The traditional way to learn calligraphy is to start from Tang Kai, and practice Nanbei Han Liqin seal script on the basis of writing regular script in reverse time. Another way of thinking is that starting from the immature characteristics of young people's hand muscles, we can start from Qin Zhuan, which has not changed much, from cursive script to regular script. These two concepts have their own reasons. However, I think the hard pen calligraphy we learn is essentially different from the brush calligraphy mentioned above. We can't follow its practice method, and we can't be confused by the traditional concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write China's calligraphy well, you can still write well. There is no need to take a detour.
What font should I practice in hard pen writing? In my opinion, starting from the characteristics of young people's hand muscle development and the characteristics of uniform strokes and less changes in hard pen calligraphy, we should start with fonts that never require fast strokes and heavy changes. It is best to print in bold. The beauty of this font mainly lies in its structure. We can master the structure of fonts by trying to figure out and analyzing bold. On this basis, you can choose your favorite font according to your personality and hobbies and practice hard.
2. What should I practice when practicing calligraphy?
First of all, practice your eyesight, that is, read the posts carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read it for three days. The more posts you read, the higher your horizon, and you will know how to write. There is an idiom called "eyes are superior but eyes are inferior". I think: eye height is the premise of hand height. If you can't find beauty, you don't know what beauty is, let alone create it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior."
Secondly, we should practice our brains or our hearts. On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook. Do it with confidence and words in your heart.
Third, we should practice our hands. Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your mind, but it may not be written in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen. Hand training is to achieve the consistency of heart and hand and handwriting, so hand training is also very important. Hand training mainly refers to strength, wrist strength and hand feeling. If you write for a long time, you will feel sore fingers, sore wrists, hands that don't work, and exercise more. This phenomenon will disappear. Students who often help teachers copy questions on the blackboard and students who run blackboard newspapers often write quickly and well. This is how their finger strength and wrist strength are trained. Also pay attention to practice the sense of touch, let the brain command the hand, and feel that the pen has become a part of the hand and an extension of the hand. Hands can easily command the pen, think fast, think slow, think light, think heavy, and write whatever effect you want.
Fourth, we should practice structure, because the key to practicing Chinese characters is to master the structure of Chinese characters. The structure of a word refers to the proportion of stroke length and the relationship between strokes. Xie Xiaodong sang in the song "China People": "The favorite character is the square character taught by Mr. Wang, and the square character should be like him …" The square character summarizes the structural characteristics of Chinese characters. I have mastered the structure of Chinese characters, and I have written square and beautiful bold characters. With a little change of strokes, I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu. If you can't master the structure of Chinese characters, no matter how the strokes of Chinese characters are decorated and beautified, they are ugly. Therefore, mastering the structure of characters and writing bold characters is the key and foundation for practicing all fonts.
Fifth, we should practice strokes. Many students have practiced calligraphy. Since they began to practice regular script, they have forgotten many writing rules and only remember pens. As a result, the words written are very cumbersome, like ghost symbols. I advocate practicing in bold, mastering fonts and canceling pens. Let me introduce some common strokes to you, and the common problems that most students have when writing these strokes:
1 o'clock, the pen is transported from the upper left to the lower right, and there is a pen transport process. Note that "dots" are also long and cannot be made into dots.
(2) Put the pen horizontally and divide it equally from left to right. The key is to be "horizontal and vertical", not high at one end and low at the other, nor wavy. The length of a square character needs to be controlled according to its font ... >>
Question 2: How does calligraphy write a good word structure? 10 points true calligraphy
As a person who knows and can write Chinese characters, China people with an ancient Chinese civilization of 5,000 years stand behind him, which makes us show enthusiasm for Chinese characters, a product rich in China culture! Because of this, we should write every Chinese character well and make clear the structural thinking of every word! Because of this, those who write poorly are more and more eager to improve their Chinese writing level as they get older!
Then, before you want to improve the level of writing Chinese characters, at least you should find out whether there is a simple idea of practicing Chinese characters in your mind before you start writing. If you don't understand what's going on in your head for a while, it's necessary to do some thinking! First of all, the so-called writing practice is only for people who want to improve their writing level at present, in order to write more beautifully and comfortably! These are technical and simple adaptive training. Why is it simple adaptive training? Because beauty and ugliness, comfort and discomfort are all human sensory feelings, that is, direct feelings. These are not included in any cultural background of calligraphy. It can also be said that the so-called calligraphy practice cannot be called calligraphy!
Real calligraphy is not only a skill, nor a simple black line, nor is it black words on white paper. What she reflects is a writer's interpretation of life and his understanding of himself! So this is an expression from the heart, which is imperceptible to the eyes, so you can't appreciate beauty, ugliness, good and evil just by your senses! Calligraphy can reflect a person's inner activities, reveal a person's feelings and influence a person's attitude towards life!
