General Qian Guoliang commented on his calligraphy art in this way: "The lines in his works are thick and thin, scattered and moist, but generally speaking, they are thick but not heavy, thin but not heavy, gathered but not dead, scattered but condensed, moist but not vulgar, impetuous but not annoying". It is because of General Qian's recognition and praise of his calligraphy achievements that he and the general of the Republic of China became close friends.
The author thinks that such a calligrapher should be called a master, his virtue should be a model and his art should be a leader.
(The author is the Secretary-General of china industry news Industry Association and a literary critic in China)
-Excerpted from China Economic News Network, "Virtue, Art and Shuangxin can make a master of art"
Interesting —— Interpretation of Tang Zhen's Calligraphy Art
Looking at his calligraphy works in an all-round way, people feel that they are new but not thin, flashy, elegant, eloquent and magnificent, both rigid and flexible, both male and female, full of flesh and blood and natural structure. Learn from the past, not from the past, and be innovative and not favored. This is "many ancient people cast it in their hearts, wrote it out, and integrated the strengths of a hundred schools of thought into themselves."
His calligraphy is full of bones and blood, lively and agile. The pen is changeable, the composition is familiar, the video is up and down, and the ups and downs are all on the paper. In that flowing line, Fiona Fang, density, size, length, thickness, thickness, light and shade, dry and wet are all variable and flexible. Majestic as running water, really unconventional, unique, with its own unique brushwork and unique artistic expression.
His artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. His works are "firm in softness, strange in beauty, refreshing and beneficial." I "appreciate Tang Zhen's calligraphy, and then understand the contents of the book. It really feels like taking a shower, changing clothes, burning incense and reading thread-bound books. The fragrance of lines, ink, characters and texts is overflowing, and the nose is comfortable, the eyes are pleasing, the heart is relaxed and the spirit is pleasant. " Write the reader's true feelings.
He is not proud. He believes that the highest realm of calligraphy is to write heart, thoughts and feelings. Mr. Tang Zhen's calligraphy has reached this level. He organically combined traditional calligraphy skills with modern calligraphy, and boldly innovated with abstract and wonderful calligraphy skills. His rich ink color changes wonderfully, and the words written one by one swim in the air in Long Zaitian, and the brushwork of freehand brushwork blends between the lines. There are pictures in the words, and the strokes are scattered and undulating, which makes the viewer amazed. He wrote down his feelings about pen and ink life.
Tang Zhen's profound knowledge of calligraphy theory, good writing skills of Chinese characters, extensive and knowledgeable comprehensive cultural quality, perseverance and innovative spirit of self-study, and excellent artistic moral realm and artistic character make his calligraphy art have aura and vitality.
-Excerpted from a generation of calligraphers: Ouyang Zhongshi, consultant of China Calligraphers Association.