One,
In just 56 words, "Seven Laws and the Long March" highly summarizes all kinds of difficulties and obstacles on the Long March. Through vivid and typical examples, he enthusiastically praised the revolutionary heroism and optimism of the heroic and tenacious Chinese Red Army of Workers and Peasants.
The first couplet of this poem is the forerunner of the whole poem. With straightforward language, heroic language and strategic thinking, it highly summarizes the dauntless heroism of the Red Army during the Long March and lays a relaxed, heroic and extraordinary tone for the whole poem.
The word "difficult expedition" sums up all the difficulties encountered by the Red Army on its way to the Long March. Expedition is about the journey and time of the Long March. "Difficult" means writing about the great sacrifice and suffering of the Long March.
However, in the face of all kinds of difficulties and obstacles on the way to the Long March, the powerful word "not afraid" was written in a firm tone, which showed the heroic image of the Red Army's bravery, tenacity and perseverance, and also clearly implied that it was not worth mentioning to the besieged enemy.
"Leisure" means "easy; Casual; Normal. " The word "leisure" describes the difficulties lightly, echoes the expression of "not afraid", and shows the lofty sentiments of the Red Army's contempt for difficulties, contempt for the enemy and leisurely.
"Wan Shui Qian Shan" is mainly static and dynamic, with difficulties and obstacles as the main body. It shows a general blueprint that condenses the magnificent course of the Red Army's Long March and is the embodiment of "face".
Zhuanlian, along the route of the Red Army's Long March, overlooks two typical mountains, Wuling Mountain and Wumeng Mountain, and depicts two "Long March Maps" of "Leaping over Wuling Mountain" and "Leaping over Wumeng Mountain" point by point. These two sentences describe the Red Army's conquest of mountains.
The "winding" and "majestic" mountains are very high, but in the eyes of the poet, they are like small waves and small mud balls. The peculiar imagination and exaggerated style of writing are the poet's intention to reduce the visual proportion of people, just to compare the tall image despised by the Red Army and the spiritual strength to overcome all difficulties.
The dynamic descriptions of "Teng" and "Zou" enliven the still mountains, not only about mountains, but also about the Red Army's conquest of mountains, which embodies the fearless revolutionary optimism of the Red Army.