1, a blessing written by Naixian, from: Cheng Nan's Ancient Poems and Fu;
2. The blessing written by Cha Sheng comes from: the preface of Lin Huairen's Collection of Wang Xizhi;
3. The blessing written by Dong Qichang comes from: Xu Wenmu Cemetery Memorial Volume;
4. The blessing written by Wang Xizhi comes from: Preface to the Holy Teaching of Huairen Collection;
5, the blessing written by Kangxi, from: "Thousand Characters";
The writing of the running script of the blessing character
1. In the treatment of strokes, the writing of Chinese characters requires smooth strokes and natural connection. For example, the first stroke of the word "fu", the cross hook, should be gently scratched from left to right, and then bent downward to form a beautiful arc. The second stroke is vertical and horizontal, and the vertical part should be straight, and the turning point should be round and natural. The third stroke is the horizontal hook, the horizontal part should be smooth, and the turning point should be paused for a while before bending down. The last stroke is an apostrophe, which should be obliquely stabbed from the upper right to the lower left to form a euphemistic curve.
2. Structurally, the writing of Chinese characters requires compactness and balance. The four strokes of Fuzi should be evenly distributed in space and echo each other. The ratio of horizontal hook to vertical hook should be moderate, and the horizontal hook part should be slightly longer than the vertical hook part to maintain the overall balance. At the same time, the radical part and the main part of the word "fu" should also be harmonious and unified, for example, the connection between the hook and the left should be natural and avoid being too stiff.
3. When writing cursive script, we should also pay attention to the thickness change of strokes. At the beginning and turning point, strokes can be properly emphasized to form a strong effect. In the middle and tail of the stroke, it can be gradually thinned, showing the fluency of the travel book. This change in thickness makes the word "Fu" more stereoscopic and dynamic.
Writing the running script of the blessing character also requires calligraphers to have profound foundation and aesthetic taste. In the process of writing, calligraphers should grasp the frame structure of characters and pay attention to the charm and rhythm of strokes. Only by combining personal feelings with calligraphy skills can we write a running script full of vitality and artistic charm.