China's writing originated very early, so it is not easy to develop the writing of writing into an aesthetic stage-to integrate the creator's ideas, thinking and spirit, and to stimulate the aesthetic feelings of aesthetic objects. However, Xiao Mingrun did this. Xiao Mingrun's calligraphy combines rigidity and softness, square and circle, oblique and static, dynamic and dynamic. It is both antagonistic and harmonious, rich and vivid, wild without losing statutes, chic without losing merits, steep without losing solemnity, creative and innovative, and has a strong visual aesthetic feeling. Between the lines is full of great talent and tolerance, as if it were a leisurely stroll. If it rains, it will be a reflection of his heroic feelings and magnificent life.
A calligrapher's ability, in addition to the beauty of calligraphy in the historical pulse of clothing inheritance, should also have certain attainments in calligraphy history and calligraphy culture theory! Through Xiao Mingrun's "My Feelings and Thoughts on Learning Calligraphy", we can see that not many people do this. Xiao Mingrun is such an excellent calligrapher.
After decades of painstaking efforts, Xiao Mingrun's calligraphy still yearns for tradition in spirit, but his words are full of self-awareness of life. Every time I look at Xiao Mingrun's new work, I will be shocked by a magnificent momentum.
Ji Xianlin, a late professor in Peking University, said in the article Calligraphy Culture and Scholars' Vision: "Scholars' calligraphy not only emphasizes the elegance and integrity of calligraphy, but also requires profound cultural implications. Literati calligraphy is both art and culture, and it is also the beautification and culture of Chinese characters by literati. "
It is indeed a blessing that thousands of years of culture in China can be passed down in just a few decades of life. It is not so much a coincidence as Xiao Mingrun's perseverance!
Shen Peng