This volume of calligraphy is excerpted from Laozi's Classic of Tao Te Ching, starting from Forever and ending at Laozi's Classic of Morality, with line ***2 1 1, which was not paid for due to the lack of the latter part. Every piece of paper is stamped with the chapter of "Three Disciples". There are five paragraphs after the volume: Weng Fanggang's inscription, Wu Rongguang's inscription, Yan's inscription and "Panasonic's" inscription. This post has been collected by Weng Fanggang, Lu Gong, Ye Gongchuo and others, and has many marks.
Pan Zunqi recorded "Xu Jingzhai's clouds passing by".
Inscriptions on drum stones in the Warring States Period (475-22 BC1year)
In the Tang Dynasty, there were two great poets who wrote Shigu Song, one was Wei and the other was Han Yu. Xian Yushu's Shigu Song is a seven-character poem written by Han Yu.
Shi Guwen, also known as Lietuan or Yongyi Stone Carving, is the earliest stone carving in China. There is no specific date, and the Song of the Stone Drum by Wei and Han Yu in Tang Dynasty is considered as a stone carving of the period. Ouyang Xiu, a poet in the Song Dynasty, has three doubts about the poem Postscript of Shigu, but he still thinks that it was written by Ishikawa in Zhou Xuanwang's time. Zheng Qiao, a poet in the Song Dynasty, believed that Shi Gu belonged to the pre-Qin period and was written after King Huiwen and before Emperor Wu of the Han Dynasty. Luo Zhenyu's textual research and Ma Xulun's annotation are both things, which are no different from those of Wei and Han, with a difference of only seventeen years. According to Guo Moruo's textual research, Shigu was written in Qin Xianggong for eight years, which is closer to Wang Xuan. The difference is that it was written by history books or when Chen Qin was king. The stone drum was unearthed in the Tianxing Three Ugly Courtyard (now the Three Ugly Courtyard in Baoji City, Shaanxi Province) in the early Tang Dynasty, and then moved to Fengxiang Confucius Temple. During the Five Dynasties War, stone drums were scattered among the people. After many twists and turns in the Song Dynasty, it was finally collected and placed in Yu Fengxiang University. Song Huizong was obsessed with epigraphy, especially the stone drum. In the second year of Daguan (A.D. 1 108), he moved to Bianjing to study Chinese, and he was embedded with gold characters. Later, due to the Song and Jin Wars, Shigu moved to Lin 'an (now Hangzhou). After Jin Bing entered Bianjing, he regarded the stone drum as a "strange thing" and shipped it back to Yanjing (now Beijing). Since then, Shigu has experienced ups and downs for hundreds of years. When War of Resistance against Japanese Aggression broke out, Ma Heng, then director of the Palace Museum, moved the stone drum to the south of the Yangtze River to prevent the national treasure from being plundered by Japanese invaders. After the victory of the Anti-Japanese War, it was transported back to Beijing and exhibited in the Forbidden City in Beijing from 65438 to 0956. In the fifty-five years of Qianlong reign in Qing Dynasty (1790), in order to better protect the original drums, Emperor Gaozong of Qing Dynasty carved ten-sided drums in imitation and placed them in Biyong (University). Now the imitation drum is in imperial academy. Its shape and lettering are quite different from the original stone drum. Shi Guwen's rubbings existed in the Tang Dynasty, but they have not been handed down. Compared with the bronze inscription, Shi Guwen is more standard and solemn, but to some extent, he still retains the characteristics of the bronze inscription. It is a transitional style from inscriptions on bronze to Xiao Zhuan. According to legend, before Shi Guwen, Zhou Xuanwang Taishi Biography reformed and arranged the inscriptions on bronze, and wrote 15 Great Biography, so Great Biography was also called "Wen Shu". Shi Guwen is one of the well-preserved calligraphy relics in the handed down Da Zhuan. Song Anguo's collection of stone drum rubbings in Song Dynasty was sold by Qin to Kawai family in Tokyo, Japan during the Republic of China.
According to "Epitaph on the Immortal of a Xian Yu Fu Jun", Gao Zu, a sage, was an official, and his grandfather "learned to be an official, not for the imperial examination industry". After the Mongolian army captured Dexing House, they fled south with their families and were killed by "thieves" at Juyongguan. My grandmother takes her family everywhere. In the first year of Aizong Tianxing (1232), she went north to settle in Fanyang (now Zhuozhou, Hebei). Xian Yushu's father is engaged in the task of transporting grain. Commuting between Zhongdu, Dadu, Bianliang, Yangzhou and Hangzhou all the year round. Young Yu Shu moved with his father when he was a teenager.
Xianyushu has the boldness and heroism of northerners. He is burly and has a thick beard. His friends call him "Bearded Man". Liu Guan, a poet of the same period, said that he "has a magnificent face, gets drunk whenever he drinks, and has strange poems." His drinking poems are particularly broad-minded and gratifying; Speaking of its pride, it is often recited. "From the beginning, his conceited and casual character led to various conflicts with the surrounding environment and the upper authorities. After two years from Yuan Shizu to Yuan Dynasty (1265), Xian Yushu moved to the capital of song dynasty, Yangzhou, Hangzhou, Jinhua and other places, which was not smooth. I often argue with my boss in court. Leave without a word, be loved, and say "I am fresh in public." I've been in office three times or demoted three times. After the age of 37, he settled in Hangzhou and built a sleepy school in the Tiger Forest of West Lake. Yuan Chengzong Dade won the canon of Taichang Temple in the sixth year (1302), but died in Qiantang at the age of 57. Its tomb is located in the original nursery of Xixi Road, Hangzhou (Hangzhou Chengxi Forest Park).
