Bai Mu and Shao Yan in the eyes of Pulp of Bagang
White wood is strict and few; No: Tang Zhu in Bai Mo. Now he is a member of Wuhan Calligraphers Association.
I like to call him Shao Hua, kind and considerate. This seems a bit sentimental, otherwise. China people's emotional and cultural sprint is always based on true expression. Eliminate the element of deliberate flattery, and even disappear from the suspicion of using it to flatter yourself. This really has nothing to do with contempt, and it is not that I am addicted to being a teacher. In fact, while Shao Hua was being called by the sound, the great respect was always boiling-I almost had a seizure: how he controlled Bai Mo and spilled a lot of books, and his style was unique. And he himself often regrets his emptiness, but he often feels thirsty in his stomach, wants to drink Chinese studies, has experienced a lot, and teaches with emotion. In this way, we are destined to be three students, and the relationship between teachers and students is established. I know, this is Shao Hua's modesty, but also his pursuit of perfection and distance of another mind! I'm thinking, after all, finishing is a kind of beauty, which is a great height. This is probably the main reason why I appreciate and admire the painter. I know that the great calligrapher in China painted people as night stars, and his works covered the sky. There are many outstanding people who are ordinary. Looking at Hua Shao Bai Mo's calligraphy, it's amazing, just like being caught in a wave of fire, bursting out and suffocating. Bai Mo is white, such as the modesty of the master; Bai Mo is tasteless, but it is also transparent to the owner. And the book, the value of embellishment and the deep sense of black ink fit. Only its difference, only the visual substitution attainments of white are obviously above black. There is no trick of liking the new and hating the old. This is because Bai Mo is better at establishing intentions, creating impressions, excavating abstract concepts and starting writing. Its function is to destroy the tradition by half. The reason why it is dazzling, amazing and amazing is that it has not defeated other ambitions, so it has buried idioms for thousands of years. Bai Mo's insight into spreading shrines is fundamentally due to the painter's feelings. We know that splashing water is also a kind of cultural knowledge. When the external stimulus corresponds to the painter's internal motivation, Tibetan knowledge is naturally in a state of magnetic vibration blowout, and the desire for self-disclosure can be effectively realized. In particular, the theory of equivalent sketch can not only describe the universe, but also describe the style of dragon embroidery, which is more harmonious with the small background color, so that it is too advanced and makes me swing. Therefore, a student in Shao Hua often gets carried away and enjoys the dream of being separated from anyone.
Ms Mo Mei, a Hunan writer, once commented on Hua Shao Bai Mo's calligraphy: "His painting techniques and styles conform to the diversified development of today's painting and calligraphy circles. While carrying forward the treasures of China's traditional painting and calligraphy, we should boldly integrate the painting and calligraphy techniques that the West once called "idealism" to make them more colorful, more in line with the world and more synchronized with the times! " For such an evaluation, I agree with the will of security. He is good at spilling Bai Mo's calligraphy and even the freehand brushwork of landscape flowers and plants. Shao Hua's painstaking writing and painting is related to his persistence in being a man and doing things-originality is closely related to persistence, and Bai Mo is unique. Whether China is a must or the universe is a great harmony, from the perspective of reversing black and white, innovation is the focus and wisdom pursued by human beings. The teachings of the ancients were created first, and those who described them were dust. If the heart is far upstream, you will see the loyal gentleman. Therefore, we have not ignored the whereabouts of its inherent essential significance and the specific control of cultivating human emotions. Today, it seems that the weight of its shape is far greater than or equal to our original vague expectations. Turning black ink in calligraphy into Bai Mo, turning white rice paper into black, or changing it into other colors, and then embellishing it with Bai Mo, creating a beautiful life and life hymn in freehand brushwork, which is also the ultimate element of calligraphy art. A keen mind needs deep dew, and a deserted face needs cultivation. The understanding and conclusion from mainstream or non-mainstream themes is the display and expression of the viewer's self-realm ability. In fact, as far as the relative relationship between subject and object is concerned, mainstream things rely on the confession of the subject far more than misreading or distorting the object, while non-mainstream things, regardless of whether the subject is careful or not, rely on the perception and conclusion of the subjective consciousness of the object to define right and wrong, which is even unfounded. I hate it, but I can't change it When we saw Shao Hua's Bai Mo calligraphy, apart from the outstanding attainments of the subject, my subjects and I couldn't help admiring it, because it was a great and subversive event.
