For more than 40 years, Mr. Qi Zhi has made a comprehensive and systematic study of China's calligraphy, with famous inscriptions hanging on the wall of his study. After dinner, he has been thinking hard and intoxicated. The great demeanor of the sages of Jin, Tang, Song, Yuan, Ming and Qing dynasties in rhyme, method, meaning and style is praised by people of insight.
Over the years, even when he was away on business, Mr. Qi Zhi never forgot to bring his copybooks and calligraphy works for nutrition, and carefully tried to figure out the structure and layout of brushwork. Even Chai Jing straw sticks and toothpick cigarette butts have become available tools for practicing calligraphy everywhere. How many times when the cold comes and the summer goes, the autumn window in Leng Yue is accompanied by only a solitary lamp, half a roll of scraps of paper and a few bald pens. In his mind, calligraphy is the first life. In his calligraphy works, the far-reaching beauty of "the lonely sail is clear and the blue sky is exhausted", the clear beauty of "the river is rustling and the river is red", the strange beauty of "being with an archer, with his chest in the sky, shooting through the clouds", the heroic beauty of "pulling up mountains" and the surging beauty of "a river that never returns, the waves are exhausted, and the eternal romantic figures" form a kind of cohesion.
Faced with too much poverty and loneliness, Mr. Qizhi, who has studied calligraphy for more than 40 years, has never wavered in his pursuit and love for calligraphy. Sticking to a few feet of books, not seeking fame, not seeking truth and profit. Only in this way can we understand the true meaning of ancient calligraphy sages from the deep heart. I can sublimate my artistic realm and calligraphy skills in the continuous ink fragrance. Bao Jianfeng has never been sharpened, and plum blossom fragrance has come from bitter cold. Today, Mr. Qi Zhi's calligraphy is determined to innovate on the premise of inheriting the tradition, so that each of his calligraphy works carries his own feelings. After decades of hard work and enlightenment, I have gone from ancient times to ancient times and from ancient times to my clutch. In the interweaving of pain and joy, I forged my vigorous, elegant and elegant book style, and reached the realm of "everyone will be old".
Many things happen. With persistent spirit, rigorous attitude and hard work, teacher Qizhi finally achieved fruitful results. Since 1977, he has won the first prize in many domestic and foreign painting and calligraphy competitions. 1992 At the invitation of China Calligraphy and Painting Society, he collectively created two 100-meter calligraphy and painting scrolls, Soul of the Nation and Mother of Yanhuang, with the themes of the Great Wall and the Yellow River. He won the first, second, third and fourth national art exchange meeting of painting and calligraphy talents and the gold medal of artistic creation. He won the gold medal in the first, second and third China-Japan Painting and Calligraphy Elite Invitational Tournament. He also went abroad for many times to exchange paintings and calligraphy. Albums and works have been compiled into many ceremonies. His works have been collected and exhibited by the Great Hall of the People, the State Council General Office, Tiananmen Gate, Chairman Mao Memorial Hall, Capital Museum, Art Gallery and people from all walks of life in Japan, Korea, Singapore, Malaysia, Hong Kong and Macao, and won a good reputation in calligraphy and painting. Ping Qizhi's calligraphy works can be divided into three parts: seal script, official script, regular script, running script and cursive script. He is good at seal script and cursive script. The book style is chic, dusty and watertight; The more you break it with a pen, the more you treat it, the more elegant and calm it is, and the more elegant it is. Wild places are not illegal, and rigorous places are smart. Thick, light, wet, heavy, ups and downs, swaying and picturesque, between the lines shows a sense of flow, rhythm and strength, and also reveals the charm of the "two kings" book style and the distinctive "self" spirituality.