If you choose calligraphy, you should at least understand that this is your attitude towards life before you start writing. It doesn't matter whether this song is well written or not. What matters is whether you put your heart into your attitude. Correcting one's mentality is also correcting one's attitude towards life. You studied calligraphy, but not you! But calligraphy is teaching you! Teach you how to know yourself and life! Therefore, since ancient times, there has been a saying that "words are like people"! The longer you insist on calligraphy, the more you will find that calligraphy is not just about teaching you to know yourself and life. On the road of your growth, it is more like a bright light, guiding your direction!
It can be said that I am not interested in calligraphy, because nothing that can accompany me and benefit me for life can be called interest! Interest is just something based on a hobby, which can amuse me from boring and overwhelmed time. For me, it's the exact opposite! I prefer to say that calligraphy is one-third of my life, and I can't live without ink and stone, so it's not a complete me, let alone a complete life!
Calligraphy is an attitude, a true face to life!
Question 3: How to write words with left and right structures? Arrange strokes according to the frame structure of words. Words with left and right structures are symmetrical or unequal. First of all, we should arrange the density of strokes, and the upper part of the font is more compact than the lower part. This is the experience, and I have to keep understanding it myself.
Question 4: How to grasp the structure of words is the most critical. Mr. Huaiyuan once wrote a book "Qigong Running Script Techniques", which quoted a poem by Mr. Qigong. The first two sentences read: "It is difficult to write with a pen, and vertical and horizontal gathering and dispersion are the most relevant." What is more difficult than writing with a pen? The vertical and horizontal interpenetration of strokes and their relationship are the most important. In traditional calligraphy theory, there is a concept that "the pen is the top grade", which has existed since the Tang Dynasty and is widely spread. After careful observation and keen investigation, Mr. Qi Gong subverted this concept and thought that "writing is the top priority", that is to say, it is the most difficult and important to combine strokes organically. On this point, through my own writing practice, I think Mr. Qi Gong is right. There are two main reasons: first, using a pen refers to the way of writing, emphasizing the priority of strokes and distinguishing between dry and wet, which has little to do with pen writing. The pen tip is thin, and the thickness of the strokes written is not obvious; Second, the structural layout is the first impression. If the layout is reasonable and the collocation is harmonious, even if the pen is a little worse, the words will look good. Therefore, although some students haven't practiced calligraphy specially, they can still write well, mainly by mastering the structure of the characters and matching the strokes and components properly.
One is word frame analysis. Usually, when we practice calligraphy, we mostly write in Tian Zige or Mi Zige. The advantage of practicing in fonts is that it is easy to find the position of each stroke. Conversely, we can also add a border around the written words, and analyze the written words through the border to observe whether the stroke position is accurate and the length is appropriate, so as to grasp the structure of the words. Of course, in the specific analysis process, you can also draw only one horizontal line or vertical line as needed, as long as you can correctly find the problem. For example, we write down the words: (demonstration) wood, door, fire, etc.
The second is mathematical analysis. In order to grasp the font more accurately, we can also use some mathematical methods, such as angle, proportion, coordinates and so on. For example, when writing, the word "one, big" is about 2-3 degrees upward; The word "seven, one" needs to be raised 3-5 degrees horizontally; "No, tapirs" should be parallel; The intersection position of "inch" is one third from top to right; The "bucket" is inclined 3-5 degrees horizontally, the intersection point is in the middle of the vertical painting, and so on. The introduction of mathematical analysis is very convenient for us to accurately grasp the length, direction and position of strokes.
The third is comparative method, including comparative method and analogy method. The so-called comparison method is to compare two words with similar glyphs together and find out the rules, such as "strength, versatility", "factory, breadth", "home, elephant", "big, too" and so on. Analogy is to practice a group of words with the same radicals together, which can get twice the result with half the effort, such as success and prosperity, crying and beating the sleeping hammer, imitating Fang Fang to prevent spinning from hindering fat release and so on. In the fourth chapter of the book "Lecture on Writing Skills", I divided all 3500 commonly used and sub-commonly used Chinese characters into 8 13 groups, which is very helpful for everyone to improve their practice efficiency.
In addition, there are some tips and methods, such as the combination of letters and lines, the method of hollow characters and the method of bold characters, which are also very helpful for practicing good characters.
Question 5: How can I write well? What is the size and structure of the word? I can experience it myself. Thank you! ! ! If you want to practice good handwriting, you should first ask the plaintiff's copybook, the copybook you are interested in, and then look at the copybook, that is, you should observe the font, strokes, grid structure, fashion and other characteristics of the copybook. The third step is to pick up a pen and write a post from memory. First you have to slow down, then you have to speed up. To a certain extent, you will begin to recite, that is, write from memory without looking at the copybook! This process has to be repeated many times before it can be understood, perfected and achieved! Calligraphy is a kind of kung fu, and it can't be practiced overnight. You should be mentally prepared in advance!
