A book must contain god, qi, bone, blood and flesh, and none of them is a book.
Calligraphy is prepared in the right book and overflows on the grass. If you can't read a book, but you can walk on the grass, you still haven't heard Zhuang language, but you don't have to say anything, so there is no way.
There are ugly faces, but the state of gentlemen and villains cannot be concealed; Words are argumentative, but the spirit of a gentleman and the heart of a villain cannot be deceived. Books are clumsy, but the hearts of gentlemen and villains should not be confused.
Things that are expensive in the world will be difficult. Real books are difficult to fly, cursive scripts are difficult to correct, big characters are difficult to be dense and seamless, and small characters are difficult to be generous.
The pen has no definite method, so it is empty and wide. Ouyang Wenzhong refers to redundancy and luck. He doesn't know his wrist, which is the most wonderful thing [6].
It is lucky, left and right, back and forth, but it will inevitably be on the side and will go up and down like a rope. This is called a pen.
Liu Cheng is good at calligraphy, and the ancients are self-sufficient in brushwork. Zhang Changshi's sword is reasonable. Lei Taijian heard the sound of the river, but his brushwork is advanced. It is almost absurd that the written words and the written words are too long to be cursive.
Learn books if you give less, take a pen from behind if you give less, and become famous when you grow up.
Servants think that knowing the book is not in the pen prison, but listening to the pen without losing the statutes.
And those who are too easy to escape, and therefore pay attention to their own undesirable people, just carefully hide their youngest son's intentions suddenly, but their intentions are not in the pen. Otherwise, it is a great person in the world, and it is impossible to write it.
Pen into a grave, ink into a pool, it is better to offer; Pen bald thousand tubes, ink grinding ten thousand ingots, do not make Cecilia Suo Jing ⑿.
At the beginning of the book, I didn't say that Yoga Yu was Jia Er. Although cursive script is the product of learning, it is out of haste. The ancients said that it is better to walk on grass than to walk on grass, which is not acceptable [13].
If you are in a hurry, you are usually interested in learning, which is extremely harmful. As for Zhou, there is no blame. Although my book is not very good, if it is innovative, it is also quick success if I don't practice the ancients.
Wang learned five methods, but he couldn't, so he couldn't. As far as possible, the servant book is like Cai, slightly proud of Yang Fengzi, and more like talking about Fahua.
Ouyang Shuyun: Zishu gives as much as ⒄.' s Li Beihai and consciously so. The world may think it looks like Xu Shu, but it is not.
To annotate ...
(1) Que: same as Que.
(2) Zhuang language: the language of Zhuangzi. Free talk: big talk, metaphysical talk
(3) Argumentative essay: Argumentative essay, good at defense and debate. Stupid, slow-talking, inarticulate.
(4) Tight and seamless: the structure is tight but not scattered. More than enough: the structure is sparse and loose.
(5) Openness: Openness and looseness mean that writing should be flexible and natural.
(6) Ouyang Wenzhong: Ouyang Xiu (1007— 1072), a writer and historian in the Northern Song Dynasty. The word Yong Shu,no. Drunken Weng, 6 1 laity. Official to Hanlin bachelor, a council deputy, participated in Shi Wenzhong, so it was called Wen Zhonggong.
(7) Liu Chengxuan: Liu Gongquan (778-865), a famous calligrapher in the Tang Dynasty. The word Cheng, Jing Zhao Huayuan (now Yaoxian County, Shaanxi Province) was born. Calligraphy is vigorous, well-structured and has its own characteristics. Also known as "Yan Liu" with Yan Zhenqing.
(8) Zhang Changshi: namely Zhang Xu, a calligrapher in the Tang Dynasty. Gao Bo was born in Wu Jun (now Suzhou, Jiangsu). The official record of Wu Jinyou's long history. Cursive script is the most familiar, unique, continuous and tortuous, and unique in style.
(9) Lei Taijian: that is, Lei, the word is too simple. Yang Heren of Tongzhou in Song Dynasty. Since the number "mountain". In Song Dynasty, Wen Chang commented on "The Continuation Book": "Fu Jian is kind and true, writes calligraphy, tastes elegant and Zhou dynasties, learns the sound of rivers and understands brushwork, and his traces are extremely steep and fast, which is precious in Shu."
(10) Text: namely Wentong (10 18— 1079), a native of Zizhou Yongtai (now Yanting East, Sichuan). Mr xiaoxiao is good at poetry, writing, bamboo painting and calligraphy.
(1 1) Dedication: Wang Xianzhi, a calligrapher in the Eastern Jin Dynasty. Word respect. The seventh son of Wang Xizhi. Shao Yi: Wang Xizhi. The calligrapher of the Eastern Jin Dynasty, with few words, was born in Lang Xie (present-day Shandong) and was a general of the right army. He is called Wang Youjun.
(12) Bi Chengtu: Song and Zhu Wenchang's "Continued Book" says: "shihuaisu's word is hidden in truth, and Changsha people are also ignorant of it. At the beginning, I studied hard, so my pen collapsed and I was buried to write. "
Mo: Jin Weiheng's "Four-body Book Potential" says: "Those who develop agriculture in Zhang Boying become skillful. Every family must write first, then practice. Linchi Xueshu, the pool is full of ink. "
Zhang Zhi: Boying, a native of Dunhuang in the Eastern Han Dynasty, is a good writer and a good Cao Zhang. Suo Jing: calligrapher of the Western Jin Dynasty. Dongan is a Dunhuang native, Zhang Zhi's sister and grandson.
