Latch calligraphy

Yan Zhenqing Dezong's imperial edict said, "I am a talented person with organic materials, loyal to the public, and loyal to the four dynasties." In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings. His book was a beginner in Zhang Xu, and there were four schools in the early Tang Dynasty. After that, many scholars were widely gathered to change the past into the law, forming a solemn, square and simple "face style". Have a great influence on future generations. It is said that there are 138 kinds of his works. Chu Suiliang, a beginner, studied under Zhang Xu and four masters in the early Tang Dynasty. He not only accepted the seal script, but also accepted the writing style of the Northern Wei Dynasty, which made him unique. Contrary to the writing style of the early Tang Dynasty, he changed from thin and hard to full and vigorous, with great momentum, vigorous backbone and awe-inspiring spirit. Song Ouyang Xiu commented: "Uncle Yan is like a loyal minister, like a martyr, like a moral gentleman. His dignity and respect are frightening at first sight, but the longer he takes, the cuter he becomes. " Not many people in the world see the treasure, but they never tire of it. "Zhu also praised his book:" Points are like falling rocks, paintings are like clouds, hooks are like bows, images are vertical and horizontal, and ambitions are low. Since the dedication, there is no such thing as a public figure. Yan Ti Shu has a far-reaching influence on the development of calligraphy art in later generations. After the Tang Dynasty, many famous artists learned from the success of Yan Zhenqing's political reform. Especially cursive script, after the Tang Dynasty, some famous artists learned from Yan Zhenqing and established their own style on the basis of learning from the two kings. Wang Xizhi studied under Mrs. Wei in his early years. Wei Shuo taught his methods brilliantly under the guidance of Zhong You. She taught Wang Xizhi the method of Zhong You, the method of learning calligraphy from generation to generation, and her own calligraphy style and method. "Tang Dynasty Book Review" latch: "Mrs. Wei's book is like a flower arrangement dancer, low beauty. Another example is the beauty on the stage, the fairy shadow, the red lotus reflection water and the blue marsh floating. Modern Shen said: "Mrs. Wei, the scholar of Xi, is naturally influenced by it." She followed the clock method and learned charm, which was also formed by it. Since the Qin and Han Dynasties, the traces of beginning of spring's ancient times have been exhibited, which is different from the new school of bell method passed on by Mrs. Wei, so they are dissatisfied with the teacher's biography. This is related to the fact that later scholars learned from posts and wanted to change their studies as soon as they saw the tablet. This is ... You can appreciate the charming style of the west, which is inexhaustible and deeply rooted. "Wang Xizhi is good at learning from many teachers. When he broke away from Mrs. Wei's calligraphy, he was already at a new historical level. He once described this historical turning point as follows: "It would be great to learn less from Mrs. Wei;" "And cross the river to visit the famous mountains in the north, and read books such as Reese and Cao; And make a promise, see Zhong You, book; See Cai Yong's Three-body Book of The Book of Songs; At the meeting place with my brother, I saw Zhang Chang's Hua Yue Monument. It took me several years to learn Mrs. Wei's book. I changed my major and studied in a historic site. " From this activity, we can see Wang Xizhi's experience and intention of expanding his horizons, studying extensively and exploring the source of enlightenment. DEkRH Sha Ying Broadband Community-Creating a relaxed and diversified entertainment platform for netizens *} Wang Xizhi is ambitious and creative. He learns from Zhong You, so he can change. Zhong Shu is still turning over, and the real book is also divided. The pen is still expanding, and there is a tendency for birds to soar, which is called "Zhong Jia Falcon coda". Wang Xizhi likes to chase with his hands, but it is easy to turn into a song and subtract momentum. The so-called right army "straight down a couch." He imitated Zhang Zhi consciously. In the Tang Dynasty, Zhang Huaiguan once pointed out this point in the "Introduction": "It is a shame to compromise with the rough analysis of the bow grass; The gain and loss of The Servant of Zhong Jun, though using Ceng Hua, is quaint. When it comes to the nature of research, you know everything. Wang Xizhi's analysis and harmony of Zhang Zhi's cursive script, and Zhong You's official script's gain and loss and use can all be studied by two calligraphy masters. Shen said: "Wang Xizhi didn't dish mud at the feet of his predecessors, and so did painting gourds." Instead, I want to use my heart and hands to make the ancients work for me, not sticking to the past and not turning my back on the present. In his life, he skillfully used various brushstrokes of Qin and Han seal scripts from the Expo, and all of them merged into a real cursive script, thus forming the best posture of his time, bringing forth the new and opening up a new world for future generations. This is why Wang Xizhi is highly regarded as "combining all laws and preparing one family". 6eyhca Wang Xizhi not only has a free and easy external appearance, but also has a rich inner world, such as "People look at Wang Youjun, floating like clouds, be wary of dragons". Metaphysics prevailed in Jin Dynasty, advocating philosophy of Laozi and Zhuangzi. Therefore, his thinking about life, society and nature was naturally influenced by it. At the beginning of Jin Shinan's crossing, when he saw the beautiful scenery of Huiji, he had the ambition to die. After resigning and retiring, mountains and rivers set each other off, naturally feeling overwhelmed. He went boating in the sea, collected distant medicinal stones, cleaned up the dust in his heart, accepted the beauty of all things in nature and discovered the mystery of the universe, which proved to the art of calligraphy, just as the broken book said, "How can you reach the peak if you are ever-changing?" IxdOH Wang Xizhi's poem "Lanting" wrote: "Look up at the blue sky and overlook the waterfront. A far-sighted view of the world is well-founded and self-evident. It's great to make chemicals. Everything is different. Although the crowd is uneven, it is not new to me. Zong Baihua, a contemporary aesthete, commented that it truly represents the world view inspired by the pure heart and deep feelings of Jin people. Although people's voices are uneven, nothing suits me better than being new. In particular, I can write that Jin people understand the world with a fresh, lively and free heart, so that everything they come into contact reveals new souls and new lives. Therefore, it is not a mechanical and stale principle, but a profound principle contained in the lively and splashing vitality of the universe. Wang Xizhi has another poem: "It's none of my business to fight for the first place, but forget to ask for it quietly." Zong Baihua believes that "still photos" are the starting point of all artistic and aesthetic life. The literature and art of Jin people are permeated with this fresh and lively philosophical spirit of "being quiet and forgetting to seek" and "being suitable for me but not being new" (On "The World is New" and the Beauty of Jin People). Through the above analysis, we can appreciate and understand Wang Xizhi's calligraphy spirit. Sha Ying Broadband Community —— Creating a relaxed and diversified entertainment platform for netizens 7F9hEE's Broken Book says: "The right army digs Tianjin, and the gods are ingenious, so it can increase and damage the ancient law, cut it into a modern style, advance and retreat the charter, show off its glory and quality, and promote the party performance, with moderate steps, extremely heroic and wonderful festivals. "Wang Xizhi's calligraphy is a treasure left to people. Unfortunately, after natural and man-made disasters, no original works have been preserved so far. Moreover, Xi had forgeries and calligraphers before his death, so it is more difficult to distinguish the authenticity of his books. Even so, we can still get a glimpse from the rubbings.