Song Li, the word Wei Song, the word line number respect, room name Jingzhizhai. 1970 was born in Zhengzhou, Henan Province, and is a professional painter. I love painting since I was a child, rooted in tradition, committed to pursuing the past, and have a profound traditional foundation. The works have a wide range of themes, including landscapes, figures, flowers and birds, etc. On the basis of inheriting the tradition, the three subjects all made innovations. While studying the six methods, they also studied painting theory and poems of past dynasties. He is also good at appreciating and collecting calligraphy and inscriptions, and has published Li Weisong's Paintings, Selected Works of Famous Chinese Paintings-Li Weisong's Works, and Xiangfo-Li Weisong's Paintings of Buddhist Figures.
Chinese name: Li Weisong.
Alias: Jingzhi, Jingzhizhai
Ethnic group: Han nationality
Place of birth: Zhengzhou, Henan, China
Date of birth: 1970
Occupation: painter
Faith: Buddhism
Representative Works: Fragrant Buddha-A Collection of Buddhist Figures in Li Weisong
Famous comments
Ancient quality and present beauty (Xu Jianrong)
I have also mentioned the post-70s phenomenon in calligraphy and painting many times. At that time, a large number of young people have gradually entered middle age today, and their understanding and dissemination of traditions and achievements are far better than our generation. The tradition they saw and recognized around the age of 30, we only saw it around the age of 50, and some of them didn't even realize it. Although we have seen it, the achievements they made around the age of 40 seem to be difficult for our generation to achieve.
The tradition of Chinese painting, based on the prejudice of literati painting in the late Ming Dynasty and the ultra-left literary policy in the early days of New China, made it an elegant and innovative freehand painting of the people's literati in the Ming and Qing Dynasties, that is, painting based on the theory of image beauty was not as good as life; Calligraphy paints with exquisite pen and ink, and life is never better than painting. This understanding was strongly questioned by Mr. Zhang Daqian and Mr. Xie during the Republic of China. They believed that the paintings of painters in the Tang and Song Dynasties were "to discuss painting above life with the beauty of images; With the exquisite pen and ink theory, life has never been picturesque, which is the traditional "authentic avenue". However, this understanding has not been accepted by the mainstream of painting for a long time. Habits are deeply rooted, so we can't stop. Therefore, in our generation, no matter who is anti-traditional, those who take carrying forward the tradition as their own responsibility lead to the more committed to carrying forward the tradition, the more rapidly the tradition declines. For example, Fu Baoshi said, "Chinese painting is ridiculous in Wu Changshuo comics." Or, as Lu said, "People often get sick instead of learning from Shi Tao." This is not to say that the literati's freehand brushwork is not good, and Wu Changshuo and Shi Tao, including Huang and Qi Baishi, are not good, but that their painting style of emphasizing "painting outside" and neglecting "the basic method of painting" is not "authentic avenue". Just like Liu Xiahui's meditation, the realm is certainly high, but it is not universal. Not everyone can learn, and they can go straight to the Tathagata. The painter's painting traditions, including the works of Wu Daozi, Huang Quan, Fan Kuan, Guo, Li Cheng and even the Mogao Grottoes, as well as the imperial edict to be promulgated by imperial academy, are all "authentic avenues", as high as Lumen's, with universality, so that everyone can reach the realm of Bodhisattva by robbing school.
In the 1980s, we broke through the imprisonment of the ultra-left policy, especially thanks to high-tech printing, and famous artists in Tang and Song Dynasties made it public. Our generation may be stubborn, biased and regarded as craftsmen. Or you can only look at the ocean and sigh. As for the amazing, you can't change your course. But after 70, I was lucky enough to eat this high-quality "first sip of milk" and thrive. Wei is one of the best.
