1. Poems about flying dragons and phoenixes
May 7, Thousand Miles of Rivers and Mountains "The roc rises on the wind in one day and soars ninety thousand miles."
Five thousand There are many proud men in the year: the military shames the overlord, and the literary enrages Su Shi. With flying dragons and phoenixes waving their giant pens, they are number one in the world! Suddenly I hear thunder outside the sky, and millions of living beings rejoice.
For the sake of righteousness, we should ignore life and death: life is endless, and struggle is endless. How much pride is in the poetry collection? Creation of heaven and earth! Reference: "Three Hundred Poems", author: Bai Yu. The turtles and dragons in the clothes of the prime minister and others are the standard of characters.
——Li Bai, Tang Dynasty, "Preface to the Great Bell of Huacheng Temple" My brother is like a phoenix, and my prince is also like a dragon. ——Fu Xian's "Gift to He Shao Wang Ji" Therefore, the people of dragon, pan, and phoenix all want to receive their names and fix their names from the kings.
——Li Bai of the Tang Dynasty, "Books with Han Jingzhou" I would like to see Xiang Yu's secret cry, Emperor Gao's curse, dragons soaring and tigers leaping, thousands of troops and horses, big bows and halberds, intersecting and shouting in unison. ——"Nine Songs" written by the great poet Qu Yuan in "Preface to the Gift of Gaixie" by Ma Cun of the Song Dynasty was based on the folk witch songs of the Chu region.
There are many poems involving dragons. These dragons are sacred animals that drive chariots for gods and men.
Such as "riding a dragon to the emperor's clothes" ("Yunzhongjun"), "riding a flying dragon to march north" ("Xiangjun"), "riding a dragon to ride on the ground" ("Da Si Ming") )wait. "Poetry of Wandering Immortals" During the Cao Wei Dynasty, Ji Kang, one of the "Seven Sages of the Bamboo Forest", had a strong life but had a difficult life. He adhered to Lao Zhuang's theory and wrote "Poetry of Wandering Immortals": "Looking at the pines on the mountain in the distance, the valley is lush and green.
How high can I be to be independent? ... Wang Qiao abandoned me to ride on six dragons.
..." Wang Qiao is a legendary immortal who often travels around on six dragons. Li Qiao, together with Du Shenyan, Cui Rong, and Su Weiwei, was known as the "Four Friends of Articles" at that time.
His poem goes like this: "I hold a candle to illuminate the quiet capital, and I hold a chapter to imitate a phoenix chick. The Western Qin drinks the Wei River, and the Eastern Luo recommends the river map.
Bringing fire to move the stars and continents, and rising to the clouds Going out of Ding Lake, I hope to meet the saint's steps, and the court is approaching in the morning."
He used allusions such as the candle dragon in the north, the dragon drinking from the Wei River, the picture of the Yaodi River, and the Yellow Emperor's casting of the tripod, just to illustrate that the dragon is a kind of dragon. A magical auspicious beast. Nothing new.
Bai Juyi's "Ode to the Black Dragon Drinking from the Wei River" is the best way to turn decay into magic: "... So, the long stream flows down, leaning over the high bank, shaped like a horse and a horse, and the horse is straightened, the light is bright and brilliant; the purple clouds Then the auspicious air is thick, and the sun shines brightly. Those who hear it are shocked and change their colors, and those who see it change their eyes.
The sound of wind and thunder rises with the breath, and the momentum surpasses the clouds... "Although the poet writes about the divine objects in vain, the form and spirit are fully visible wherever he touches the brush. Other poems about dragons: "The nine-layered true dragon appears from here, washing away the eternal world."
(Du Fu's "Danqing Yin·Gift to General Cao") "Back then, the two junipers were twin boys, relatively silent and old and more desolate. The snow in the courtyard could not be buried until the waist, but now it has turned into a dragon in the rain."
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(Su Shi's "Ancient juniper in front of the pagoda"). Wang Anshi's "Dragon Fu" writes very clearly: "Dragon is a thing, it can combine and disperse, it can see potential, it can be weak and strong, it can be weak and it can form." 2. Poems about flying dragons and dancing phoenixes
May 7, A Thousand Miles of Rivers and Mountains
"The roc rises on the wind in one day,
and soars up to 90,000 miles."
Counting the proud ones in five thousand years:
Wu humiliated the overlord,
Wen was angry with Su Shi.
Dragons and phoenixes wave their giant pens,
Number one in the world!
