His works have participated in many calligraphy exhibitions at home and abroad. His calligraphy works, such as Dragon, Tiger, Buddha, and Opening Words of Romance of the Three Kingdoms, are unique in China and are collected by collectors and calligraphy lovers at home and abroad.
The source of Yang Du's calligraphy artistic features mainly includes the following three aspects:
First of all, its educational significance is far-reaching. Calligraphy is the most exquisite expression of China culture, which needs a profound traditional cultural foundation. Yang Du was enthusiastic about the study of emperors, and made great efforts to realize his political ambitions, which made him outstanding in the accumulation of all kinds of knowledge.
As a great scholar in the late Qing Dynasty, Wang Kaiyun, Yang Du made great achievements in literature, history and philosophy, including poems and couplets, and he was associated with the first-class celebrities in the society at that time, which made his calligraphy art far-sighted and unconventional.
The second is: the wealth of its law. Wang Kaiyun, his teacher, was a famous calligrapher in the late Qing Dynasty, and his trajectory can be seen from Yang Du's calligraphy. Yang Du studied the calligraphy posts of famous artists in past dynasties, especially the cursive calligraphy posts of Jin Wen, Han Li, Wei Bei and Yan, and his calligraphy art source was very rich.
The third is: its straightforward and tenacious character. Similar to the straightforward way of dealing with the world by nature, his calligraphy not only pays attention to the sublimity of methods, but also is never satisfied with following the footsteps of sages. Instead, it was integrated and recast according to its own personality and talents, forming a predictable Yang style.