Famous inspirational sentences in calligraphy
1, or send it to Zhi, or entrust it to Yi. Although expensive, it cannot be suppressed.
2, the pen is like a cloud (Tang? Du fu,
3, if the silver hook, if the source is shocked (gold? Suo Jing,
4, floating like a cloud, agile as a dragon (Book of Jin,
5, if you teach the waterfront, every word is afraid of becoming a dragon (Tang? Han Wei,
6. Every successful person has a beginning. Only when you have the courage to start can you find the way to success.
7, the word must have bones, the meat must be wrapped in tendons, the tendons must hide the meat, and the post is Xiurunsheng (Song? Miffy,
8. Before creation, people must be created.
9. Senior three is the most unforgettable stage in a person's life, which means struggle, hard work, persistence and perseverance.
10, always seeing dragons and snakes go (Tang? Li Bai,
1 1, the law of a word, a word is the final law (Tang? Sun guoting,
12, silence is better than sound, intangible phase (Tang? Zhang,
13, confidence comes from strength, and strength comes from diligence.
14, learning books can be general (Tang? Zhang Yanyuan)
15, pen bald thousand tubes, Mo Mo Wan Yuanbao (Song? Su Shi,
16, although clever calculation is not energy (Tang? Zhang,
17, the word is afraid of practice, and the horse is afraid of riding.
18. Without failure on weekdays, there will be no final success. It is important to analyze the reasons for the failure and learn from it.
19, if you don't set limits for yourself, there will be no barriers in life that limit your play.
20. The dragon and snake in the pen are like gods (Tang? Zhang)
Recommendation of famous calligraphy sentences
1. Anyone who has learned a book can get the rest ... Northern Song Dynasty. Ouyang Xiu's "Test Pen"
2. When learning books is easy for teenagers, writing regular script is the first hand. Yi's Theory of Learning Books
3, every word must be familiar with the books of Wei and Jin people, must be in the heart, complacent in the ancient brushwork. If you want to learn cursive script, you must master the original script to understand cursive script calligraphy. Cursive writing is not difficult to do. Northern Song Dynasty. On Huang Tingjian's Books
4. Those who are good at ancient books must learn the law first, and gradually become unintentional and inseparable from reason. Song Ouyang Xiu's Collection of Ouyang Wenzhong's Official Documents
5. To learn a book, you must first write a script, write a word, and write a big word first. The script is established, but it is a running script; Running script is established, but it is cursive. Those who learn cursive script should first learn from Cao Zhang and know the origin of radicals, and then change to Cao Sheng. Those who study seal script must also use regular script, and it will be easy to get familiar with the front. Learn eight points, learn seal script first. If you are familiar with seal script, you can learn eight points, which is ancient. Fang's calligraphy study
6, whoever learns calligraphy, learn to write first ................................................................................................................................................................... Jin weishuo's pen drawing
7. The font size of ancient stickers varies greatly. For example, the old man with his young grandson is uneven in length, but the affection is real and painful. On Wu An in Qing Dynasty
8. When a book begins to shrink, it must have taken a lot of effort to get frustrated. The brushwork has been learned, and more of it is temporarily attached to the structure. Yi's Theory of Learning Books
9. If the temperament is thin, the physique is not big, and the learning ability is limited; Poor talent is the limit of learning, but it is not easy to get started; If you can't, you will accumulate years and your efforts will be in vain; Kung fu is shallow and the strokes are sparse, which is difficult to achieve; If you copy less, you will have no words to learn, and your body will be rough and evil; If you have short knowledge, you will wander in the present and have no prejudice. Zhu Qing Luzhen's Introduction to Learning Books
10, new words, don't waste more ink. Bring me the ancient extension of the rare books of ancient books, play with it carefully, and read it carefully again. Then I will reply and stick them on my back to ask for it. Study and think, think and learn, if you have a success in your heart, then pursue it ... clear. The covenant of Song Cao's calligraphy.
1 1, the book ▲ The law is prepared in the official book and overflows on the grass. If you can't read the book, but you can walk on the grass, you still haven't heard Zhuang language, but you don't have to speak it. Nothing is the Tao. Northern Song Dynasty. Su Shi's On Books
12, Xu Changyun: Or how did you get the beauty of calligraphy from its ancients? Yuemiao lies in writing, which makes it smooth and smooth, and does not make it cramped; Secondly, the knowledge of the law must be passed down orally, not too much. The so-called brushwork, followed by layout, is not slow and inappropriate; Secondly, be flexible and conform to the rules; Secondly, paper and pens are excellent. Prepare the five, and then you can be on an equal footing with the ancients. Tang Cai -xi on calligraphy
13, learning Chinese characters for the first time, don't do what you can, think about the words first and aim at the pen. Correcting hands and feet once, knowing the situation twice, doing this three times, adding oil and vinegar four times, adding oil and vinegar five times, silently. Kim. Wang Xizhi's Gesture Theory
14, if you study in many schools, your handwriting is clumsy and there are many mistakes. When the connection is made, it will be broken. When it is broken, it will continue. I don't know how to go back, I don't know how to stop, I don't understand the transformation, and I use a pen at will. If I make a mistake, I will make a mistake. It is very novel. Southern Song Dynasty. Jiang kui continued his book spectrum.