Wei Song is a painter. Although he has received formal training, he is actually self-taught. Because at that time, even today, the tradition of Tang and Song painters was not in his eyes at all; Of course, his self-study is not behind closed doors, but based on the tradition of painters in Tang and Song Dynasties. In Sun's book spectrum, the phrase "ancient and beautiful today" is particularly thoughtful, and it is not interpreted as the artistic pursuit of "paying equal attention to classicism and modernity", that is, taking tradition as the quality, taking modernity as the text, "being gentle, respectful and frugal, and then being a gentleman". It is not easy to change the past through the ages, but today's paintings have ancient meanings, but they are not "paintings of Tang and Song Dynasties" but "paintings of today". His paintings are new, but they are not the "modern art" that pursues the times, but the "authentic avenue" that abides by the "basic laws of painting" in Tang and Song Dynasties.
Wei Song's interpretation of Taoism involves figures, landscapes and flowers and birds. The splendor of the Tang Dynasty and the thoroughness of the Song Dynasty are integrated. Artistic conception is the flourishing age of China today. In the meantime, in the use of pens, I learned from the freehand brushwork of Ming and Qing literati and saw the purpose of vivid expression; In the use of color, it is more and more magnificent to boldly learn from western color concepts. Ni Yunlin's small letters, with iron hooks and silver hooks, are vigorous and refreshing, with inscriptions on the screen, especially adding color to his works. Today, although many China painters born in the 1970s have acquired the essence of tradition, it seems particularly rare for them to have such comprehensive accomplishment. In this case, Wei Song's painting collection will pay, and the order will rest because of the traditional karma. Wei Song is in the prime of life and has plenty of time in Japan. Today's achievements have been like this, so the future is especially limitless, so you can rest assured that the tradition will be truly carried forward.
Xu Jianrong
Early winter sea Changfeng Hall in Qiuci.
Occasionally look at Li Weisong's paintings (Xie Bingyi)
There are big and beautiful places in the world, people with great feelings, great aspirations, great joys and sorrows, great love and great hatred, and mountains and rivers. They are based on feelings, originated from sex, guarded their hearts, practiced their feelings, encouraged themselves to dance, and encouraged themselves to work hard, which made an eternal story. From a small point of view, the Tao is in Wali, and things are rare and expensive, which is reasonable. Although it is as small as mustard seed, it can also harvest Mount Sumi. However, a piece of auspicious light, a flower, a leaf, a rock, a grass and a tree are all abnormal, and there is no residue in one stroke, which is understandable. What is the so-called "to the broad masses, to the utmost subtlety"?
If you can't do it imperceptibly, there will be no entity; Without broadness, it is impossible to be subtle. Nobuo! Being a man and painting can achieve a goal. I have been reading Wei Song's paintings for many years, and I can't help feeling this way every time I show them. It is based on pen and ink, lifting pressure, slowing down, folding arch transformation, and painting with heart. Its opposites, such as old scholar, litchi water chestnut, Luming Literature crane language, far water solitary sail, beauty Hengqin and the secluded place of Yunshan, can all be described in an implicit way, which makes sense. In today's impetuous confusion and quick success, it is becoming more and more unique and expensive. Looking at Wei Xiaosong's works is like listening to the sound of spring in a pine pavilion. His mind is pure, far away from the common customs, and his picture is beautiful and refined, which is rare.
Wei Song has been visiting overseas for many years, but he is fascinated by the endless appreciation of China's ink painting art. I like painting since I was a child, and I have never concentrated on copying the works of sages of past dynasties, and I am eager to do so. He also studied poems and songs, famous chapters and sentences, and read and recited. His stomach was deeply influenced, so his temperament was high. Absorb on the paper, calm down, slowly brush and wash the ink. When the season is quaint and rich, when the clouds are light and the wind is clear, when the temple is elegant, when the painting is finished, the poems and songs have many sources, and I am looking forward to singing and appreciating them, and suddenly they are sent to the clouds and water.
It is an old saying of Poe that "the big ladle keeps the moon and the spring urn, and the small spoon divides the river and the night bottle", and the rest have moved to the painting style of Wei Song. In other words, is He Weisong, a person who is anxious and strange enough to draw a circle, also infected with evil spirits? Gai immersed himself in the tradition, explored the ancient law deeply, hid great wealth deeply, and traveled rivers and mountains. Therefore, he was far away from the wind and repaired before, attracting the breeze and showing the mystery. Wei dabbled in many excellent works, all landscapes, figures and flowers and birds. Gu Kaizhi, Dong Yuan, Xuan Zang, Ren Yi, Fei _, Chen Xuewen and Tian Doumo, all kinds of sufferings are beyond the reach of Taoists.