Author's evaluation
In short, Shao Hua's Bai Mo paintings and calligraphy, whether with regular meticulous brushwork or chic artistic conception, are implicit and meaningful, like a clear stream; Magnificent place, noisy, like a fierce pony running. It is not appropriate to use running water to describe it; The metaphor of beauty is too old; The rhetoric of cracking down on the condor is still too light. It's like playing the role of Liu again, and finding the "Yu Ling Xiao in Weibei". But seeing the dream of the previous dynasty, Shao Hua stepped on Moqiao this time. This is really my heart. Therefore, regardless of factors such as the convergence of mentality and the discount of rebellious orientation, what is presented to us is a colorful and gorgeous atmosphere. If so, I think of a few proverbs to exhort: Since it is unique, we should make more space to create a more spacious castle of life for the beautiful things that objectively exist between us-Bai Mo's paintings and calligraphy, so that it can flourish and soar! Strictly speaking, I was scalded by Shao Hua and even his paintings and calligraphy in Bai Mo-in my eyes and in my heart.
We sincerely thank Shao Hua for opening up new territory for us. Because, innovation is always the most valuable!
I sincerely thank the sages for their love, protection and strength. Also pay tribute to all painters and painters!
I sincerely wish Shao Hua-look far away, strive for more, never get tired, and shake the peak of Guiling!
Ink will be confused, it will expand the mind and wisdom, and the deformed color will increase the love pool. Busy, your soul is crazy, and idle people laugh at me when they meet.
I look forward to it, we look forward to it!
Ma Yu jiade bookstore
Pen and ink life becomes black and white
Interview with Yan, a calligrapher who splashed ink.
The environment will affect a person's habits, self-cultivation, and contaminate the artist's breath. It seems that the whole person's gas field will be improved. When I first met Mr. Shao Hua, he just got off the train and came to Stone from Wuhan. He is probably the kind of artist image imagined by the world, with slightly long hair and a face of disdain for the world. But in the following relationship, I am ashamed of the idea that all artists are divorced from reality. When Shao Hua talked about her Bai Mo extension dyeing, I was shocked by her innocent smile. Someone once said that after 40 years old, people can still maintain a naive interest in their hearts. Such people are either geniuses or idiots. Teacher Shao Hua is an idiot for what he loves. My contact with Shao Hua was very short, but I can't forget his temperament that ordinary people don't have. "As we all know, the beauty of black and white exists in this world anytime and anywhere. Calligraphy is the expression of the beauty of black line and white paper. Today, I use magical Bai Mo and traditional black ink to express another form of calligraphy. " Teacher Shao Hua subverted the conventional expression of traditional calligraphy.
When it comes to this magical Bai Mo, Mr. Shao Hua always has a smug expression, not showing off, but loving his feelings from the heart. After years of careful study, Shao Hua invented Bai Mo. This is a colorless, odorless and transparent liquid like mineral water. It is absolutely different from the calligraphy and painting sold in the world now. He changed the black ink in calligraphy to Bai Mo, and dyed the white rice paper into black or other colors, which not only integrated the creativity of the ancients, but also did not stick to its form.
Splash dyeing technique
The technique of spilling dye in Bai Mo's works locked the artistic skills of Bai Mu Hua Shao, and Shao Hua gave up appearances and cut to the chase with his keen spiritual tentacles. His splash-ink landscape painting is magnificent, and the ingenious combination of picture layout and running water forms the combination of calligraphy and painting.
Bai Mo's delay dyeing can produce natural painting effect, and its technique is simple and quick. Amazingly, her painting method can reach hundreds of traditional methods such as shading, shading and dyeing, which is by no means bragging. When using this method to create, the whole process is full of magic and pleasure. The works created by Bai Mo's extended painting method are obviously different from those of other painters. Its composition is free from vulgarity, and its nuances are exquisite and true, which always makes viewers feel how it is drawn. . His works not only have the unique style of Chinese painting, but also have the feeling of color block accumulation in western oil painting.
