Who was the Yuan Dynasty painter who emphasized the homology of painting and calligraphy?

The painter who emphasized the homology of painting and calligraphy in Yuan Dynasty was Zhao Mengfu. Zhao Mengfu is well-read, good at poetry, proficient in Confucian classics and learning, good at calligraphy, good at painting, good at epigraphy, good at temperament, and good at understanding and appreciation. In painting, he created a new painting style in Yuan Dynasty, which was called "the crown of Yuan people". His paintings have a wide range of materials and comprehensive techniques, and he is good at landscapes, figures and flowers and birds.

His books are based on Zhong You, Two Kings, Li Yong and Zhao Gou. Good seal, official script, truth, line and cursive script, especially regular script and running script. His elegant style of calligraphy, neat structure and skillful brushwork created Zhao Ti Shu, which is called "four masters of regular script" with Ou Yangxun, Yan Zhenqing and Liu Gongquan. In addition, Zhao Mengfu advocated learning from the ancients, emphasizing that "calligraphy and painting are of the same origin".

Character life:

Zhao Mengfu was smart since he was a child, and he never forgot to read. He writes with a pen and writes like the wind. At the age of fourteen, Zhao Mengfu was recruited for family reasons, and passed the official selection examination, and was transferred to Zhou Zhen to join the army.