Seeing Fang Cheng's "Liu Yi Zhang Shu", I was deeply impressed by the painting world, and sighed at the wall for three hours in a single room. What a pity! In today's painting world, if cicadas are noisy in the forest and there is traffic jam in the city, my eyes and ears will be swollen. Fortunately, Wei Song was sent overseas, away from the hubbub. People are sincere, and his paintings are bright. I look forward to the future, because I took the liberty of owning a book cloud.
Preface to Xiang Buddha (Master Zhu)
This has something to do with Buddhism-as far as I know, Wei Song likes painting since he was a child. I think this may be due to many people's sexual impulses in childhood, our nature, and children's vigilance and curiosity about the world. However, Wei Song seems to have persisted for decades. From holding a pen to peek at all the beautiful things you see, it has naturally evolved into holding a magnificent and brilliant walking painting art hall. It is no accident that Wei Song's love, especially the inheritance of China's traditional painting skills, can be seen from his name: Wei Song's adult name is "Jing", and his respect and love for it is as heavy as a god. Only in this way can he finally achieve the perfect harmony between persistence and ambition, ambition and persistence.
A man with a desire is self-sufficient-Wei Song has no teacher, and he was as ignorant as a mortal when he was young. Doing business in the early years has also achieved something early. Based on this reality, he was able to roam the charm of famous mountains and rivers, walk through ancient temples and get a glimpse of the mystery of the original works of sages in previous dynasties. From the simple and ethereal statues in Wei and Jin Dynasties to the gorgeous and smooth murals in Tang and Song Dynasties; From the naivety and agility of Jin and Tang Dynasties to the complexity and exquisiteness of Song Dynasty. Because there were no teachers to learn from, I chose one hundred directors: I studied Dong Juhe's Tang and Song Academy, and I studied Ren Bonian, Zhang Daqian, Fei _, Chen Xueweng and so on. People, landscapes, flowers and birds have their own functions outside the essence, and all three themes have innovations, and finally they are combined into one.
Because of its Buddhist nature, Wei Song's paintings of deities and buddhas have always existed. His temperament is extremely gentle and humble. No matter who can be kind to him, he is rarely democratic, and his heart has always been extremely tolerant and omnipotent. Ten years ago, I abandoned business and devoted myself to art, but I traveled far across the ocean, and my sex was close to that of violet before Buddha. Now I'm not infected. At present, the world attaches more importance to Buddhism, even utilitarian, to hide people's eyes and ears, or to seek stability in a corner, or to comfort one side; The light person hopes for a safe life, which is nothing more than a heart. However, Wei Song's worship of Buddha does not belong to all forms, and its heart is as calm, clear and true as ever. The practice of doing business a few years ago has proved to be contrary. In recent years, he seems to have found a cutting edge, and with more than ten years of intensive research on all-night skills, the Buddha statues he painted are born with the face of secular demons, without losing their refined and beautiful hearts; Or there are Buddhist words in the painting, introspection; Or the silence between colors depends on the viewer's heart; Or leave a blank place to have a good drink to alert the world; Roll a few feet, the line is more than two feet, and it will be done with a wave of your hand. When Wu is in the wind, when Cao Yi comes out of the water, it is elegant and smart, pleasing to the eye and refreshing to the viewer. But the description is deeply hidden in the fineness of ancient law, and the hand-eye gives the soul a clear and noble life. Statues or inscriptions have a wide collection of classics and Buddhist scriptures, which are beautiful. The blue lanterns of the ancient Buddha are connected with the secular floating dust, seeking the ancient quality and the present beauty, which shows the contemporary nature of the deity and Buddha.
Look at his paintings, people who know him. People are what they are painted. In your spare time, have a cup of tea and see the wonderful appearance of Buddha statues on the wall. The Buddha statue painted by Song Wei should look like this.
works appreciation