Yan Zhenqing brush calligraphy font introduction copybook picture appreciation
Yan Zhenqing brush calligraphy font introductory copybook picture 1
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Yan Zhenqing's Achievements and Status in Calligraphy Yan Zhenqing first studied Chu Suiliang's calligraphy, and later learned to write in Zhang Xu. He also discussed calligraphy with Huai Su. He deeply studied the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty and created a new era of calligraphy style. What's the name of Yan Zhenqing's calligraphy style? Face? , and Liu Gongquan said? Yan Liu? , is it? Yan gu? Fame.
Yan Zhenqing's original calligraphy is magnificent and dignified, and its handwriting has changed from slender in the early Tang Dynasty to square and has a centripetal force. The pen is vigorous and powerful, and the central brushwork is good. Full of bones and muscles, but also sharp. Generally, horizontal painting is slightly thinner, vertical painting, point, skimming and pressing are slightly thicker. This book is magnificent in style and momentum, and has the spirit of flourishing Tang Dynasty. His cursive script is vigorous, expressive, calm and vigorous, which opens up a complete life for the cursive script after Wang School. Yan Zhenqing's running script is vigorous and vigorous. This style also reflects the prosperous style of the Tang Dynasty Empire, which is in line with his noble personality. It is a typical example of the perfect combination of calligraphy beauty and personality beauty, so it is praised by future generations? The second running script in the world? .
It is more dignified and vigorous, and Yan's tablet is also his work, but the fine strokes are different from other tablets. Yan's Temple Monument is rich in calligraphy, which is also his masterpiece in his later years. Compared with his early works, it is more vigorous and atmospheric, which is his masterpiece in his later years.