How to write the calligraphy of "we" in Chinese calligraphy 1. How to write the calligraphy of "harmony is the most precious" in Chinese calligraphy
The calligraphy of "harmony is the most precious" is as follows:
The calligraphy of "harmony" is as follows: ——Refers to calligraphy written according to traditional methods, rather than words written casually with a calligraphy pen.
Essentials of calligraphy:
Handwriting: "Five-finger holding method: hold the penholder (appropriate height) with the pads of your thumb and index finger to ensure that the penholder does not fall off; the middle finger is under the index finger Resting on the outside of the pen, it not only strengthens the strength of the index finger to pinch the pen, but also plays the role of hooking the pen in; the nail flesh of the ring finger is against the inside of the pen barrel, playing the role of pushing the pen outward; the little finger is attached to the finger of the ring finger. Use the lower part of the belly to push the pen outward with your ring finger
Brushwork: The most important thing is how to create ideal lines (stippling)
3. How to write dots with a brush
1. Copying combined with copying is the most basic way to learn calligraphy. Not only do you need to copy when you first learn calligraphy, but you also need to copy after you have a certain foundation.
Learning regular script requires copying, as well as learning seal script, official script, and calligraphy. Both running and cursive calligraphy still need to be copied. Calligraphers spend their lives in copying, learning in copying, thinking in copying, and making in copying.
Copying is to use thin paper. The paper is covered on the copybook, and then the pen follows the shadow and writes according to the revealed handwriting, which is also called "imitation" or rubbing. There is also a method of copying called "tracing red", which is to fill in the words printed with double hook red lines. .
How to copy the calligraphy: The first step is to select clear and complete characters from the calligraphy, and use transparent and ink-proof thin paper, such as typing paper and glossy paper. , tracing paper, etc. are covered on the post, and according to the outline of the characters, use extremely thin lines to hook into hollow characters. This is called "double hooking"
Then use the hooked characters as a tracing book, and use red. Fill it in with ink, then with blue ink, and finally with ink. Writing in this way can not only deepen your memory, but also save paper. When copying, you should pay attention to the pen moving along with the paper, and don't lose shape. You should pay attention to the ins and outs of the strokes and figure out its writing skills. and structural form.
The copying should have the meaning of "writing", and the strokes should be written in full and precise strokes. Do not follow the pattern of the gourd and the gourd, that is, in the copying. Basically, after you have a basic familiarity with the rules of writing and wording, there are three ways to write against the calligraphy: facing the calligraphy, facing the calligraphy, and facing the calligraphy on the back. Place the copybook on the opposite frame and write on it. This is the most convenient and commonly used method of copywriting.
Gelin means using translucent paper to mark the grid (Tian Zi grid, Mi Zi grid, Jiugong grid). etc.) It is mainly used to grasp the structural parts of the calligraphy.
Backing, that is, putting the calligraphy away and dictating the words in the calligraphy from memory, not only the shape, but also the quality. God. After writing, you can collect the words into couplets or into articles, and then enter the creative stage.
Imitate the writing and follow the writing. We can write in the same way as the ancients wrote, including size, length, width, and width. The thickness, square, circle, slant, etc. must be written according to the requirements of the calligraphy. There are certain standards and restrictions. The characteristic of copying calligraphy is that it is easy to learn the structural positions of the ancients. However, because the standards are too rigid, the writing style of the ancients is lost. The pen is rigid and not agile, which makes people feel unable to let go and unbearable. The writing may be facing or facing, or facing from behind, or coming with thoughts, adding many unique characteristics of the calligrapher himself, so it is easy to get the ancient writing style, and easy to write. The structural location of the Lost Ancients.
I write freely and pursue independence, but get very little. Therefore, it is necessary to combine copying with copying, copying first and then copying, so as to obtain both the ancients' writing methods and the ancients' structural rules.
When practicing, you can copy first and then review, then copy in reverse, and then review after copying. Or adopt the "double hook" method to study structural laws.
Copying and copying are interspersed to maximize strengths and avoid weaknesses, and the effect is excellent. When copying, you should read more, think more, and speculate more, and then write.
The writing must be accurate, first similar in form, then similar in spirit, so as to achieve both form and spirit. After copying, you should compare and check repeatedly, sum up experience and lessons, improve through negation, and mature through lessons.
2. First in, last out. Copying is the most basic and effective way to learn calligraphy. Copying means inheriting, learning from the ancients, and learning the beautiful brushstrokes, beautiful knots, beautiful compositions, beautiful charm and spirit from the excellent inscriptions of their predecessors.
But there is another key issue in copying: posting and posting. If you don't enter the post, can't write it, or the writing doesn't look like it, you can't have a dialogue with the ancients and learn the beauty of ancient calligraphy.
But if you don’t post, you can’t get in and out. It’s too much like the ancients, and you almost become their slaves. There is no personal independence at all. Writing like this will ultimately not form your own. Characteristics of calligraphy style. Regarding entering and leaving posts, Yao Mengqi of the Qing Dynasty said it well: When entering posts, "You can't do it without me, because it's customary to have me." > "I am not allowed to be here" means that we must study the ancient Dharma calligraphy wholeheartedly and grasp the spiritual outlook of the calligraphy. "Every word must come from the ancient calligraphy." If you don't follow the calligraphy, you will have no foundation; What I'm talking about is that on the basis of the imitation, we should absorb the strengths of other inscriptions, integrate them, combine them with our own artistic quality and production ability, and gradually form our own style, which is unique and creative, and gradually move towards A new realm of free creation. 3. Reading posts and enlightening them not only means attending, but the most important thing is reading. Learning books and enlightening means comprehending from reading posts. Some of the excellent teachings of ancient people are not necessarily read. You only need to read them carefully, experience them repeatedly, and understand them. The method and charm of calligraphy will naturally be integrated into one's calligraphy creation.
Reading the inscription does not mean reading the text of the inscription aloud. The so-called reading of calligraphy is a special term for calligraphy, that is, before copying the calligraphy, or during the break of normal work, the calligrapher reads the calligraphy and scans the ink, that is, carefully analyzes, discusses, and figures out the strokes and structure of each word in the calligraphy. As I read and memorize the composition, style and charm of the whole work, I can't help but draw it with my fingers, copying it with my heart and my hands, and I am deeply moved.
This picture is written by Mr. Lin Zexu