—— Remember Niu Jianxin, a young and middle-aged calligrapher.
Xiong jiquan
Jianxin, a native of Luquan, Hebei Province, is the owner of Fengcaotang. He is currently a member of China Calligraphers Association, artistic director of Xibaipo Zisha Painting and Calligraphy Art Museum, painting and calligraphy consultant of China Tea Merchants Network, deputy director of Hebei Couplet Calligraphy Committee, rating member of Hebei Calligraphers Association, vice president of Hebei Celebrity Painting and Calligraphy Institute, signing painter of Beijing Oriental Famous Painting and Calligraphy Institute, and vice chairman of Luquan Literary and Art Federation.
The history of learning books can be traced back to the middle and late 1980s, roughly when Jianxin entered middle school. I always think that an artist's artistic talent is very important. Judging from the practice of calligraphy creation since the founding of new China, he is a man with great artistic talent. From the day I met him, I vaguely observed the valuable qualities that laid the foundation for his future success in calligraphy art. This quality can be attributed to both fate and self-cultivation. It is not surprising that there is both fate and self-cultivation in building a new building. Some people may wonder, why do you have to associate art with fate? Otherwise, who was born with the inscription, built a new building, and was born in a home full of inscriptions, provided him with the initial enlightenment environment from childhood and sought for his persistence in the future. Isn't this an opportunity?
A person has known each other for a long time, and people are close because of his words and deeds, and appreciate each other because of the same hobbies. As a leader in Jianxin's calligraphy art, I have both ardent expectations for Jianxin's achievements and appreciation for his brave efforts in calligraphy for more than ten years. But there is no doubt that it is the long-term calligraphy creation that has tempered the tenacious character of building a new building, which is exactly what the old saying goes. Jianxin kept his inner peace in the changeable life. On the artistic road he pursued, he not only did not confine himself to calligraphy, but took calligraphy as a point, expanded the extension and created a splendid world. From ignorance of calligraphy, I have won many awards in national calligraphy competitions in recent years; From the simple obsession of writing for the sake of books to a higher level of theoretical thinking; From infatuation with the Tang Dynasty's Jinyun to obsession with the Six Dynasties' epitaphs: building a new building in a silent place, absorbing the essence of famous artists, participating in research and understanding during the journey, and embarking on a brilliant road of unremitting cultivation and forge ahead.
Calligraphy works have been selected for many national exhibitions sponsored by China Calligraphers Association, such as the 4th Newcomer Works Exhibition, the 1st Chinese Character Exhibition, Xihe Cup, Sanjin Cup, Xianfuren Cup and Gaofeng Cup. In the calligraphy exhibition of couplets in China on the 55th anniversary of the founding of the People's Republic of China, Wei Bei's masterpiece "Learning from the Canon, Learning from the Cold Window Ancient Temple, Watching the Clouds and Listening to the Rain, Thinking about the Stone Empty Pool" was magnificent and ingenious. Stand out among more than 20 thousand contestants in the country and rank among the top three. Over the years, he has won six first prizes in national calligraphy competitions such as "Huanggu Cup", "Long Ben Cup", "Baoduzhai Cup" and commemorating the 30th anniversary of Sun Yat-sen's birthday/kloc-0, and more than 20 second prizes in national calligraphy competitions such as Huang Wei Cup and Ru Guan Porcelain Cup.
His works have been collected by more than 20 museums, memorial halls, exhibition halls and poetry halls in China and Europe and America. There are works published in the Yellow River Forest of Steles, Hanyuan Forest of Steles, Taibai Forest of Steles and Zhangshiyan Forest of Steles. Some works and articles can be found in calligraphy newspapers, calligraphy guides, young calligraphers, painters, calligraphy market newspapers, calligraphy master newspapers and other newspapers.
As the saying goes, "The misty rain in the Mid-Levels blows Lin Xiu, and a hair on one's head talks wildly. I believe that there will always be a beautiful rainbow after the storm, and the new road of calligraphy will become more and more mature, more and more brilliant and more brilliant.
In 2005, Xiong Jiquan went to Basuzhai.
Try to finish reading the disease book and make it into words with determination.
-Niu Jianxin's calligraphy appreciation
Sun Jianxin (pen name: Daiqiao)
Beijing-Tianjin-Hebei region is the political, economic and cultural center, with many famous calligraphers, such as Sun Boxiang, Yu Xu, Song Li and Hu Limin. Niu Jianxin is a rising star of Beibei. The year before last, I paid attention to Mr Niu Jianxin's works. I remember enjoying them in the studio of the calligraphy art website. From then on, I liked his calligraphy.
Mr. Niu pursued the two kings, and made in-depth and detailed research on Han Li, the four steles of the Tang and Six Dynasties, the epitaph of the Northern Wei Dynasty, Dunhuang scraps of paper, Mi Fei and Wang Duo, which was greatly influenced by Zhang Menglong's Northern Monument. Analyze his overall creation: official script, regular script and running script, focusing on regular script and running script. He took a road of combining steles with stickers. This road has been the dream of most calligraphers since the rise of epigraphy in the late Qing Dynasty. It is very challenging and adventurous. He also took the road of combining inscriptions with inscriptions, mainly with inscriptions. His books are elegant in style, handsome and vigorous, thin and hard, and refined in structure, with both the shape of a monument and the rhyme of a post. Read his book, full of youthful vigor, chic and happy, incisively and vividly, the whole article is connected in one breath, like flowing water, like a hundred battles; The layout of rules and regulations is also very clever, virtual and real, dynamic and rigid, taking care of each other; The handwriting is uneven and changeable.
