but it is related to the nature of heaven and earth, and the natural spirit is profound and coherent.
Interested in lowercase letters
When writing small letters, the most important thing is to pay attention to interest, which means an extremely important aesthetic category in calligraphy art. This abstract term contains very profound artistic connotation. It is eclectic, covers all kinds of differences, broad and profound, radiant, and has the characteristics of being understandable but difficult to express. Therefore, it is not easy to understand and use it correctly. Although meaning includes very rich contents, in fact, meaning mainly includes two meanings, one is the aesthetic realm of the author in the process of creation, and the other is the spiritual realm revealed in the whole work. Meaning plays an extremely important role in the art of calligraphy, which means that the expression of the author's own artistic personality is the soul of the work. It can make the inanimate stippling full of vitality and make the original tangible things look interesting, as Qian Yong said in his calligraphy. A person's body, which is filled with feelings, sees charm outside. It is indispensable, and so is writing a book. ?
Floating like a cloud
This aesthetic realm of small letters is represented by Wang Xizhi, pursuing a harmonious beauty. This kind of state, short meeting, fine balance, light and heavy balance, combining rigidity with softness, odd and correct, is used by Fiona Fang together, which requires both sides of the contradiction to maintain a reasonable harmony within appropriate limits, so-called gentleness, and then gentleness. It is a dynamic harmony, a dynamic balance of life. The so-called neutrality and consistency, predictable position, let the formal beauty of calligraphy art get the richest performance. This aesthetic realm has created a highly elegant and harmonious work. Look at Wang Xizhi's small letters, which are bold and noble in external standards and contain the spirit of purity, purity, beauty and charm. Moreover, the artistic conception of each lower case is different, as Sun's Book Score says:? Writing Le Yi is full of melancholy, calligraphy and painting praise is rich in meaning, court classics are full of nothingness, and teachers' words are full of discussion. The former is different from the latter. Although the main theme has not changed, it has won many tunes, thus forming a three-dimensional style.
Simple and natural
The aesthetic realm of this kind of lower case is represented by Zhong You. This aesthetic realm pursues a simple, naive, natural and plain atmosphere. It requires the works to be thick but not frivolous, strong but not greasy, simple but not gorgeous, deep but not arrogant, implicit but not fantastic, and it does not care about carving or pretentious, thus showing a simple nature, simplicity, truthfulness and naturalness. They don't deny the role of written law and skills, but they emphasize the absolute freedom gained in the law. They advocate governing by doing nothing, governing by doing nothing and governing by doing nothing. This aesthetic has a great influence on later generations. Try to read Zhong You's short book, which is quaint and full of interest, simple and interesting, without any hue or affectation, full of mellow meaning and endless aftertaste. In fact, the capital letters in Yan Zhenqing, Fu Shan and Wang Duo are all.
Strict laws and regulations
This state in small letters is represented by Zhong Shaojing, and this aesthetic state pursues the beauty of rigorous modeling. This aesthetic world is thoughtful, meticulous, meticulous, ingenious, dignified and symmetrical, neat as the law, winning by skill, skillful as the ability and sharp as the first, thus showing a dignified and serious artistic conception. Take a look at Zhong Shaojing's Ling Fei Classic. It is a small piece of ink, vigorous and dignified, with sparse words, neat and fine, and adheres to the block method. Although its branches are white and have the beauty of artificial pruning, they can also have uneven changes in symmetry and neatness. Although it has the beauty of manual ironing, it can also have a strange change in the rigor of the law, and the structure is small.
Ziyun yixiu
This realm in lower case is represented by Zhao Mengfu. This aesthetic realm newspaper pursues a kind of exquisite swaying, subtle and feminine. This aesthetic realm is based on charming and beautiful posture, refreshing and unconventional, gentle and mellow, and represents a typical southern style of calligraphy. Look at Zhao Meng's small letters, graceful and graceful, graceful and elegant, like a beautiful flower and a scholar, whizzing between moonlight and waves.
Strong and strong
Huang Daozhou is the representative of this realm in lower case letters. This aesthetic realm pursues a kind of masculine beauty, steep and vigorous. This aesthetic realm, with its simplicity, boldness, elegance and boldness, represents a typical northern style of calligraphy. Take a look at Huang Daozhou's lower case letters. The stippling is heavy, dense, odd-looking, vertical and square, bypassing the stone interest.
In short, when writing lower case letters, we should take the principle of law as the basis, and only on this basis can we pursue the interest of lower case letters, so as to be strange but not strange and never give up. Interest should be reasonable, and spirit should be born of form and quality. Both should not be neglected. All books that pay attention to legal principles are close to solemnity and interest, and are close to elegance, especially lowercase letters, which must be considered dignified and calm.