Question 6: Write the main points of a character in a monogram structure. "A character is a person's second face". Writing beautiful handwriting is very useful for study, work, study and making friends. In addition, practicing calligraphy can cultivate good habits, cultivate self-cultivation, prolong life and show personal talent and charm. So many friends want to write well and have the idea of learning hard pen calligraphy, but many beginners feel at a loss and don't know where to start. I have studied hard pen calligraphy for many years, and now it is not shallow. Let's talk about how to learn hard pen calligraphy.
Tools/raw materials
pen
paper
black
Steps/methods
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First, the writing font has been formed. Can you change it? How?
A: It can be changed, and it won't take long. Many comrades think that the style of writing has taken shape and is getting older and older, and it cannot be changed ... This view is wrong. You know, it is not difficult to write a good hand, nor is it unattainable, but you are extremely diligent and eager to learn, as long as you use the right method and correct your old writing habits. Specifically, when you practice writing, you must correct your writing posture and writing method, which is the first condition.
Here are two examples of ancestors practicing calligraphy. Now I will talk about this problem with my own experience.
As we all know, Wang Xizhi, a book sage in China, first studied books in Wei Shuo, and later saw the famous works of Zhong You, a famous scholar of the previous generation, so he changed to a beginner. It is he who, as a link between the past and the future, turned the simple calligraphy style into a beautiful and fluent modern style, and made creative contributions to the opening of letters, lines and cursive scripts. This is Wang Xizhi's historic contribution in the history of calligraphy in China.
Besides, Yan Zhenqing, a beginner of Chu Suiliang, learned the law from Zhang Xu. He used the brushwork of seal script to write dignified and dignified regular script. It was he who created a new style other than the two kings.
I will learn Zhong Shaojing's regular script first, then Ou Yangxun's and Huang Ziyuan's regular script, and Huang Ruozhou's running script. I feel that I still have a long way to go, but I still have to work hard. But no matter how many years it has been written, it can be changed.
Some comrades suggested: is it ok to write a pen to imitate a brush copybook? Practice has proved that the same effect can be achieved.
No matter how old you are, no matter whether your writing is shaped or not, you can write well as long as you are diligent and firm and realize that this is crucial to your work and future. After some hard work, you can write well.
Although it started too late, many famous teachers didn't start learning until after thirty. Liang Hao of Song Dynasty was admitted to Jinshi at the age of 82. He chanted, "I also know that young people are eager to get into the business and strive to be the boss is mature." In the Ming Dynasty, when Li Zhi abandoned his official position and decided to write a book, he was 54 years old. His masterpieces "Burning Books" and "Collection of Books" were completed at the age of sixty-four and seventy-three.
Achievement lies not in age, but in ambition and perseverance.
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Second, where should I learn to write?
Answer: First of all, you should choose your ideal copybook and consider whether it is similar to your own font. After selecting the font, read it several times and analyze the main points and structural rules of the font. This is called "expressing meaning in words first", then describing it with transparent white paper first, then copying it and memorizing the key parts of each word. The specific steps are as follows:
Writing posture and writing.
(1) Sit up straight, with your shoulders flat, your back straight, your body and head straight, not low. The eyes are about one foot away from the desktop, and the chest is about three inches away from the edge of the table.
(2) Hold the pen straight, the nib should be straight, and it is forbidden to tilt inward (as long as the palm is flat, the nib will naturally move forward); The tip of the index finger is about an inch from the nib. If the pen is not straight or the nib is tilted inward, it is difficult to write well and it is difficult to write well. Even if you write with a pen, you should move your right hand. At the same time, the lines written have no backbone and rhythm, and the font is not generous.
(3) Inclination of the pen: write big letters up, the inclination of the pen is slightly larger, write small letters down, and the inclination of the pen is slightly smaller. Generally, the slope should be inclined at the index finger joint, and the strokes written here are either rigid and flexible. The inclination of the pen is not suitable, and the speed of using the pen is limited, so you can't write floating and verve glyphs, so you shouldn't tilt at the "tiger's mouth".
(4) Hold the pen easily and then move freely; Hold the pen too tightly, and the written words will not be open and generous. According to the middle school lecture, in a class of 50 students, 45 students hold the pen incorrectly or the tip of the pen tilts inward, and so does the university. It is precisely for this reason that these students' handwriting is not like a hook, and the strokes are piled horizontally.
As I said before, writing is good or bad, and posture is absolutely related to writing. Just like a carpenter sawing wood, if the posture and grip of the saw are incorrect, even if the "line" is drawn straight, it will be sawed askew. This is the same as writing good words.
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......& gt& gt
Question 7: How to write the words with upper and lower structures? There are too many things in my life. Is this enough?