Suddenly I heard the rapid thunder outside,
Billions of living beings rejoiced together.
To sacrifice life and death for the sake of righteousness:
Life is endless,
The struggle is endless.
How much pride is in the collection of poems?
Creation of heaven and earth!
Reference: "Three Hundred Poems", author: Bai Yu
The turtles and dragons in the clothes of the chief lieutenant and others are the standard of characters.
——"Preface to the Inscription on the Great Bell of Huacheng Temple" by Li Bai of the Tang Dynasty
My brother is like a phoenix flying, and my prince is also flying like a dragon. ——Fu Xian's "Gift to He Shao Wang Ji"
Therefore, the people of dragon, pan, and phoenix all want to receive their name and fix it with the king. ——Li Bai, Tang Dynasty, "Books with Han Jingzhou"
I want to see Xiang Yu's secret cry, Emperor Gao's curse, dragons soaring and tigers leaping, thousands of troops, big bows and long halberds, shouting together. ——"Nine Songs" written by the great poet Qu Yuan in Song Dynasty's Ma Cun's "Preface to the Gift of Gaixie" is based on the folk songs of the Chu region to worship gods and witches.
There are many poems involving dragons. These dragons are all divine animals that drive chariots for gods and men.
Such as "riding a dragon and riding on the emperor's clothes" ("Yunzhongjun"), "riding a flying dragon and marching to the north" ("Xiangjun"),
"riding a dragon and riding on the ground" ("Da Si Ming") )wait.
"Poetry on Immortal Traveling" During the Cao Wei Dynasty, Ji Kang, one of the "Seven Sages in the Bamboo Grove", had a strong life, but had a troubled life. The pine trees and the lush valleys are so high.
I am independent and unparalleled... Wang Qiao abandoned me to ride on the six dragons..." Wang Qiao is a legendary immortal.
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He often travels around on six dragons.
Li Qiao, together with Du Shenyan, Cui Rong, and Su Weiwei, was known as the "Four Friends of Articles" at that time. His poem goes like this: "I hold a candle to illuminate the secluded capital, and I hold a chapter to imitate a phoenix chick. The Western Qin Dynasty drinks the Wei River, and the Eastern Luo recommends the river map. Bringing fire to move the stars and land, rising clouds out of Ding Lake. I hope to meet the saint's steps, and the court palace is approaching in the morning." He used allusions such as the candle dragon in the north, the dragon drinking from the Wei River, the Yao Di River map, and the Yellow Emperor's casting of a tripod, just to illustrate that the dragon is a magical and auspicious animal. Nothing new.
Bai Juyi's "Ode to the Black Dragon Drinking from the Wei River" is the best way to turn decay into magic: "... So, the long stream flows down,
Leaning over the high bank, it looks like a horse with a gui and a horse with gui to straighten it. The light is bright and brilliant; the purple clouds are filled with auspiciousness, and the sun shines brightly. Those who hear it are shocked and their colors change, and those who see it change their eyes. The sound of wind and thunder is heard.
The power of the poem surpasses that of Yun and Han..." Although the poet wrote about the divine objects in vain, the form and spirit are fully visible wherever he touches the brush.
Other poems about dragons: "The ninefold true dragon emerges from here, washing away all the eternal beings." (Du Fu's "Dan Qing Yin: Presented to General Cao") "Back then, the two cypress trees were twin boys, relatively silent and old and more desolate. The snow in the courtyard was buried to the waist, but now it has turned into a dragon in the rain." (Su Shi's "Ancient cypress trees in front of the pagoda") .
Wang Anshi’s "Dragon Fu" writes very clearly: "Dragon is a thing, it can combine and disperse, it can see potential, it can be weak and strong, it can be weak and it can form a chapter." 3. Descriptive calligraphy Language with beautiful fonts such as: vigorous and powerful sentences with flying dragons and phoenixes
Idioms describing calligraphy
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous.
The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying and exemplifying a book was called "example and enlightenment". See "Fanfan Jiexi".
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes.
Su Shi's "Xijiang Moon Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife among advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying gesture of calligraphy strokes.
Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrate three-thirds of the wood: The original description is the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description and discussion.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
Xinbi graffiti: Xinbi: write casually. Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
Graffiti: letter: let it happen, casually; pen: write casually; graffiti: metaphor of poorly written words and scribbling casually. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.
This is an idiom describing calligraphy. Just sift through it