How can qigong calligraphy reach the ratio of 5 to 8?

I think writing is more important than using a pen. The reason is simple: "using a pen" is about the shape of strokes, and "writing" is about the overall effect. One-character strokes are not standard and beautiful, but if they stand up, the image will be passable; If the strokes are beautiful in some places, but they are interlaced, it is a problem whether they can be written. What beauty can we talk about? Wang Xizhi's calligraphy is recognized as good in history, but if we cut out the words in the post, hinge the strokes separately and put them casually, can it still be Wang Xizhi's? Therefore, although the problems of "using a pen" and "writing" cannot be neglected, I think calligraphy learning should focus on "writing". Especially for beginners, in my personal experience, "knot words" has rules to follow, and mastering it can get twice the result with half the effort. First, the proportion of words, beautiful words almost have the law of five to eight, which coincides with the so-called "golden ratio" in western art theory. This is a conclusion drawn through scientific research, which can guide the writing of each word. Second, pay attention to the focus of words. Generally speaking, the center of gravity of a beautifully shaped word is not in the middle of the word, but in the upper left of the middle, which is caused by human visual errors and aesthetic habits. This rule is also very important, which determines whether the image of Chinese characters can be written beautifully in the end.