The rumor that "Zhao Mengfu's persecution is rare"
Xian Yushu was born in the first year of Dingzong in Mongolia (1246) and died in the sixth year of Yuan Dade (1302) at the age of 57. (1) Zhao Mengfu was born in Baodi, Song Lizong (1254) and died in Yuan Zhi (1322) at the age of 69. They met in the 15th year of Zhiyuan (1278) and had been in contact for 24 years. Although we are both on the official road, we will always get together to talk about literature and art whenever we have the opportunity. Especially when Zhao Mengfu was on medical leave and Confucianism in Xing Wu and Zhejiang was popularized, the contacts became closer. This paper attempts to outline the whereabouts of Xian Yushu and Zhao Mengfu, so as to clarify the communication process between them.
Xian Yushu and Zhao Mengfu are artistic confidants who appreciate each other. In Zhao Mengfu's original words, it is "no connection, we will spend the past together as soon as we meet" and "secretaries have their own advantages". Not only "share the same appreciation, doubt or analysis", but also "shake hands and talk happily", "Jin Tang Miao Tie" and "finally jade hook". (2) Before Zhao Mengfu arrived in Beijing, Xian Yushu had vigorously promoted Zhao Mengfu to Tian Yan and other relatives and friends, saying that he was simple-looking, visionary and immortal. When Zhao Mengfu was still addicted to Song Gaozong's calligraphy, Xian Yushu once again awakened the dreamer: let him start with the right army. Since then, Zhao Mengfu's calligraphy has made great progress, and his charm and style are among the Jin people, which laid the foundation for him to become a master of the Yuan Dynasty. Both Xian Yushu and Zhao Mengfu are good at guqin. Xian Yushu found Xu Jingyang's hand-planted tung, copied two guqin Lei Zhen and Zhen Yu, and gave Zhen Yu to Zhao Mengfu.
There are about 40 kinds of calligraphy works handed down from ancient times, mostly cursive, mainly ink and wash. His calligraphy began in the Tang Dynasty and was traced back to the Eastern Jin Dynasty. Solid foundation, good at hanging wrist writing, like to use wolf hair, emphasizing bone strength. His regular script is vigorous, round and vigorous, magnificent and without losing discipline. The running script is rigorous, full of real strength and natural. The cursive script learns from Huai Su and is innovative, with bold brushwork and great boldness of vision.
Wang Shizhen in the Ming Dynasty once said, "He is fresh in learning, negative in material spirit, handsome in appearance and bearded like a father. I have seen him often win by strength, but he lacks posture, just like a man, so he claims that he is gradually losing to Zhao Wuxing. 』
The calligraphy work Song of the Stone Drum is the work of Han Yu, a poet in the Tang Dynasty, and is a rare famous Mo Bao in the history of Chinese calligraphy. It is reported that "Shi Guwen" is the earliest existing lettering in China. Unearthed in the early Tang Dynasty, lost. Han Yu wrote "Shigu Song" to highlight it and promote it as a national treasure.
An official who is fresh in Shu poetry has jumped many times. -Song Xian Yushu's sentence
An official jumped through his feet many times. Leaning on gold like jade, Fengshan is as small as a fist. Looking up at the sky, Beichen is motionless and surrounded by stars. Wake up the deaf, watch the night with bronze dragons, and wake up with spirits. Since its demise, the tide has never stopped, and since then, it has been declining. Looking back, I ran a double wall, asked about the traces and robbed the ashes. The three Wu forms win, the Millennium is spectacular, and the earth is ingenious. Sail up the mountain, offer tributes, and every road. It's good to cherish that no one is writing and reciting folk songs. -Song, Xian Yushu's book "Shuilongyin Gongbei Building is a continuation of Yu Shi's painting and calligraphy" Shuilongyin Gongbei Building is a continuation of Yu Shi's painting and calligraphy.
Leaning on gold like jade, Fengshan is as small as a fist. Looking up at the sky, Beichen is motionless and surrounded by stars. Wake up the deaf, watch the night with bronze dragons, and wake up with spirits. Since its demise, the tide has never stopped, and since then, it has been declining. Looking back, I ran a double wall, asked about the traces and robbed the ashes. The three Wu forms win, the Millennium is spectacular, and the earth is ingenious. Sail up the mountain, offer tributes, and every road. It's good to cherish that no one is writing and reciting folk songs. Long-flowing west notes, such as Yanping double swords, at the beginning of the Millennium. Thousands of peaks on the stream are bright purple, and a group of leading horns are released. Natural and unrestrained cloud forest, slightly covered with smoke, very wide in spring. The tall buildings in the city suddenly made me feel lonely. Come here on rainy days, the beach is angry, and the east wind is evil every day. You must wait until the sky is clear and the moon is bright in Wan Li to taste Wei Yan's masterpiece. The scenery is different, the mountains are beautiful, and you can have fun everywhere. What happened to Hugh? He gets sick every year. -Song Xian Yushu's Poems of Nian Nujiao Ba Yong Lou Volume 5, Poems of Nian Nujiao Ba Yong Lou Volume 5
Long-flowing west notes, such as Yanping double swords, at the beginning of the Millennium. Thousands of peaks on the stream are bright purple, and a group of leading horns are released. Natural and unrestrained cloud forest, slightly covered with smoke, very wide in spring. The tall buildings in the city suddenly made me feel lonely. Come here on rainy days, the beach is angry, and the east wind is evil every day. You must wait until the sky is clear and the moon is bright in Wan Li to taste Wei Yan's masterpiece. The scenery is different, the mountains are beautiful, and you can have fun everywhere. What happened to Hugh? He gets sick every year. See more fresh poems >>