15, beginners are organized, and they must have their own things, and they seek meaning because of images. Finally, I will go through the motions, do nothing, and proudly forget the image. Therefore, like intimate, like untouchable, inseparable from the heart. Elegant characters in Ming Xiangmu's calligraphy
16, uncle and wife must have been taught by the teacher. First of all, you should know about the exam, but you can work more. If the power is clear, the service will be late; If you are late, you won't be detained; Arrested in death, seeking metamorphosis; The purpose of transformation is to arouse; The reason for enthusiasm lies in difference; Changes in different shapes, no drowning and seclusion; Go out and do things with spirit; If the spirits are high and a few are mysterious, there is no way out. Yutang Zhang Tang Huai Guan Jin Jing
17, shape, its shape also; God, its spirit is also. Song Wen Yuan
18, modeling, the texture of god; God, the use of form is also. If it is, it is called quality and used by God. Form cannot be different from God. Southern and Northern Dynasties. Fan Zhen's theory of deification.
19, God is form, and action is God. It is the existence of form that leads to the existence of God, and the shooting of form leads to the extinction of God. Southern and Northern Dynasties. Fan Zhen's theory of deification.
20, the husband is outside the shape, and the shape is in the air. If the shape is not vivid, it will be lost; Similar in appearance, but sparse in loss. Therefore, praying for God seems to be outside the form, taking business into shape. link
The most classic calligraphy quotations
1. The figures in the Northern Wei Dynasty have a fixed method and come out freely, so they are deformed. The books of the Tang Dynasty are not fixed, but they are reserved, so they are engraved. Clear. Bao's "Art Boat Double"
2. The essence of calligraphy is positive and strange. The so-called upright people are indeed temperate in suppressing setbacks, revealing what they should do and imposing themselves. The so-called fantastic, ups and downs, soaring, amorous feelings, gestures, is also unique. Elegant characters in Ming Xiangmu's calligraphy
3, the book must also be turned in circles, let it go; If it becomes angular, it is sick. Don. Zhang Huaiguan's book review on medical stone.
4, between a painting, domineering fluctuates in the peak; At a little bit, this is very frustrating. Kuang Yun accumulated his stippling and became his calligraphy. The Book Score of Don Sun Guo Ting
5, the valley cloud: where the book is harmful, charm is its small disadvantage, and frivolous is its serious illness. Always pick up the pen and straighten it out one by one. As for the pen, it is self-contained, and the most taboo is to compose music, so it will not be a book. Liang Qing Zhang Ju's Learning Characters
6. Ugliness is the beauty of strange stones, and ugliness to the extreme is the ultimate beauty. Ordinary books are ugly unless they are beautiful. Beauty and ugliness are different, which is also a view of human beings. Clear. Liu Xizai's Art Outline
7. Sweetness is unnatural, ingenuity is not caused by work, recklessness is not old, ugliness is not ancient, and ugliness is not magic. Xun's Shan Jutu
8, the rules are clever, clear and mythical, and not bad. Ability should be good, and the mind can be changed. Clear. Feng Ban's Blunt Book
9. Learning books is like a poor road. First, you have to step in, and then you have to break the contract. Why not make a promise? Xian's Theory of Learning Books
10, the true book takes righteousness as goodness, and this secularism is also the loss of the Tang Dynasty. There is no bell for the magic of ancient and modern true books, followed by Wang Yi. Today, the books in both schools are sloppy. Why not be fair? Southern Song Dynasty. Jiang kui continued his book spectrum.
1 1, its official document, strong and unyielding, righteous people enforce the law, and has the wind of face; With its wonderful stippling and precise posture, it is unparalleled. The running script is flat and crooked, like a dragon and a snake, and it is a family of its own. The Book Continuation by Zhu Wenchang in Song Dynasty
12, straight as standing, walking as walking, grass as walking; So can those who can walk without standing. The true story of calligraphy Wu
13, Su Wenzhong said: Calligraphy is prepared in the original book, and it overflows into cursive script, but it fails to correct the book, and cursive script plays a role. I can't speak Zhuang language yet, but I don't want to. Nothing is the Tao. Liang Qing Zhang Ju's Learning Characters
14, the reader must learn the correct book first, and all the eight methods are prepared, and they are not attached to each other. If the model method arrives, it will naturally be realized in the second method, and there will be no surprises. On the contrary, it is a mere formality, and people who don't understand it refer to it. Northern Song Dynasty. Zhao Gou's Momo record.
15, written as cursive, with a pen. Without cursive writing, there is no blood; If you don't write with a brush, there will be no beginning and end. The script must be harmonious and the grass must be clear. And Tang's "New Interpretation of Linchi"
16, the text of the running script is slightly different from the truth. ? It's naive to break the hairspring and continue ...? . On the Essence of Pen by Yu Shinan
17, everything expensive in the world will be expensive. Real books are hard to fly, cursive scripts are hard to be serious, big characters are hard to be secret, and small characters are hard to be generous and redundant. Northern Song Dynasty. Su Shi's On Books
18, although the big characters are big and small, the small characters are small and big, the original book must have a grass meaning, and the cursive script must have a pen. The original ancient records of Hao Jing
19, the cursive pen turned many times. If you believe it, it will become a flat front, so you must use it secretly to change your mind. Clear. Bao's "Art Boat Double"
20. The model method is too restrictive and the grass method is too vertical.