Calligraphy impression works

Text/Tianshui Shiyi

He Changbin, Zi Ziqing, was born in April 199 1 year. A native of Daoxian County, Hunan Province, with a college degree. Now I work in Changsha Rail Group.

I have been fond of calligraphy since I was a child, and I have been copying Han Li's famous historical sites such as Ou Yangxun, Wang Xizhi, Mi Fei and Zhao Mengfu for many years. I have been engaged in calligraphy for more than ten years, and winter and summer have never stopped. His calligraphy works have unique style, visual tension and artistic appeal, and their works are widely loved by people from all walks of life.

Calligraphy is a special art and its uniqueness lies in its "Chinese style". It shows people with elegant, vigorous and delicate images, which undoubtedly gives people a sense of mystery. As a literati, he can always keep his inner peace and immerse himself in the brushwork of the ancients, but he can write the interests of today, but he can keep his inner purity under the temptation of material and fame, but he can do it in a restless downtown.

Because Qing Zi's character is very clear, I call it Qing Zi in my usual communication. I remember when the Academy was preparing for the first congress, the Preparatory Committee asked every member for an art introduction, and many members sent me a lot. Of course, I won't comment on good or bad here, but I was deeply impressed by Qing Zi's brief introduction. Later I received the original from him, which made me more curious about him. On the one hand, I am curious about this young man's straightforward personality, on the other hand, I am even more curious about the grandeur of his writing.

? It is not easy to inherit the tradition of calligraphy, and it is even more difficult to innovate. Many people are often caught between tradition and innovation, so that they can't extricate themselves. Guan Ziqing's calligraphy works, based on "Han Li", well express the grandeur and vitality of epigraphy, which can "see the big from the small" and have the grandeur of big characters. Without losing the agility and delicacy of fine print, the pen is concise and powerful, such as a strong man drawing a sword; The structure is extremely steep and interesting. In the simple and complicated official script, silk calligraphy is sometimes used as an ornament, and the strokes are accurate and orderly. In addition, the harmonious layout is unique, sublime and subtle. The overall style is boring, heavy and simple, which contains the majestic demeanor of the monument to the Han Dynasty. Qing Zi's big-character official script works always reveal the shadow of ancient classic inscriptions, and blend into the brushwork of modern calligraphy, with vivid charm and profound meaning.

Only with the reasonable collocation of temperament can art show its immortal power. Qing Zi has well applied his simplicity, simplicity and fluency in calligraphy, which is his most successful place. However, integrating temperament into calligraphy can reveal temperament from calligraphy, which is inseparable from the knowledge, cultivation and experience of calligraphers. As an enterprise employee, Qing Zi can abandon his troubles, fatigue and prosperity in his busy work, immerse himself in the brushwork of the ancients, and is not bound by the brushwork of the ancients. This is the reason why he can succeed and why his calligraphy is loved by people.

If we say: as a scholar, calligraphy is only regarded as a kind of expression and a kind of technique, then he will definitely not become an excellent calligrapher, because calligraphy is more a manifestation of culture and connotation. Qing Zi's calligraphy works can set off a refined spirit, elegant knowledge and unpretentious personality accomplishment with the calligrapher's full passion, which is beyond the reach of ordinary people. As the saying goes, "the better the tea, the better it tastes. I believe that Ziqing's calligraphy will only get better and better."