Mr Xin Chen said: Lao Mei writes, the skeleton comes from the North Monument, and the brushwork comes from the Han Monument. Old and clumsy, wide and strange, it is quite common to see the word "coarse"; But American seems to pay more attention to the experience of "writing" and the natural flow of pen and ink-no affectation, no ostentation, only in almost automatic writing. Lao Mei's handwriting can also see the word "Qing", which is fluent, elegant and smart, and it is really the spirit and charm of Nantie. But I don't think this is America's pursuit of film casting. Rather, Lao Mei's writing is a true portrayal of his character: not the flat temple atmosphere, nor the sweet and charming street atmosphere. This is strange, dull, vivid, Chiang Mai and authentic mountain forest atmosphere.
Mr. Tong commented that Mo Sheng was good at landscapes, flowers and birds. His works are quiet and elegant, elegant and ethereal, but most of them are "clumsy", and his books and paintings are the same. Its method, pastoral poetry benefits from the Eighth National Congress, Gong Xian and Jianjiang, and is close to Huang, Li Keran; Flower and Bird is a comprehensive eight masters, one Weng, Qi Baishi, Pan Tianshou and Li Kuchan. However, composition, structure, virtual reality and extraordinary. The illusion of Two Cold Pictures and Rain under the Castle Peak, the rhythm of Still, the round fans in Autumn Mountain Picture and the ancient temples in the deep mountains are complex and unreal, the clouds in the deep mountains are not crowded, and the summer mountain picture is empty, which pushes down the heaviness of Yunshan either implicitly or explicitly. Mo Sheng's paintings belong to traditional literati paintings.