(13) writing cursive script is too hasty: it means writing cursive script is too hasty. Less than, also overwhelmed.
(14) Zhou Yue: When Song Renzong is alone, he can write. He collects books from ancient and modern people and improves his writing style. Zhong Yi: Song Renzong is a local. Zhu's "Selected Works of Mo Chi" said: "The labor service is quite famous."
(15) Wang Anshi (1021-1086). Writers, thinkers and politicians in the Northern Song Dynasty. The word Fu Jie, no, is Mid-Levels. Seal jing frenzy, known as Gong Jing in the world. "Xuanhe Pu Shu" refers to Gong Jing's writing style. His writing style is too light and sloppy, and he never intended to do it.
(16) Yan Fahua: Shi Yan Fahua, a monk and calligrapher in the Song Dynasty.
(17) Ouyang Shubi: Ouyang, born in the Song Dynasty, was admitted to the second division of Jinshi. The literature of magistrate of a county is good and has a collection.
Li Beihai: Li Yong, whose name is Taihe, is the official prefect of Beihai. He is also known as Li Beihai, a famous calligrapher in the Tang Dynasty.
translate
Calligraphy works must be energetic, rhythmic, energetic, fat and light, and none of them can be regarded as calligraphy.
Calligraphy should first learn the correct book, and then learn the cursive script. Writing cursive without serious books is like saying that Xuan Yan didn't read Zhuangzi's language. This is not true Taoism.
A person's appearance has beauty and ugliness, but the state of gentleman and villain can't be concealed; Words are eloquent and inarticulate, but the temperament of a gentleman and a villain can't fool people; Calligraphy is clumsy, and the hearts of gentlemen and villains cannot be chaotic.
Everything that is expensive in the world will be very expensive and difficult. Regular script is hard to be vivid, cursive script is hard to be serious, big characters are hard to stick together, and small characters are hard to be generous.
There is no fixed way to write, so let your palm be empty and relaxed.
Ouyang Xiu said to me: You should hold the pen with your fingers and don't move your wrist. This sentence is really wonderful.
When carrying a pen, the pen moves back and forth, left and right, and it is inevitable that there will be sides. When the pen is stopped, the pen tube is vertical, and the nib and the pen tube keep a straight line. This is the pen.
Liu Gongquan's words make sense. He said there was a reason for the ancient brushwork. Seeing Gong Sundaniang's swordsmanship, Zhang Xu's brushwork may have some truth.
Lei Taijian said that he heard the running water of the river and his brushwork had made great progress. Wen and Ke also said that reading snakes and cursive scripts has made progress, which is a bit unreliable.
He studied calligraphy when he was a child, but his father, Wang Xizhi, dragged the brush from behind and couldn't take it away, so he knew that Xian would be famous in calligraphy when he grew up. I don't think a good writer lies in his ability to hold a pen. He writes letters by hand without losing his brushwork. This is the secret of knowing how to use a pen.
However, the reason why Wang Xi values professionalism is that he writes calmly, concentrates his energy and concentrates on his pen. Otherwise, all powerful people in the world will become calligraphers.
Waste pens are piled up and the ink is ground into pool water, which can't reach the level of sacrifice. There are thousands of bald pens and ten thousand spindles of ink grinding. No Zhang Zhi can compare with Suo Jing.
At the beginning of calligraphy, don't deliberately pursue perfection, relax and be free, and you will naturally achieve perfection. Although cursive learning is based on accumulation, its main point is to write quickly.
The ancients said that time rushed to write cursive script, which is wrong. If you are too late to write cursive script, it is not surprising that this wrong view has been affecting Zhou Yue and others.
Although my calligraphy is not very good, it is my greatest happiness to be brave in innovation and not stick to the ancients.
Wang Anshi's calligraphy can't be learned because of his self-discovery.
If I write my calligraphy wholeheartedly, my style is like Cai Xiang; if I write proudly, my style is like Yang Ningshi; if I am addicted to writing, my style seems ridiculous.
Ouyang said, "Your handwriting is very similar to Li Beihai." I feel the same way. Some people think that my handwriting is like Xu Hao's, which is wrong.
Brief introduction of the author
Su Shi (1037—11year) was a great writer and painter in the Northern Song Dynasty. Zi Zizhan, a famous Dongpo layman, was born in Meishan (now Sichuan). Father Su Xun and brother Su Zhe both have literary names, and they are called "Sansu".
Jiayou Jinshi, the official to the history of the Ministry of rites, chasing Wen Zhong. He is one of the "Eight Masters of Tang and Song Dynasties", with profound knowledge and fluent articles.
Calligraphy is as famous as Huang Tingjian, Mi Fei and Cai Xiang, and is known as the "Four Masters of Song Dynasty". He is good at regular script, studied under Li Yong, Xu Hao, Yan Zhenqing, Yang Ningshi, and traced back to famous artists in Jin and Song Dynasties, but he can find a new way, use a rich pen, and have childlike interest, and stand out from others.