Appreciation of traditional calligraphy "steamed stuffed bun";
Traditional calligraphy steamed stuffed bun 1
Traditional calligraphy steamed bun 2
Traditional Calligraphy Steamed Bun III
The practical embodiment of calligraphy aesthetics;
First, stippling has a beautiful texture. Dotting is the basis of the whole book structure, and it is also the condition for the brushwork and brushwork. In terms of stippling texture, what needs special emphasis is roundness, solidity, strength and astringency.
1, the so-called? Round? , which is the center of the round pen, makes the horizontal and vertical strokes appear rounded and three-dimensional, and shows a rounded and soft radian at the front turning point. The center, that is, the main front end of the nib, walks in the middle, looking like a hidden front to protect the tail, round and thick, with a full and thick feeling.
2. the so-called? Real? , that is, stippling is not frivolous, such as making a point, the ancients exaggerated metaphor? Peak falling rocks? Writing vertical pictures is compared to? Long live the dead vine? That is, the pen is firm, calm and powerful, and the force is through the paper. Get to the point? It gives people a sense of dignity and weight.
3. the so-called? Strong? , that is, Tibetan bones holding tendons and stippling, vigorous and powerful, showing? Wrapped in iron? The combination of rigidity and softness has both a sense of toughness and a sense of strength.
4. the so-called? Sese? That is, stippling is not slippery. In the process of writing, lines have the artistic effect of pushing across the paper and running hard. Just like sailing against the current, the more resistance and resistance are displayed, the more athletic the lines are, and they look vigorous and have a kind of masculinity and dominance.
Second, the lines are graceful. The main form of calligraphy is line, so some people call it calligraphy? Line art? . The basic element that embodies the beauty of lines is change. The predecessors once said:? The price of learning books is changing. ? Mastering some transitional skills in writing, such as pen-lifting, frustration, Ji Xu and writing, is the main way to change lines.
1, the fluctuation of the pen tip in operation, what is it called? News? . It is the unity of opposites of contradiction, and it is also the most common and important skill in application. Huang Tingjian praised Ou Yangxun? Is it wonderful to rise and fall with a pen? It means to press. By pressing a pen? Heavy as a cloud? Can a pen draw lines? As light as a cicada? People have a sense of change and ups and downs.
2. Frustration brushwork is also widely used. No matter whether you start writing or return to the front, you can't do without frustration. A stroke is a slight lift after a pause, so that the pen tip rotates out of its original position and transitions to the next action. Demi once said? Never accept anything, never droop or shrink. n. If you write sideways, you can lift it back to the front in a short time, so that the end of the pen will be thick. When writing with a hook, you can swing the pen holder at the turning point to make the pen tip recover and then pick it up, so that you can get a natural front.
3. Illness means quick drawing, quick drawing and instant preparation, which can make lines look better and strengthen strokes. Xu pen is a short and slow pen-carrying, which avoids the disadvantages of frivolous hand-sliding at the turning point of changing pens or picking hooks, and also avoids the phenomenon of excessive ink use. The ancients described it? As fast as a gust of wind and as slow as a pole? , refers to master Ji Xu should have the limit.
4. Transitional strokes are widely used in cursive script and cursive script. A secret crossing? This kind of brushwork, that is, excessive brushwork, is mostly a circular Lian Bi when writing repeated horizontal and vertical strokes. Depending on the surrounding situation, it is not advisable to use it more. If you use less, it will be icing on the cake, and what you use will become redundant. Passing through the pen is the stippling handed down, which is connected with each other and not entangled, forming a broken pen, or letting the stippling secretly cross and go back to the original road, that is? Visible in the unpainted gas, God stays behind the painted gas? , produce a sense of openness and momentum.
Third, the glyph combination is beautiful. That is, the structure of the book is beautiful. Because the word itself is composed of several words. Parts? Composed of, so-called? Structure? . In a single character, several kinds of stippling are combined. Among the combined characters, there are radical, middle palace periphery, cross support and chassis mutual support. There are many differences between fonts, such as large and small, long and flat, sparse and dense, wide and biting, simple and grotesque, and so on. However, in a work, it is necessary to have different postures and conform to the norms. Especially cursive script, the handwriting is too straight, it looks stiff and stiff, the knot is too dangerous, and it is easy to get involved in strange customs. Therefore, it is necessary to combine risks in the middle, sum up in the middle, tighten the middle palace, swing from side to side, lean to the right, and seek straightness in the middle of the song, so that it is unique and interesting.