Calligraphy works of 28-character ancient poems

The calligraphy works of 28-character ancient poems include a night-mooring near maple bridge by Zhang Ji, Sending Friends to the North on a Rainy Night by Li Shangyin, Qiu Si in Tianjingsha by Ma Zhiyuan, and Farewell to Meng Haoran by Li Bai. Every ancient poem is independently completed and is a very picturesque work. At the same time, the combination of poetry and calligraphy gives people an immersive feeling.

Writing ancient poems in the form of calligraphy is not as vivid as painting, but the movement, turning point and trend of calligraphy can also well reflect the meaning of every word and poem.

The vigorous brushwork can be the embodiment of strength and emotion, the introverted brushwork can show the euphemistic and implicit artistic conception of poetry, and the scribbled brushwork can also reflect the desolate and sad feeling of poetry.

Calligraphy, painting and ancient poetry are all forms of artistic expression, and they are also interrelated and can express and embody each other; Painting is more intuitive, poetry is more subtle, and calligraphy has more connotation. It is more difficult for writers to master the most basic calligraphy skills, understand the meaning of poetry, and express various emotions and artistic conception with their own calligraphy.

Therefore, calligraphy has always been highly respected by the world. At the same time, the art and collection value of precious calligraphy works are increasingly recognized and concerned by the public, and everyone pays more attention to and cherishes ancient calligraphy works.