Bai Mo's splash-ink painting is a colorful landscape in front of us, which is not only beautiful in form, but also beautiful in connotation. She built a bridge of spiritual communication between creators and appreciators. Standing in front of Mr. Shao Hua's works, he has a strong temperament. He is not a man with artistic attainments, but he is unconsciously attracted by the profoundness of calligraphy and painting. Each of Mr. Shao Hua's works expresses stories and feelings. If we carefully consider his works, we will find that without deep artistic potential and inspiration, there would be no such rare works. Teacher Shao Hua prefers cursive writing. He said: "My experience in cursive writing is: don't use thick ink, too thick will affect the fluency of writing (one or two words can't write big characters; Don't write too much fine print; In this way, I have no interest in cursive writing. Choose a short brush for the pen, because the front is elastic, which is conducive to turning when writing. This kind of pen also has a certain amount of ink, which is slower than the pure wolf (or pure hard) pen, and is also conducive to mastering the writing rhythm.
Experience of cursive writing skills
My experience of cursive writing techniques is: take enough ink before starting writing, write faster when starting writing, master the expression of pen and ink skillfully on the basis of satisfying the content of the work, make good use of this pen and ink and use it repeatedly. During this period, the weight of writing, the speed and rhythm of writing, the size and density of glyphs should all come from the author's understanding of the work and his control of the overall composition in advance. "
tea ceremony
Teacher Shao Hua likes tea ceremony. Tea ceremony and calligraphy have their own similarities and differences. The occurrence and development of calligraphy, like other arts, are all along the road from practicality to art, and there are many records about tea in calligraphy, among which the most representative is Bitter Bamboo Shoot Sticks by Huai Su, a famous cursive writer in the Tang Dynasty. This is a letter that says, "Bitter bamboo shoots and tea are particularly good. You can come by land and go to Huai Su." Although there are only fourteen words in the whole post, the overall style is vivid and radiant. Huai Su's thirst for tea can be seen. Teacher Shao Hua's cursive script is mainly based on copying Huai Su's brushwork. When talking about Huai Su, he will naturally think of Lu Yu, an outstanding contributor to tea culture known as "Cha Sheng". The Biography of Monks in Huai Su was written by Lu Yu, and there are several paragraphs about Huai Su, Wu Tong and Yan Zhenqing discussing the art of calligraphy. Huai Su and Wu Tong are cousins; Chang Congtong collected the pen. Tong said, "Zhang Xu's long history once again privately called Tong, saying,' Lonely Peng inspires himself, flying sand and taking stones, and learning to be excellent will make him an official. "The grass saints are all there." In his later years, Yan Zhenqing asked Huai Su, "How can a teacher learn from an ancient hairpin?" Ask again: "Is the teacher also complacent?" Su Yue said, "Being original, I have seen many strange peaks in Xia Yun, and I have come to learn from them. Its Xia Yun changes with the wind, impermanent, like a broken road, one by one natural. " The metaphors such as "missing marks" and "broken roads" mentioned in this book theory have inspired calligraphers to understand the wonderful methods of calligraphy, which are still talked about by calligraphers today and have a great influence on calligraphy creation and theory.
Ancient books have tea affairs, and ancient tea affairs have calligraphers. "Wine makes a hero brave, and tea painting makes a bachelor think". Tea can arouse the creative passion of literati and improve the creative effect. However, the more essential connection between tea and calligraphy is that they have the same aesthetic ideal, aesthetic taste and artistic characteristics, and show the same national cultural spirit in different forms. It is this spirit that connects the two forever.
China's calligraphy art focuses on seeking rich ideological connotations in simple lines and rich and colorful effects in simple tone contrast, just like tea and water. Do not seek the beauty of appearance, pay attention to the inner sense of life, and show charm from simplicity. For calligraphers, they should enter the creation with a calm mind, get rid of all other thoughts and keep their breath in their hearts.
Combination of ancient and modern
Shao Hua applied the calligraphy techniques summarized by the ancients to practice and creation, enriched and perfected himself, and integrated his own splash-dye freehand brushwork techniques into the traditional cursive script. From white rice paper to splash-dyed freehand brushwork, it is a wonderful masterpiece. In addition, after the rice paper is splashed with black ink, Bai Mo or colors alternately, various emotional styles are formed, such as running water, bark, wood grain, marble, snowflakes, grass flowers and so on. The artistic beauty of words and the intrinsic beauty of freehand brushwork are fully reflected in his works.
Looking forward to more works by Shao Hua, which can stir our hearts!