Appreciating his calligraphy is like feeling the quiet valley, the bright moon and the cool breeze in Xu Lai, which is the artistic conception of "seven or eight stars in the sky, two or three points before the rain". It seems that drums and horns contend, warriors advance, iron bones clank and majestic, but it is an illusion of "lying at night listening to the wind and rain, iron horse glacier dream" Teacher Niu's book is inspiring and inspiring. Mr. Niu is in the heyday of art, and I believe his artistic flowers will bloom more brilliantly. Write a poem and wish you great progress in appreciating calligraphy!
Green vine pen tail ink peanuts,
Become a sword through my hand;
Try to read thousands of words,
Cast your words firmly.
Appreciation of Calligraphy Works of Niu Jianxin, a Famous Calligrapher in Hebei Province
Yang Xiao, Dongguan City, Guangdong Province
Mr. Niu Jianxin's calligraphy is based on the "two kings", winning by rhyme, moderately lifting and pressing with a pen, transforming nature on both sides, fluent in brushwork, echoing the structure, coherent and changeable, showing a harmonious vitality. Niu Jianxin-Mr. Niu is tireless in the art of calligraphy, and has absorbed many experiences and techniques from ancient calligraphy, and selectively absorbed and used them for reference. He paid attention to tradition, not only absorbed the essence of Wang Xizhi's calligraphy, but also figured out the style of Wei and Jin dynasties, and also integrated a strong Weibei spirit. Liu Xizai said: "The book of saints is warm and mellow, the book of handsome men is heavy and resolute, the book of strange people is neat, and the book of talented people is beautiful." Books are like people, and books are paintings of the heart. Watching Mr. Niu Jianxin's calligraphy works, it is not difficult to find traces of his artistic inheritance and innovation. His works, such as Zhang Menglong Monument and Longmen Twenty Monuments, are simple in bearing, rigorous in structure, peculiar in the middle and harmonious and peaceful in atmosphere. Give people a fresh, natural and smooth aesthetic feeling. What is more commendable is that he is good at absorbing nutrition from the mighty Weibei and the ancient Han Li, and after digesting it, he melts into his pursuit of grandeur and romance. His cursive script is exquisite and elegant, full of natural interest and pleasing to the eye. If you listen to the music of bamboo and silk in the south of the Yangtze River, you will feel comfortable physically and mentally. That is its positive aesthetic enjoyment, which integrates the aesthetic functions of painting, music and literature.
"The beauty of books is that they look good." Mr Niu Jianxin's calligraphy is based on temperament. His works not only abide by statutes, maintain rich classical feelings, but also express feelings, reflecting a leisurely and elegant humanistic spirit, which makes his temperament and calligraphy ink form a wonderful internal echo and become the artistic refraction of others. This is the person who "reaches his temperament and becomes his joys and sorrows". Appreciating Mr. Niu Jianxin's calligraphy works can not only be intuitive and vivid, but also feel the rhythm of emotional activities, revealing the significance of literature: it has both emotional stimulation and rational enlightenment, mobilizing emotion, imagination, understanding and understanding, and making viewers "pleasing to the eye".
(Drafted late at night after watching the exhibition)
There are pillars in the monument, and Fang Jun is tall and straight.
-Comments on Niu Jianxin's Calligraphy Works
Hu Benhan, Ganzhou City, Jiangxi Province
Teacher Niu's calligraphy is rooted in tradition, returning to classics and being innovative! !
His works absorbed the essence of tradition and classics, borrowed from ancient calligraphy and gained the essence of ancient calligraphy. He used to be good at using a pen, and his statutes were strict. He is one of the few young and middle-aged calligraphers in contemporary calligraphy.
At the same time, his calligraphy attaches great importance to steles, in which there are posts, and in Jun Fang's straightness, there is freshness and agility. Use a pen with a circle in the middle, both rigid and flexible, and apply it on both sides; The opening and closing of the structure has changed, naturally interesting and vigorous; From beginning to end, the blood is flowing and the spirit is flying.
His book emphasizes regulation, lyricism and innovation.
Mr. Niu's calligraphy is not entirely Wei Bei's calligraphy in the pure sense, but an artistic masterpiece combining vigor and elegance, risk and fairness. It is the unity of inheritance and innovation, and the crystallization of skill and temperament.
Today, when the calligraphy style of "Two Kings" prevails, Mr. Niu does not conform to the trend of the times, insists on taking the traditional road of Hanbei, inherits Hanbei calligraphy, and becomes one of the loyal representative calligraphers of Hanbei, which is commendable and a model for us to learn! !
Comment on Teacher Niu Jianxin's Weibei Calligraphy
Lu, Jiedong County, Guangdong Province
Gu Na's new student Wei Bei,
The big eyes began to flatten, which was very charming.
Haoran often lacks exquisite pens.
The ink color is odd.